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Period 18th century
Remove constraint Period: 18th centuryWidth [cm] 33
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1
- The Squire's Door
- ca. 1790
- Not on view
2
- Rochester
- 1799
- Not on view
3
- A Bridge Over the River Wye
- 1776
- Not on view
4
- A Stage Coach on a Country Road
- 1792
- Not on view
5
- Francis, second Earl of Godolphin
- 1733
- Not on view
6
- A Horse Affrighted by a Lion
- 1788
7
- The First Stage of Cruelty
- ca. 1750
8
- Autumn Sowing of the Grain
- ca. 1794
9
- Anger, Envy, and Fear
- undated
10
- 'Like that, the dial speaks; and points to thee' (Page 33)
- ca. 1797
11
- 'Teaching, we learn; and giving, we retain' (Page 35)
- ca. 1797
12
- Night the Third. Narcissa; Title Page
- ca. 1797
13
- 'And vapid; sense and reason shew the door' (Page 72)
- ca. 1797
14
- 'Angels should paint it, angels ever there' (Page 40)
- ca. 1797
15
- 'Ungrateful, shall we grieve their hovering shades' (Page 55)
- ca. 1797
16
- 'The Sun beheld it – No, the shocking scene' (Page 75)
- ca. 1797
17
- 'Is lost in love! thou great Philanthropist' (Page 87)
- ca. 1797
18
- 'His hand the good man fastens on the skies' (Page 86)
- ca. 1797
19
- 'That touch, with charm celestial heals the soul' (Page 90)
- ca. 1797
20
- 'When faith is virtue, reason makes it so' (Page 92)
- ca. 1797
21
- 'If angels tremble, 'tis at such a sight' (Page 93)
- ca. 1797
22
- 'Disease invades the chastest temperence' (Page 10)
- ca. 1797
23
- Night the First. On Life, Death and Immortality; Title Page
- 1797
24
- 'What, though my soul fantastick measures trod' (Page 4)
- 1797
25
- The Christian Triumph; Title Page
- 1797
26
- 'Till at Death's toll, whose restless iron tongue' (Page 7)
- 1797
27
- 'Its favours here are trials, not rewards' (Page 12)
- 1797
28
- Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
- 1797
29
- 'Emblem of that which shall awake the dead' (Page 19)
- 1797
30
- 'We censure nature for a span too short' (Page 23)
- 1797
31
- 'Time, in advance, behind him hides his wings' (Page 24)
- 1797
32
- 'Behold him, when past by; what then is seen' (Page 25)
- 1797
33
- 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
- 1797
34
- 'That touch, with charm celestial heals the soul' (Page 90)
- 1797
35
- 'When faith is virtue, reason makes it so' (Page 92)
- 1797
36
- 'The goddess bursts in thunder and in flame' (Page 95)
- 1797
37
- 'If angels tremble, 'tis at such a sight' (Page 93)
- 1797
38
- 'The present moment terminates our sight' (Page 13)
- 1797
39
- 'The longest night though longer far, would fail' (Page 15)
- 1797
40
- 'Oft bursts my song beyond the bounds of life' (Page 16)
- 1797
41
- 'Measuring his motions by revolving spheres' (Page 26)
- 1797
42
- 'Tis greatly wise to talk with our past hours' (Page 31)
- 1797
43
- 'Like that, the dial speaks; and points to thee' (Page 33)
- 1797
44
- 'Swift on his downy pinion flies from woe' (Page 1)
- 1797
45
- 'One radiant mark, – the death-bed of the just' (Page 41)
- 1797
46
- 'The thunder, if in that the Almighty dwells' (Page 80)
- 1797
47
- 'His hand the good man fastens on the skies' (Page 86)
- 1797
48
- 'Death! great proprietor of all! 'tis thine' (Page 8)
- 1797
49
- 'Disease invades the chastest temperence' (Page 10)
- 1797
50
- 'Teaching, we learn; and giving, we retain' (Page 35)
- 1797
51
- 'Love, and love only, is the loan for love' (Page 37)
- 1797
52
- 'Angels should paint it, angels ever there' (Page 40)
- 1797
53
- Night the Third. Narcissa; Title Page
- 1797
54
- 'Ungrateful, shall we grieve their hovering shades' (Page 55)
- 1797
55
- 'Till death, that mighty hunter, earths them all' (Page 70)
- 1797
56
- The Complaint, and the Consolation; or, Night Thoughts
- ca. 1797
57
- 'Till at Death's toll, whose restless iron tongue' (Page 7)
- ca. 1797
58
- The Chapel of the Foundling Hospital, London
- undated
59
- King's Mews, Charing Cross, London: Section
- 1731
60
- Fresh Gathered Peas, Young Hastings
- 1795
61
- Lord Henry and Lady Charlotte Spencer
- 1790
62
- West Window of the Chapel, New College Oxford: The Virtues - Temperance
- 1782
63
- Elizabeth, Countess of Pembroke and Montgomery, with Her Son, Honorable, George, Lord Herbert
- 1771
64
- Elizabeth Ann Sheridan (née Linley) as St. Cecilia
- 1779
65
- Frances Russell, Marquess of Tavistock
- 1767
66
- Reverend Thomas Warton
- 1786
67
- West Window of the Chapel, New College Oxford: The Virtues - Fortitude
- 1782
68
- Venus Childing Cupid
- 1784
69
- West Window of the Chapel, New College Oxford: The Virtues - Hope
- 1781
70
- Edgar, "King Lear", Act III, Scene III
- 1775
71
- Samuel Dyer
- 1773
72
- Venus and Cupid
- ca. 1768
73
- Sigismonda
- between 1769 and 1771
74
- A Scene in "The Recruiting Officer"
- ca. 1739
75
- Kitty Clive as Lady Easy in "The Careless Husband"
- 1739
76
- A School of Girls
- 1739
77
- The Morning Rose, What Shall Poor Harpax Do!
- 1744
78
- A School of Girls
- 1739
79
- A School of Boys
- 1739
80
- La benedicite
- undated
81
- La gouvernante
- undated
82
- West Window of the Chapel, New College Oxford: The Virtues - Faith
- 1781
83
- West Window of the Chapel, New College Oxford: The Virtues - Prudence
- 1782
84
- West Window of the Chapel, New College Oxford: The Virtues - Charity
- 1781
85
- West Window of the Chapel, New College Oxford: The Virtues - Justice
- 1782
86
- Miss Nelly O'Brien
- 1770
87
- The Right Reverent Thomas Newton, D.D
- 1776
88
- Sarsden House and Gardens, Oxfordshire: Bird's-eye View
- ca. 1795
89
- The River at Dusk, Oxford
- 1792
90
- A Crane
- 1791
91
- Chamaeler Chamaeleon
- undated
92
- Bridgenorth Bridge
- 1775
93
- Distant View of a Town
- 1775
94
- Picturesque Landscape
- undated
95
- Ecclesiastical, and, Political, State of the Nation
- 1780
96
- Najel
- undated
97
- A Macaroni Dressing Room
- 1772
98
- View on the Port Neuf at Paris
- 1771
99
- The Schinderlin
- 1777
100
- Louisa Finch (née Thynne), Countess of Aylesford
- 1783