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Period 18th century

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Width [cm] 114

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Morning: Landscape with Cattle
Creator:
George Barret, ca. 1728/32–1784
Date:
ca. 1775
Materials & Techniques:
Oil on canvas
Dimensions:
20 × 39 1/2 inches (50.8 × 100.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Morning: Landscape with Mares and Sheep
Creator:
George Barret, ca. 1728/32–1784
Date:
ca. 1775
Materials & Techniques:
Oil on canvas
Dimensions:
18 × 26 inches (45.7 × 66 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Academy by Lamplight
Creator:
Joseph Wright of Derby, 1734–1797
Date:
1769
Materials & Techniques:
Oil on canvas
Dimensions:
50 x 39 3/4 inches (127 x 101 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Le Champ de drap d'or
Creator:
James Basire, 1730–1802
Date:
ca. 1774
Materials & Techniques:
Etching and engraving
Dimensions:
Plate: 22 x 45in. (55.9 x 114.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
British, Neoclassical frame
Creator:
unknown framemaker
Date:
last third of 18th century
Materials & Techniques:
Carved wood, original gilding and water gilding
Dimensions:
Frame: 55 1/2 × 45 × 2 1/4 inches (141 × 114.3 × 5.7 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art
British or Irish (?), Neoclassical frame
Creator:
unknown framemaker
Date:
4th quarter of 18th century
Materials & Techniques:
Carved wood, later oil gilding over original gilding
Dimensions:
Frame: 25 1/2 × 45 × 2 1/2 inches (64.8 × 114.3 × 6.4 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Architectural Neoclassical moulding frame
Creator:
unknown framemaker
Date:
4th quarter of 18th century
Materials & Techniques:
Carved wood, original gilding
Dimensions:
Frame: 32 7/8 × 44 3/4 × 2 1/2 inches (83.5 × 113.7 × 6.4 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art