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William Hogarth The Third Stage of Cruelty: Cruelty in Perfection - The Murder
Print made by William Hogarth, 1697–1764
The Third Stage of Cruelty: Cruelty in Perfection - The Murder
1751, printed 1790
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
1797
William Blake The Author Writing (Design 105)
William Blake, 1757–1827
The Author Writing (Design 105)
between 1797 and 1798
William Blake "Oft did the harvest to their sickle yield..." (Design 109)
William Blake, 1757–1827
"Oft did the harvest to their sickle yield..." (Design 109)
between 1797 and 1798
William Blake The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
William Blake, 1757–1827
The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
between 1797 and 1798
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
1797
William Blake "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
William Blake, 1757–1827
"Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
between 1797 and 1798
William Blake A Welch Bard (Design 53)
William Blake, 1757–1827
A Welch Bard (Design 53)
between 1797 and 1798
William Blake "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
William Blake, 1757–1827
"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
between 1797 and 1798
William Blake "Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
William Blake, 1757–1827
"Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
between 1797 and 1798
William Blake The Bard Weaving Edwards Fate (Design 55)
William Blake, 1757–1827
The Bard Weaving Edwards Fate (Design 55)
between 1797 and 1798
William Blake "Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
William Blake, 1757–1827
"Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
between 1797 and 1798
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
ca. 1797
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
ca. 1797
William Blake 'Till death, that mighty hunter, earths them all' (Page 70)
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
ca. 1797
William Blake "Her Henry's holy shade..." (Design 15)
William Blake, 1757–1827
"Her Henry's holy shade..." (Design 15)
between 1797 and 1798
William Blake "To chase the rolling circle's speed..." (Design 17)
William Blake, 1757–1827
"To chase the rolling circle's speed..." (Design 17)
between 1797 and 1798
William Blake "A brace of warriors... rustling in their silks and tissues..."(Design 27)
William Blake, 1757–1827
"A brace of warriors... rustling in their silks and tissues..."(Design 27)
between 1797 and 1798
William Blake "Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)
William Blake, 1757–1827
"Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)
between 1797 and 1798
William Blake "Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
William Blake, 1757–1827
"Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
between 1797 and 1798
William Blake The Purple Year awaking from the Roots of Nature (Design 3)
William Blake, 1757–1827
The Purple Year awaking from the Roots of Nature (Design 3)
between 1797 and 1798
William Blake "Where ignorance is bliss, 'Tis folly to be wise." (Design 21)
William Blake, 1757–1827
"Where ignorance is bliss, 'Tis folly to be wise." (Design 21)
between 1797 and 1798
William Blake A Widower and Children (Design 35)
William Blake, 1757–1827
A Widower and Children (Design 35)
between 1797 and 1798
William Blake "Cytherea's Day..." (Design 45)
William Blake, 1757–1827
"Cytherea's Day..." (Design 45)
between 1797 and 1798
William Blake "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
William Blake, 1757–1827
"A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
between 1797 and 1798
Joseph Wright of Derby A Church in Italy
Joseph Wright of Derby, 1734–1797
A Church in Italy
undated
J. Hadley The Severn-Henbury Village and Blaize Castle from the road in the Mill
Attributed to J. Hadley, active 1730–1758
The Severn-Henbury Village and Blaize Castle from the road in the Mill
undated
Giovanni Battista Borra The Basilica at Pergamon
Giovanni Battista Borra, 1713–1770
The Basilica at Pergamon
ca. 1750
John Hamilton Mortimer Reclining Female Figure in an Italian Landscape
John Hamilton Mortimer, 1740–1779
Reclining Female Figure in an Italian Landscape
undated
Pieter van Bleeck The Maid in Rural Happiness
Print made by Pieter van Bleeck, 1700–1764
The Maid in Rural Happiness
1757
John Dean Mercury
Print made by John Dean, 1754–1798
Mercury
1777
Francesco Bartolozzi Miss Farren
Print made by Francesco Bartolozzi, 1728–1815
Miss Farren
1792
Thomas Gainsborough Wooded Landscape with Herdsman and Cows
Print made by Thomas Gainsborough, 1727–1788
Wooded Landscape with Herdsman and Cows
between 1785 and 1788
John Dixon Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry
John Dixon, ca. 1740–1811
Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry
1771
Thomas Gainsborough Wooded Upland Landscape with Riders and Packhorse
Print made by Thomas Gainsborough, 1727–1788
Wooded Upland Landscape with Riders and Packhorse
1797
Agostino Brunias A Cudgelling Match between English and French Negroes in the Island of Dominica
Print made by Agostino Brunias, 1728–1796
A Cudgelling Match between English and French Negroes in the Island of Dominica
1779
Giovanni Battista Borra Aquedotto Angolare
Giovanni Battista Borra, 1713–1770
Aquedotto Angolare
ca. 1750
James Miller Near Putney
James Miller, active 1773–1814
Near Putney
1770s
George Bickham the Younger Architectural Designs incorporating Chinoiserie Motifs: Rails
Print made by George Bickham the Younger, ca. 1706–1771
Architectural Designs incorporating Chinoiserie Motifs: Rails
1751
Giovanni Battista Borra View of Maglova Aqueduct
Giovanni Battista Borra, 1713–1770
View of Maglova Aqueduct
ca. 1750
Giovanni Battista Borra View of the Modern City of Pergamon
Giovanni Battista Borra, 1713–1770
View of the Modern City of Pergamon
ca. 1750
James Miller Asgill House
James Miller, active 1773–1814
Asgill House
1770s
James Miller Gentlemen Punting near a Country Villa/ Heathan House, Twickenham
James Miller, active 1773–1814
Gentlemen Punting near a Country Villa/ Heathan House, Twickenham
1770s
James Miller Gentlemen Punting
James Miller, active 1773–1814
Gentlemen Punting
1770s
Louisa Augusta Greville Rural Scene with Herdsboys and Three Cows, Large Tree in Foreground
Print made by Louisa Augusta Greville, 1743–active 1762
Rural Scene with Herdsboys and Three Cows, Large Tree in Foreground
1760
John Robert Cozens Fountain of Vaucluse, behind the Perpendicular Rock
John Robert Cozens, 1752–1797
Fountain of Vaucluse, behind the Perpendicular Rock
undated
James Miller Miller Lane & Trees by River
James Miller, active 1773–1814
Miller Lane & Trees by River
1770s
George Bickham the Younger Architectural Designs Incorporating Chinoiserie motifs: China Railing
Print made by George Bickham the Younger, ca. 1706–1771
Architectural Designs Incorporating Chinoiserie motifs: China Railing
1751
George Bickham the Younger Architectural Designs incorporating Chinoiserie motifs: Japan Railing. A Hatch. An Obtuce Paling. Parallelgram Railing..
Print made by George Bickham the Younger, ca. 1706–1771
Architectural Designs incorporating Chinoiserie motifs: Japan Railing. A Hatch. An Obtuce Paling. Parallelgram Railing.
1751
James Miller The Swan Inn at Twickenham
James Miller, active 1773–1814
The Swan Inn at Twickenham
1770s
James Miller Church at Marlylebone
James Miller, active 1773–1814
Church at Marlylebone
1770s
James Miller House & Trees
James Miller, active 1773–1814
House & Trees
1770s
James Miller A Country Lane
James Miller, active 1773–1814
A Country Lane
1770s
George Lambert A Village Pond with Farm Buildings
George Lambert, 1700–1765
A Village Pond with Farm Buildings
undated
Thomas Girtin Melville Castle, Midlothian
Thomas Girtin, 1775–1802
Melville Castle, Midlothian
ca. 1796
Francis Towne Oakhampton Castle
Francis Towne, 1740–1816
Oakhampton Castle
1772
Michael "Angelo" Rooker Preliminary Study for "A Game of Bowls on the Bowling Green Outside the Bunch of Grapes Inn, Hurst, Berkshire"
Michael "Angelo" Rooker, 1746–1801
Preliminary Study for "A Game of Bowls on the Bowling Green Outside the Bunch of Grapes Inn, Hurst, Berkshire"
undated
unknown artist A View of Part of the Royal Gardens at Naples Towards the Sea
Print made by unknown artist
A View of Part of the Royal Gardens at Naples Towards the Sea
undated
Heinrich W. Schweickhardt Haymaking
Heinrich W. Schweickhardt, 1746–1797
Haymaking
undated
Alexander Cozens Mountainous Landscape
Alexander Cozens, 1717–1786
Mountainous Landscape
ca. 1780
Jean B. C. Chatelain A View of the Rotunda in the Garden at Stowe, Buckinghamshire
Jean B. C. Chatelain, 1710–1771
A View of the Rotunda in the Garden at Stowe, Buckinghamshire
1753
Jean B. C. Chatelain The Grotto and the Temple of Contemplation, Stowe
Jean B. C. Chatelain, 1710–1771
The Grotto and the Temple of Contemplation, Stowe
1752
Thomas Gainsborough Wooded Landscape with Figures
Thomas Gainsborough, 1727–1788
Wooded Landscape with Figures
ca. 1788
Heneage Finch fourth Earl of Aylesford Landscape with a Bridge
Heneage Finch fourth Earl of Aylesford, 1751–1812
Landscape with a Bridge
1790 to 1795
John Emes Matlock High Tor, Derbyshire
John Emes, 1762–1810
Matlock High Tor, Derbyshire
ca. 1786
John Dean Lady Cadogan
Print made by John Dean, 1754–1798
Lady Cadogan
1787