The Right Hon'ble Adam Duncan, Viscount Duncan of Camperdown and Baron Duncan of Lundie in the Shire of Fairfax, Admiral of the Blue Squadron and Knight of the Russian Imperial Order of S.r. Alexander Nevsky
1798
3
John Raphael Smith, 1752–1812
Sir Harbord Harbord Bart
1783
4
Print made by James Walker, 1748–1808
Lady Isabella Hamilton
1782
5
Print made by Thomas Watson, 1743–1781
Catherine, Lady Bampfylde
1779
6
Print made by William Dickinson, 1746–1823
Diana, Viscountess Crosbie
ca. 1779
7
Print made by Thomas Watson, 1743–1781
Elizabeth Lady Melbourne with Her Son, the Honourable. Peniston Lamb
1775
8
Print made by Johann Jacobé, 1733–1797
The Honorable Miss Monckton
1779
9
Print made by John Raphael Smith, 1752–1812
Lady Caroline Montagu as 'Winter'
1777
10
Print made by John Dixon, ca. 1740–1811
Mary, Duchess of Ancaster
between 1765 and 1771
11
Print made by Thomas Cheesman, 1760–1834/35
General Washington
1796
12
Print made by Richard Earlom, 1743–1822
Bathsheba Bringing Abishag to David
1779
13
Print made by Thomas Cheesman, 1760–1834/35
General Washington
1796
14
Print made by John Raphael Smith, 1752–1812
Colonel Tarleton
1782
15
Print made by John Jones, ca. 1745–1797
The Honble Mrs. Tollemache, in the Character of Miranda
1786
16
Print made by John Jones, ca. 1745–1797
Caleb Whitefoord, F.R.S., F.S.A
1793
17
Print made by James Watson, 1740–1790
Charles James Fox, with Lady Sarah Lenox and Lady Susan Strangways
1762
18
Thomas Watson, 1743–1781
Mrs. Theresa (née Robinson) Parker
1773
19
Richard Earlom, 1743–1822
The West Window of the Chapel, New College Oxford
1785
20
James Gillray, 1756–1815
Evacuation Before Resignation
1782
21
William Emmett, 1671–1736
The Front or West End of the Cathedral Church of St. Pauls, London
1702
22
Francesco Bartolozzi, 1728–1815
The Death of Chatham
1788
23
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford, Adoration of the Shepherds, From the Nativity Scene
1785
24
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford: Shepherd Boy and Dog, Part Nativity Window
1785
25
Print made by John Raphael Smith, 1752–1812
Hon. Mrs. Stanhope
1783
26
Print made by Richard Earlom, 1743–1822
George Augustus Elliot Lord Heathfield
1788
27
James Gillray, 1756–1815
Sawney in the Bog-House
1779
28
James Gillray, 1756–1815
Junction of Parties
1783
29
James Gillray, 1756–1815
Wouski
1788
30
James Gillray, 1756–1815
The Injured Countess
1786-1788
31
James Gillray, 1756–1815
The Castle in the Moon
1782
32
James Gillray, 1756–1815
The Minister endeavouring to eke out Dr. Pr*ty***n's Bisho-Prick
1787
33
James Gillray, 1756–1815
The Balance of Power. - OR - "The Posterity of the Immortal Chatham, Turn'd Posture Master." - Vide Sheridan's Speech -
1791
34
James Gillray, 1756–1815
Sir Richard Worse-than-sly, Exposing his Wifes Bottom; O Fye!
1782
35
James Gillray, 1756–1815
Westminster School. - or - Dr. Busby Settling Accounts with Master-Billy and his Playmates
1785
36
James Gillray, 1756–1815
The Monster going to take his Afternoons Luncheon
1790
37
James Gillray, 1756–1815
The Siege of Blenheim - or - The New System of Gunning Discoverd -
1791
38
James Gillray, 1756–1815
The Bolgna Sausages or Opposition Flux'd
1788
39
James Gillray, 1756–1815
Patience on a Monument
1791
40
James Gillray, 1756–1815
Fashionable Contrasts - or The Duchess's little shoe yielding to the Magnitude of the Duke's Foot
1792
41
James Gillray, 1756–1815
The Devil to Pay; The Wife Metamorphos'd or Neptune reposing after Fording the Jordan
1791
42
James Gillray, 1756–1815
Wha Wants Me?
1792
43
James Gillray, 1756–1815
Ladies Dress, as it soon will be
1796
44
James Gillray, 1756–1815
The Coming-on of the Monsoons; - or - The Retreat from Seringapatam
1791
45
James Gillray, 1756–1815
National Conveniences
1796
46
James Gillray, 1756–1815
The Physick; - or - The News of Shooting the King of Sweden
1792
47
James Gillray, 1756–1815
Nature display'd, shewing the Effect of the change of the Seasons on the Ladies garden
1797
48
James Gillray, 1756–1815
Going to London, through "Epping Forest"
1802
49
James Gillray, 1756–1815
Fashionable Jockeyship
1796
50
James Gillray, 1756–1815
A View in Perspective. The Zenith of French Glory. The Pinnacle of Liberty
1793
51
James Gillray, 1756–1815
Presentation of the Mahometan Credentials - or - The Final resource of French Atheists
1793
52
James Gillray, 1756–1815
The French Invasion; or John Bull, bombarding the Bum Boats
1793
53
James Gillray, 1756–1815
Enchantments lately seen upon the Mountains of Wales, - or - Shon-ap-Morgan's Reconcilement to the Fairy Princess
1796
54
James Gillray, 1756–1815
The Orangerie; - or - the Dutch Cupid reposing after the fatigues of Planting
1796
55
James Gillray, 1756–1815
The Grand - Signior retiring
1796
56
James Gillray, 1756–1815
"The Feast of Reason & the Flow of the Soul," - I.E. - The Wits of the Age, Setting the Table in a - Roar
1797
57
James Gillray, 1756–1815
The Jersey Smuggler detected; - or - Good Cause for Seperation [scored through and replaced by] Discontent
1796
58
James Gillray, 1756–1815
Duke William's Ghost
1799
59
Print made by Robert Thew, 1758–1802
King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)
1792
60
James Gillray, 1756–1815
The Royal Joke or Black Jacks Delight
1788
61
James Gillray, 1756–1815
The Fall of Phaeton
1788
62
James Gillray, 1756–1815
Swearing to the Cutting Monster or A Scene in Bow Street
1790
63
James Gillray, 1756–1815
Lubber's Hole - alias - The Crack'd Jordan
1791
64
James Gillray, 1756–1815
Miss, I have a Monstrous Crow to pluck with you!!
1794
65
Print made by John Raphael Smith, 1752–1812
Mrs. Carnac
1778
66
Print made by Valentine Green, 1739–1813
Countess of Salisbury
1781
67
Print made by Valentine Green, 1739–1813
Georgiana, Duchess of Devonshire
1780
68
James Watson, 1740–1790
Elizabeth (née Dashwood) Montague, With Her Son, George Montague, Viscount Mandeville
1770
69
James Watson, 1740–1790
Charles James Fox with Lady Sarah Bunbury and Lady Susan Strangways
1762
70
Print made by Robert Thew, 1758–1802
First Part of King Henry the sixth: Keep, My Lord ... (Act II, Scene 5)