The Return of Othello, 'Othello,' Act II, Scene II
ca. 1799
Not on view
2
George Morland, 1763–1804
A Woman, possibly Anne (née Ward) Morland, Wife of the Artist
ca. 1795
Not on view
3
Agostino Brunias, 1728–1796
West Indian Women of Color, with a Child and Black Servant
ca. 1780
Not on view
4
Agostino Brunias, 1728–1796
Free West Indian Creoles in Elegant Dress
ca. 1780
Not on view
5
Agostino Brunias, 1728–1796
West Indian Man of Color, Directing Two Carib Women with a Child
ca. 1780
Not on view
6
Agostino Brunias, 1728–1796
Planter and his Wife, with a Servant
ca. 1780
Not on view
7
Agostino Brunias, 1728–1796
A West Indian Creole Woman Attended by her Black Servant
ca. 1780
Not on view
8
Agostino Brunias, 1728–1796
A Leeward Islands Carib family outside a Hut
ca. 1780
Not on view
9
Agostino Brunias, 1728–1796
A West Indian Flower Girl and Two other Free Women of Color
ca. 1769
Not on view
10
Charles Brooking, 1723–1759
A Lugger and a Smack in Light Airs
ca. 1750
Not on view
11
Charles Brooking, 1723–1759
A Cutter in a Strong Breeze
ca. 1750
Not on view
12
Agostino Brunias, 1728–1796
Free West Indian Dominicans
ca. 1770
Not on view
13
unknown artist
Walter Smith
1787
Not on view
14
Balthazar Nebot, active 1730–1762
Fishmonger's stall
1737
Not on view
15
William Hogarth, 1697–1764
Benjamin Read
ca. 1757
16
Print made by William Blake, 1757–1827
Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)
1793
17
Print made by William Blake, 1757–1827
"In happy copulation; if in evening mild, wearied with work..." (Plate 10)
1793
18
Print made by William Blake, 1757–1827
"And none but Bromian can hear my lamentations..." (Plate 6)
1793
19
Print made by William Blake, 1757–1827
"But when the morn arose, her lamentation renewd..." (Plate 8)
1793
20
Print made by William Blake, 1757–1827
Frontispiece (Plate 1)
1793
21
Print made by William Blake, 1757–1827
Title Page, Visions of the Daughters of Albion (Plate 2)
1793
22
Prints made by William Blake, 1757–1827
Visions of the Daughters of Albion: The Eye Sees More than the Heart Knows
1793
23
George Romney, 1734–1802
Plans for the House to be Built at Hampstead
1794
24
Thomas Patch, 1725–1782
Valentino, Servitore de Piazza
1769
25
John Michael Rysbrack, 1694–1770
Design for a Monument to Sir James Reade, Hatfield
undated
26
Nicholas Pocock, 1740–1821
View from Ashton Meadows, Bristol
1791
27
Edward Penny, 1714–1791
The Generosity of Johnny Permain
undated
28
Hugh Douglas Hamilton, 1739–1808
Henry Reveley
1770
29
Thomas Hearne, 1744–1817
The Ruins of the College of Lincluden, Near Dumfries
ca. 1778
30
unknown artist
Heveningham Hall, Suffolk
between 1782 and 1790
31
William Kent, ca.1686–1748
Townsend's Building at Rousham, Oxfordshire: Elevation and Plan
ca. 1738
32
Thomas Hearne, 1744–1817
The Gateway of Lancaster Castle
ca. 1778
33
Thomas Hearne, 1744–1817
The Ruins of Leiston Abbey
1781
34
Mary Harcourt, 1750–1833
Tournon Opposite to Teint on the Rhone
ca. 1780
35
Attributed to Theodore Jacobsen, died 1772
The Chapel of the Foundling Hospital, London
undated
36
Print made by William Byrne, 1743–1805
The Ruins of the College of Lincluden
1782
37
Sir James Thornhill, 1675–1734
Sheet of Classical Figure Studies
undated
38
James Moore, 1762–1799
The Artist Sketching Mlle. de St. Legier as a Shepherdess
1787
39
Print made by unknown artist
A View of Several Palaces at Naples at Sun Rise
undated
40
Sir George Howland Beaumont seventh Baronet, 1753–1827
Leasehold Farm Boxted
1791
41
Hubert-François Gravelot, 1699–1773
Two Prize Fighters
ca. 1742
42
unknown artist
Ariadne
undated
43
unknown artist
Design for Wall Paper
ca. 1760
44
Sir James Thornhill, 1675–1734
The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors
undated
45
James Lambert of Lewes, 1725–1788
The Monument of Thomas Fiennes
undated
46
Sparrow, active 1773–1787
Herstmonceux Castle, Sussex Pl. 4
undated
47
Gangaram Chintaman Tambat, active 1790s
Illumination Columns
undated
48
Robert Dighton, 1752–1814
A Lesson Westward, or, A Morning Visit to Betsy Cole
1782
49
Robert Dighton, 1752–1814
A Lesson Westward - or A Morning Visit to Betsy Cole
1782
50
Richard Wilson, 1713/4–1782
Shepherd Seated Under a Tree
undated
51
Thomas Patch, 1725–1782
Thomaso Patch, Autore
1768
52
Sparrow, active 1773–1787
Herstmonceux Castle, Sussex Pl. IV
undated
53
James Bruce, 1730–1794
Treron waalia (Bruce's Green Pigeon)
undated
54
Luigi Balugani, 1737–1770
Binney: number one (a fish)
undated
55
Print made by John Landseer, 1769–1852
Orchard Bay
1799
56
Print made by John Landseer, 1769–1852
Alum Bay and the Needles
1799
57
James Bruce, 1730–1794
Order of the two courts of the Temple at Baalbec
undated
58
James Bruce, 1730–1794
Plan of upright of the semi circular Exedra of Temple at Baalbec
undated
59
Print made by John Landseer, 1769–1852
Freshwater Bay
1799
60
Print made by John Landseer, 1769–1852
Alum Bay and the Needles
1799
61
Print made by Johan Joseph Zoffany, 1733–1810
Samson Overcome by the Philistines
ca. 1758
62
Gangaram Chintaman Tambat, active 1790s
Two Jeyties Fighting
ca. 1792
63
Luigi Balugani, 1737–1770
Albizia gummifera (J.F.Gmel.) C.A. Sm. (Gummy Albizia Tree): finished drawing with minor variations in flowering head
undated
64
Luigi Balugani, 1737–1770
Commiphora gileadensis (L.) C. Chr. (Balm of Gilead, Opobalsam): finished drawing of fruiting branch
Albizia gummifera (J.F. Gmel.) C.A. Sm. (Gummy Albizia Tree): finished drawing of flowering head of shoot, with details of inflorescence, florets, and leaf
ca. 1768
67
Luigi Balugani, 1737–1770
Euphorbia abyssinica J.F. Gmel. (Ethiopian Tree-Spurge): finished drawing of single trunk, with details of whole and dissected fruits
undated
68
Luigi Balugani, 1737–1770
Protea gaguedi J.F. Gmel. (Protea): finished drawing with floral details
undated
69
James Bruce, 1730–1794
Coracias abyssinicus (Abyssinian Roller)
undated
70
James Bruce, 1730–1794
Lophaetus occipitalis (Long-Crested Eagle)
undated
71
James Bruce, 1730–1794
Threkiornis aethiopicus (African Sacred Ibis)
undated
72
James Bruce, 1730–1794
Bocorvus abyssinicus (Abyssinian Ground Hornbill)
undated
73
Print made by James Walker, 1748–1808
Peterborough
1796
74
Print made by James S. Storer, 1771–1853
Birmingham
1795
75
Print made by James Walker, 1748–1808
Chester
1796
76
Print made by James Walker, 1748–1808
Westminster Bridge
1797
77
Print made by John Walker, active 1792–1803
Flint, from Park-Gate
1797
78
Print made by James Walker, 1748–1808
Hampton Court Palace, Herefordshire
1797
79
Print made by James Walker, 1748–1808
Ely
1797
80
Print made by James Walker, 1748–1808
Wakefield
1798
81
Print made by John Landseer, 1769–1852
Orchard Bay
1799
82
Print made by John Landseer, 1769–1852
Freshwater Bay
1799
83
Print made by M. A. Picot, 1782–1838
The Lord of the Vineyard Paying His Labourers
1771
84
Print made by Johann Lorenz Haid, 1702–1750
The Musician
1764
85
Charles Townley, 1746–c.1800
Sir Thomas Pasley
1795
86
James Wilson, c.1735–c.1786
Mary, Lady Boynton (d. 1778)
1771
87
Print made by Francis E. Adams, active ca.1760–1775
Miss Carpenters
1773
88
Print made by Andreas van der Myn, born 1714
Miss Anna Maria Falkner
between 1750 and 1768
89
Richard Purcell, active 1746–1766
Frances, Countess of Essex (d. 1759)
90
Thomas Johnson, 1709–1767
Lady Erskine
91
Richard Purcell, active 1746–1766
Lady Fenoulhet (Miss Day)
92
Print made by Charles Spooner, c.1720–1767
The Studious Fair
undated
93
Print made by James Watson, 1740–1790
Summer
undated
94
Print made by James Watson, 1740–1790
The Brickdust Man
undated
95
Print made by James Watson, 1740–1790
Domestick Amusement: Playing the Guitar
undated
96
Print made by James Watson, 1740–1790
Spring
undated
97
Print made by James Watson, 1740–1790
Winter
undated
98
Isaac Beckett, 1652/3–1719
Elizabeth, Countess of Chesterfield (1640-1665)
99
Thomas Frye, 1710–1762
Her Most Excellent Majesty Charlotte, Queen of Great Britain