The Harlowe Family, from Samuel Richardson's "Clarissa"
between 1745 and 1747
Not on view
8
Marcellus Laroon the Younger, 1679–1772
Lovers in a Park
ca. 1745
Not on view
9
John Michael Rysbrack, 1694–1770
William III
ca. 1736
Not on view
10
Robert Adam, 1728–1792
Headfort House, Ireland: Elevation of the Eating Parlor
1771
11
James Bruce, 1730–1794
Architectural detail of Plaque above Niches in Arch at Tripoli
undated
12
James Bruce, 1730–1794
Elevation of Arch at Tripoli
undated
13
James Bruce, 1730–1794
Aquaduct at Carthage
undated
14
James Bruce, 1730–1794
Architectural detail of column at Assuras
undated
15
James Bruce, 1730–1794
Elevation of Pedestal Entableature of the Arch at Tripoli
undated
16
James Bruce, 1730–1794
Architectural detail of Column of Arch at Tripoli
undated
17
James Bruce, 1730–1794
Architectural Details of Pedestal Column and Entablature and Pediment Makther
undated
18
James Bruce, 1730–1794
Elevation and Plan of the Arch at Zanfour
undated
19
James Bruce, 1730–1794
Elevation and Plan of Arch at Makther
ca. 1768
20
James Bruce, 1730–1794
XLX Lower Arch at Makther Details of Cornice
undated
21
James Bruce, 1730–1794
Tucca Terebinthina; Title Page
undated
22
Print made by James Walker, 1748–1808
Lady Isabella Hamilton
1782
23
Print made by Thomas Cheesman, 1760–1834/35
General Washington
1796
24
unknown artist
Asian Openbill Stork (Anastomus oscitans)
undated
25
Print made by John Raphael Smith, 1752–1812
Hon. Mrs. Stanhope
1783
26
William Emmett, 1671–1736
The Front or West End of the Cathedral Church of St. Pauls, London
1702
27
Francesco Bartolozzi, 1728–1815
The Death of Chatham
1788
28
James Gillray, 1756–1815
Evacuation Before Resignation
1782
29
James Ward, 1769–1859
The Right Hon'ble Adam Duncan, Viscount Duncan of Camperdown and Baron Duncan of Lundie in the Shire of Fairfax, Admiral of the Blue Squadron and Knight of the Russian Imperial Order of S.r. Alexander Nevsky
1798
30
William Ward, 1766–1826
Industry and Economy
1794
31
Print made by John Dixon, ca. 1740–1811
Mary, Duchess of Ancaster
between 1765 and 1771
32
Print made by Thomas Watson, 1743–1781
Catherine, Lady Bampfylde
1779
33
Print made by Thomas Watson, 1743–1781
Elizabeth Lady Melbourne with Her Son, the Honourable. Peniston Lamb
1775
34
Print made by John Raphael Smith, 1752–1812
Lady Caroline Montagu as 'Winter'
1777
35
Print made by John Raphael Smith, 1752–1812
Colonel Tarleton
1782
36
Print made by Johann Jacobé, 1733–1797
The Honorable Miss Monckton
1779
37
Isaac Weld, 1774–1856
View of Niagara Falls with the Falls in the Background, Right, and Landscape with Houses in the Foreground
between 1795 and 1797
38
Thomas Watson, 1743–1781
Mrs. Theresa (née Robinson) Parker
1773
39
Print made by John Jones, ca. 1745–1797
Caleb Whitefoord, F.R.S., F.S.A
1793
40
Print made by Richard Earlom, 1743–1822
George Augustus Elliot Lord Heathfield
1788
41
Print made by Thomas Cheesman, 1760–1834/35
General Washington
1796
42
Print made by Richard Earlom, 1743–1822
Bathsheba Bringing Abishag to David
1779
43
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford, Adoration of the Shepherds, From the Nativity Scene
1785
44
Richard Earlom, 1743–1822
The West Window of the Chapel, New College Oxford
1785
45
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford: Shepherd Boy and Dog, Part Nativity Window
1785
46
unknown artist
Design after a Greek Vase
undated
47
unknown artist
Design after a Greek Vase
undated
48
Print made by John Jones, ca. 1745–1797
The Honble Mrs. Tollemache, in the Character of Miranda
1786
49
Print made by William Dickinson, 1746–1823
Diana, Viscountess Crosbie
ca. 1779
50
Print made by James Watson, 1740–1790
Charles James Fox, with Lady Sarah Lenox and Lady Susan Strangways
1762
51
John Raphael Smith, 1752–1812
Sir Harbord Harbord Bart
1783
52
Print made by Robert Thew, 1758–1802
King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)
1792
53
James Gillray, 1756–1815
Sawney in the Bog-House
1779
54
James Gillray, 1756–1815
The Injured Countess
1786-1788
55
James Gillray, 1756–1815
Junction of Parties
1783
56
James Gillray, 1756–1815
A View in Perspective. The Zenith of French Glory. The Pinnacle of Liberty
1793
57
James Gillray, 1756–1815
National Conveniences
1796
58
James Gillray, 1756–1815
Ladies Dress, as it soon will be
1796
59
James Gillray, 1756–1815
Fashionable Jockeyship
1796
60
James Gillray, 1756–1815
The Castle in the Moon
1782
61
James Gillray, 1756–1815
Wouski
1788
62
James Gillray, 1756–1815
The Balance of Power. - OR - "The Posterity of the Immortal Chatham, Turn'd Posture Master." - Vide Sheridan's Speech -
1791
63
James Gillray, 1756–1815
Sir Richard Worse-than-sly, Exposing his Wifes Bottom; O Fye!
1782
64
James Gillray, 1756–1815
The Minister endeavouring to eke out Dr. Pr*ty***n's Bisho-Prick
1787
65
James Gillray, 1756–1815
Westminster School. - or - Dr. Busby Settling Accounts with Master-Billy and his Playmates
1785
66
James Gillray, 1756–1815
The Royal Joke or Black Jacks Delight
1788
67
James Gillray, 1756–1815
The Siege of Blenheim - or - The New System of Gunning Discoverd -
1791
68
James Gillray, 1756–1815
Swearing to the Cutting Monster or A Scene in Bow Street
1790
69
James Gillray, 1756–1815
The Fall of Phaeton
1788
70
James Gillray, 1756–1815
Lubber's Hole - alias - The Crack'd Jordan
1791
71
James Gillray, 1756–1815
The Bolgna Sausages or Opposition Flux'd
1788
72
James Gillray, 1756–1815
The Devil to Pay; The Wife Metamorphos'd or Neptune reposing after Fording the Jordan
1791
73
James Gillray, 1756–1815
Patience on a Monument
1791
74
James Gillray, 1756–1815
Nature display'd, shewing the Effect of the change of the Seasons on the Ladies garden
1797
75
James Gillray, 1756–1815
Wha Wants Me?
1792
76
James Gillray, 1756–1815
The Grand - Signior retiring
1796
77
James Gillray, 1756–1815
Presentation of the Mahometan Credentials - or - The Final resource of French Atheists
1793
78
James Gillray, 1756–1815
Duke William's Ghost
1799
79
James Gillray, 1756–1815
"The Feast of Reason & the Flow of the Soul," - I.E. - The Wits of the Age, Setting the Table in a - Roar
1797
80
James Gillray, 1756–1815
The Orangerie; - or - the Dutch Cupid reposing after the fatigues of Planting
1796
81
James Gillray, 1756–1815
Enchantments lately seen upon the Mountains of Wales, - or - Shon-ap-Morgan's Reconcilement to the Fairy Princess
1796
82
James Gillray, 1756–1815
The Monster going to take his Afternoons Luncheon
1790
83
James Gillray, 1756–1815
Fashionable Contrasts - or The Duchess's little shoe yielding to the Magnitude of the Duke's Foot
1792
84
James Gillray, 1756–1815
The Physick; - or - The News of Shooting the King of Sweden
1792
85
James Gillray, 1756–1815
The Coming-on of the Monsoons; - or - The Retreat from Seringapatam
1791
86
James Gillray, 1756–1815
Going to London, through "Epping Forest"
1802
87
James Gillray, 1756–1815
The French Invasion; or John Bull, bombarding the Bum Boats
1793
88
James Gillray, 1756–1815
Miss, I have a Monstrous Crow to pluck with you!!
1794
89
James Gillray, 1756–1815
The Jersey Smuggler detected; - or - Good Cause for Seperation [scored through and replaced by] Discontent
1796
90
Print made by John Raphael Smith, 1752–1812
Mrs. Carnac
1778
91
Mary Hoare, 1744–1820
Prospero and Miranda
1781
92
James Watson, 1740–1790
Charles James Fox with Lady Sarah Bunbury and Lady Susan Strangways
1762
93
Print made by Robert Thew, 1758–1802
First Part of King Henry the sixth: Keep, My Lord ... (Act II, Scene 5)
1793
94
Print made by Valentine Green, 1739–1813
Georgiana, Duchess of Devonshire as 'Cynthia'
1783
95
Print made by Valentine Green, 1739–1813
Countess of Salisbury
1781
96
William Dickinson, 1746–1823
Diana Viscountess Crosbie
1779
97
Print made by Valentine Green, 1739–1813
Georgiana, Duchess of Devonshire
1780
98
Print made by Valentine Green, 1739–1813
The Salutation
1778
99
James Watson, 1740–1790
Elizabeth (née Dashwood) Montague, With Her Son, George Montague, Viscount Mandeville