Newmarket Heath, with the King's stables rubbing house at the finish of the Beacon Course
ca. 1765
Not on view
2
Joseph Mallord William Turner, 1775–1851
A Limekiln, Possibly at Briton Ferry in South Wales
ca. 1795-96
Not on view
3
Attributed to Thomas Hudson, 1707–1779
Alexander van Aken
ca. 1770
Not on view
4
Dominic Serres, 1722–1793
An English Two-Decker Lying Hove to, with Other Ships and Vessels in a Fresh Breeze
1770
Not on view
5
George Smith, 1714–1776
A Winter Landscape
1752
Not on view
6
George Smith, 1714–1776
A View Near Arundel, Sussex, with Ruins by Water
mid-18th century
Not on view
7
Joseph Wright of Derby, 1734–1797
The Prisoner
1787 to 1790
Not on view
8
George Morland, 1763–1804
St. James's Park
between 1788 and 1790
Not on view
9
Thomas Gainsborough, 1727–1788
Landscape with cottage and church
between 1771 and 1772
Not on view
10
Peter Monamy, 1681–1749
Shipping in a Calm
between 1700 and 1725
Not on view
11
Print made by William Hogarth, 1697–1764
Hogarth Painting the Comic Muse
1764
12
George Romney, 1734–1802
David Playing the Harp
undated
13
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
14
Print made by William Blake, 1757–1827
'O treacherous conscience!' (Page 27)
ca. 1797
15
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
ca. 1797
16
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
ca. 1797
17
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
ca. 1797
18
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
ca. 1797
19
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
ca. 1797
20
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
ca. 1797
21
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
ca. 1797
22
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
ca. 1797
23
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
ca. 1797
24
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
ca. 1797
25
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
ca. 1797
26
Print made by William Blake, 1757–1827
'Where sense runs savage broke from reason's chain' (Page 46)
ca. 1797
27
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
ca. 1797
28
Print made by William Blake, 1757–1827
'Death! great proprietor of all! 'tis thine' (Page 8)
1797
29
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
1797
30
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
1797
31
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
1797
32
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
1797
33
Print made by William Blake, 1757–1827
'Oft bursts my song beyond the bounds of life' (Page 16)
1797
34
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
1797
35
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
1797
36
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
1797
37
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
1797
38
Print made by William Blake, 1757–1827
'O treacherous conscience! while she seems to sleep" (Page 27)
1797
39
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
1797
40
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
41
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
1797
42
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
1797
43
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
1797
44
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
1797
45
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
1797
46
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
1797
47
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
ca. 1797
48
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
ca. 1797
49
Print made by William Blake, 1757–1827
Pity
ca. 1795
50
Christian von Mechel, 1737–1817
Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
1792
51
Sir James Thornhill, 1675–1734
The Sermon on the Mount
undated
52
Print made by Henry Hulsberg, active 1700s–died 1729
Cobham Hall, Kent: First and Second Floor Plans
1715 to 1725
53
James Wyatt, 1746–1813
Cobham Hall, Kent: Unidentified Plan
ca. 1790
54
Jacob More, 1740–1793
A View at Terracina
1778
55
Robert Marris, 1750–1827
Waterfall near Lynton
1780
56
Print made by James McArdell, ca. 1729–1765
The Tribute Money
undated
57
Print made by Samuel Okey, active 1765–1780
Money and Little Wit
undated
58
Print made by Johann Philip Koch, ca. 1716–1796
Der Keusche Joseph - Joseph Castus
undated
59
Print made by Johann Philip Koch, ca. 1716–1796
L'Automne - Der Herbst
undated
60
Print made by Johann Philip Koch, ca. 1716–1796
Le Printemps - Der Fruhling
undated
61
Print made by Johann Philip Koch, ca. 1716–1796
Die Unschuldige Susana - Susanna Innocens
undated
62
Print made by Johann Lorenz Haid, 1702–1750
Manna maria est quia est subtilis et splendida suavis et virgo, quae veluti coelitus veniens, cunctis ecclesiaru populis cibum dulciorem melle defluxis
undated
63
Print made by Johann Lorenz Haid, 1702–1750
La jeune cabarttiere
early 1750s
64
Print made by John Smith, the mezzotinter, 1652–1743
The Triumph of Galatea
1701
65
Print made by Johann Lorenz Haid, 1702–1750
Le paysan paresseux
early 1750s
66
Print made by Johann Lorenz Haid, 1702–1750
Portrait of a Man with a Staff
early 1750s
67
Print made by Johann Lorenz Haid, 1702–1750
Le jeune devot
undated
68
Print made by Johann Lorenz Haid, 1702–1750
L'Enseigne mor
undated
69
Print made by James Watson, 1740–1790
Domestick Amusement: Playing the Guitar
undated
70
Print made by Johann Jacobus Haid, 1704–1767
S. Bartholomaeus
undated
71
Robert Laurie, 1755?–1836
Mrs Banks
1772
72
Pieter van Bleeck, 1700–1764
Mrs. Cibber in the Character of Cordelia in Play of King Lear, Act III
73
Sir Richard Colt Hoare, 1758–1838
Church of S. Domenico on the river Fibrenus
1790
74
Print made by James Watson, 1740–1790
Frances Russell, Marquess of Tavistock
1767
75
James McArdell, ca. 1729–1765
Maria, Countess Waldegrave
1762
76
Sir Richard Colt Hoare, 1758–1838
Monastery of La Trappe, at Casamare
1790
77
Sir Richard Colt Hoare, 1758–1838
The Carthusian Convent at Trisulto
1790
78
Sir Richard Colt Hoare, 1758–1838
Palace of the Duca di Sora Where the Rivers Separate, at Isola di Sora
1791
79
Sir Richard Colt Hoare, 1758–1838
Ducal Palace at Isola di Sora
1791
80
Sir Richard Colt Hoare, 1758–1838
Ducal Palace at Isola di Sora
1790
81
Sir Richard Colt Hoare, 1758–1838
View on the river Liris, near Isola di Sora
1790
82
Sir Richard Colt Hoare, 1758–1838
Ducal Palace etc at Isola di Sora
1791
83
Sir Richard Colt Hoare, 1758–1838
View at Isola di Sora
1790
84
Sir Richard Colt Hoare, 1758–1838
View on the Liris at Isola di Sora
1790
85
Sir Richard Colt Hoare, 1758–1838
View on the river Liris, near Isola
1790
86
Sir Richard Colt Hoare, 1758–1838
View on the River Liris, near Isola
1790
87
James McArdell, ca. 1729–1765
Thomas Secker, Lord Bishop of Oxford
1747
88
Charles Phillips, 1737– after 1783
Miss Nelly O'Brien
1770
89
John Jones, ca. 1745–1797
Lady Caroline Price (née Carpenter)
1788
90
Print made by Caroline Kirkley, active 1796–1797
Sir Joshua Reynolds
1795
91
Sir Richard Colt Hoare, 1758–1838
The Carthusian Convent at Trisulto
1790
92
Sir Richard Colt Hoare, 1758–1838
The Monastery of the order of La Trappe, at Casamare between Frusinone and Sora
1790
93
Sir Richard Colt Hoare, 1758–1838
Convento del Carmine, at Isola di Sora
1790
94
Sir Richard Colt Hoare, 1758–1838
View on the Liris near Isola
1790
95
Sir Richard Colt Hoare, 1758–1838
The Church of S. Domenico, and the site of Cicero's Villa, on the river Fibrenus
1790
96
Sir Richard Colt Hoare, 1758–1838
View on the Liris, near Isola di Sora
1790
97
unknown artist
Bob Blunt in Amaze, or Female Fashionable Fallies
98
James Barry, 1741–1806
The Queen or Domestic Education at Windsor (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)