Subscription Ticket: Three Characters and Four Caricaturas
1743
9
Joseph Mallord William Turner, 1775–1851
Villa in a Valley near Vietri sul Mare
ca. 1794
10
Joseph Mallord William Turner, 1775–1851
From the Isola Borromena, Lago Maggiore
ca. 1795
11
Print made by William Blake, 1757–1827
Thel's Motto (Plate 1)
1789
12
Print made by William Blake, 1757–1827
Title Page, The Book of Thel (Plate 2)
1789
13
Print made by William Blake, 1757–1827
Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
1789
14
Print made by William Blake, 1757–1827
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
15
Prints made by William Blake, 1757–1827
The Book of Thel
1789
16
Print made by William Blake, 1757–1827
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
17
Print made by William Blake, 1757–1827
II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
1789
18
Print made by William Blake, 1757–1827
IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
1789
19
Print made by William Blake, 1757–1827
III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
1789
20
George Romney, 1734–1802
Pamela
undated
21
George Romney, 1734–1802
Lady Leaning on a Column: (Possibly a Sketch for "Miss Woodley")
undated
22
George Romney, 1734–1802
The Witches' Cavern
between 1792 and 1793
23
George Romney, 1734–1802
The Bath of Bath-sheba
undated
24
George Romney, 1734–1802
Figure Composition Study 12
undated
25
George Romney, 1734–1802
Figure Composition Study 18
undated
26
George Romney, 1734–1802
Figure Composition Study 26
undated
27
George Romney, 1734–1802
Figure Composition Study 22
undated
28
George Romney, 1734–1802
Figure Composition Study 45
undated
29
George Romney, 1734–1802
Figure Composition Study 32
undated
30
George Romney, 1734–1802
Figure Composition Study 44
undated
31
George Romney, 1734–1802
Figure Composition Study 47
undated
32
George Romney, 1734–1802
Figure Composition Study 31
undated
33
James Gillray, 1756–1815
The Monster Broke Loose - or - A Peep into the Shakespeare - Gallery
1791
34
Richard Newton, 1777–1798
Pot Luck
1797
35
Richard Newton, 1777–1798
Drink to me only with thine Eyes
1797
36
James Sayer, 1748–1823
The Minister Endeavouring to Eke Out Dr. Pr--ty-----n's Bisho-Prick
1787
37
unknown artist
A Barbers Examination
1795
38
unknown artist
A Concise Explanation of the Convention Bills!!
1795
39
unknown artist
An Arch Duke and An Arch General!!!
1799
40
Alexander Runciman, 1736–1785
The Landing of St. Catherine
41
unknown artist
The Knight of the Woeful Contenance going to Expirpate the National Assembly (from: Caricature, vol. 7)
1790
42
unknown artist
A Lock'd Jaw for John Bull
1795
43
Edward Topham, 1751–1820
The Union, - Whom --- Has Join'd, Let No Man put Asunder!
1783
44
James Sayer, 1748–1823
Carlo Khan's Triumphal entry into Leadenhall Street
1783
45
George Vertue, 1684–1756
The Monument in Westminster Abbey of King Henry V
between 1699-1756
46
Print made by James Walker, 1748–1808
Westminster Bridge
1797
47
Alexander Bannerman, ca. 1730–1780
Van Son
1762
48
Print made by Thomas Chambars, ca. 1724–1789
Robert van Voerst
1771
49
Print made by Thomas Chambars, ca. 1724–1789
George Vertue, Engraver
undated
50
Print made by Francesco Bartolozzi, 1728–1815
St. Cecilia
1784
51
Print made by Isaac Cruikshank, 1764–1811
Mrs. Pickles Mistake or the New Papa Disappointed with Justice Shallows Attempt to Charm the Brutes
1791
52
James Gillray, 1756–1815
Hint to Modern Sculptors, as an Ornament to a Future Square ---
1796
53
after George Moutard Woodward, ca. 1760–1809
Deep Politicians
1790
54
Print made by George Moutard Woodward, ca. 1760–1809
A Charge of Bastardy before Justice Juggle
1790
55
Richard Newton, 1777–1798
John Taylor, Verger to the Lodge of Black Friars, at the Fos, Bloomsbury most worthy Father - (') T-is Past Eleven O'Clock
1793
56
unknown artist
A Member of the Riding House at Paris, Delivering an Harangue from the Shoulders of a French Citizen
1799
57
Isaac Cruikshank, 1764–1811
The Modern Gulliver Removing the P(a)rl(iamen)t of Lilliput
1800
58
unknown artist
The Elopment!
1791
59
Thomas Colley, active 1780s
Oh! Lord, Howe - They Run, - Or - Jack English Clearing the Gangway before Gibralter
1782
60
unknown artist
A French Man of War
1781
61
unknown artist
A Visit to the Tombs in Westminister Abbey
1789
62
unknown artist
Father Peters Leading his Mangy Whelp to be Touched for the Evil
1780
63
Edward Fisher, 1722–1785
His Royal Highness William Augustus, Duke of Cumberland
ca. 1760
64
Print made by Francesco Bartolozzi, 1728–1815
Tancred and Clorinda
1785
65
Isaac Cruikshank, 1764–1811
Bachelor's Hall
1791
66
Thomas Rowlandson, 1756–1827
The Minister Casting Up His Accounts
1789
67
Print made by unknown artist
H-st-gs ho, rare H-st-gs! What a Man Buys He May Sell
1788
68
Thomas Rowlandson, 1756–1827
Britannia's Support or the Conspirators Defeated - The Hospital for Lunatics
1789
69
Isaac Cruikshank, 1764–1811
A Right Hon(oura)ble, Alias a Sans Culotte, Alias the Man of the People, Alias the Dissipated Patriot....Alias the Protector turned Begger
1793
70
Isaac Cruikshank, 1764–1811
Effects of the Dog Tax
1796
71
John Sturt, 1658–1730
Proposals for Engraving by Subscription, The Book of Common Prayer
c.1720
72
unknown artist
A view of the inside of Westminster Hall
ca. 1700
73
unknown artist
A Prospect of the Inside of Westminster, Shewing how the King and Queen with the Nobility and others did sit at Dinner on the Day of the Coronation. Also the manner of tghe Champions performing the Ceremony of Challenge whilst the King & c. were at Dinner
74
Samuel Howitt, 1756–1822
Coursing: Setting Out
1794
75
Samuel Howitt, 1756–1822
Coursing: The Kill
1794
76
Paul Sandby, 1731–1809
Studies of a Carter Pumping Water For His Horses
undated
77
Isaac Cruikshank, 1764–1811
The Cryer, Alias the Bell Weather
1797
78
Isaac Cruikshank, 1764–1811
The Republican Soldier
1798
79
Isaac Cruikshank, 1764–1811
The Royal Soldier in His Majesty's Service
1798
80
Francis Towne, 1740–1816
Near Ambleside
1786
81
Thomas Rowlandson, 1756–1827
Female Dancer with a Tambourine
between 1790 and 1795
82
Thomas Rowlandson, 1756–1827
Ladies at Tea
between 1790 and 1795
83
Jacobus Houbraken, 1698–1780
Handel
ca. 1737
84
Print made by Elizabeth Blackwell, died 1774
Pastinaca (Parsnip), Plate 379 from 'A Curious Herbal', volume II, London, 1737
1737
85
Print made by Thomas Chambars, ca. 1724–1789
Peter Tillemans
undated
86
Print made by Thomas Chambars, ca. 1724–1789
Nicholas Laniere
undated
87
Alexander Bannerman, ca. 1730–1780
George Lambert
undated
88
Print made by James Bretherton, ca. 1730–1806
Henry Herbert Earl of Pembroke
1762
89
John Opie, 1761–1807
Study of a Draped Classical Torso
undated
90
Print made by Francesco Bartolozzi, 1728–1815
Ticket to a Concert of Ancient Vocal and Instrumental Music
1786
91
Print made by Jacobus Houbraken, 1698–1780
George Lord Digby Earl of Bristol
1738
92
Print made by Benjamin Green, ca. 1736–ca. 1800
The Welch Bridge at Shrewsbury
1776
93
Print made by Thomas Chambars, ca. 1724–1789
William van der Velde, Junior
undated
94
Print made by Thomas Chambars, ca. 1724–1789
Paul Van Somer
undated
95
Alexander Bannerman, ca. 1730–1780
La Soeur
undated
96
Print made by Thomas Chambars, ca. 1724–1789
Sir John Medina
undated
97
Print made by Thomas Chambars, ca. 1724–1789
Sir John Medina
undated
98
Print made by Thomas Chambars, ca. 1724–1789
Nicholas Hilliard
undated
99
Print made by Thomas Chambars, ca. 1724–1789
Cornelius Ketel
undated
100
John Hamilton Mortimer, 1740–1779
Pastoral (Four laid down on one sheet)(Notes to numbers 84-86 of Catalogue Mortimer Exhibition 1968)