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Period 18th century

Remove constraint Period: 18th century

Height [cm] 41

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George Stubbs Newmarket Heath, with the King's stables rubbing house at the finish of the Beacon Course
George Stubbs, 1724–1806
Newmarket Heath, with the King's stables rubbing house at the finish of the Beacon Course
ca. 1765
Not on view
Joseph Mallord William Turner A Limekiln, Possibly at Briton Ferry in South Wales
Joseph Mallord William Turner, 1775–1851
A Limekiln, Possibly at Briton Ferry in South Wales
ca. 1795-96
Not on view
Thomas Hudson Alexander van Aken
Attributed to Thomas Hudson, 1707–1779
Alexander van Aken
ca. 1770
Not on view
Dominic Serres An English Two-Decker Lying Hove to, with Other Ships and Vessels in a Fresh Breeze
Dominic Serres, 1722–1793
An English Two-Decker Lying Hove to, with Other Ships and Vessels in a Fresh Breeze
1770
Not on view
George Smith A Winter Landscape
George Smith, 1714–1776
A Winter Landscape
1752
Not on view
George Smith A View Near Arundel, Sussex, with Ruins by Water
George Smith, 1714–1776
A View Near Arundel, Sussex, with Ruins by Water
mid-18th century
Not on view
Joseph Wright of Derby The Prisoner
Joseph Wright of Derby, 1734–1797
The Prisoner
1787 to 1790
Not on view
George Morland St. James's Park
George Morland, 1763–1804
St. James's Park
between 1788 and 1790
Not on view
Thomas Gainsborough Landscape with cottage and church
Thomas Gainsborough, 1727–1788
Landscape with cottage and church
between 1771 and 1772
Not on view
Peter Monamy Shipping in a Calm
Peter Monamy, 1681–1749
Shipping in a Calm
between 1700 and 1725
Not on view
William Hogarth Hogarth Painting the Comic Muse
Print made by William Hogarth, 1697–1764
Hogarth Painting the Comic Muse
1764
George Romney David Playing the Harp
George Romney, 1734–1802
David Playing the Harp
undated
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
William Blake 'O treacherous conscience!' (Page 27)
Print made by William Blake, 1757–1827
'O treacherous conscience!' (Page 27)
ca. 1797
William Blake 'Tis greatly wise to talk with our past hours' (Page 31)
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
ca. 1797
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
ca. 1797
William Blake 'One radiant mark, – the death-bed of the just' (Page 41)
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
ca. 1797
William Blake 'The present moment terminates our sight' (Page 13)
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
ca. 1797
William Blake 'Angels should paint it, angels ever there' (Page 40)
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
ca. 1797
William Blake 'Emblem of that which shall awake the dead' (Page 19)
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
ca. 1797
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
ca. 1797
William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
ca. 1797
William Blake 'This King of Terrors is the Prince of Peace' (Page 63)
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
ca. 1797
William Blake 'Till death, that mighty hunter, earths them all' (Page 70)
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
ca. 1797
William Blake Night the Third. Narcissa; Title Page
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
ca. 1797
William Blake 'Where sense runs savage broke from reason's chain' (Page 46)
Print made by William Blake, 1757–1827
'Where sense runs savage broke from reason's chain' (Page 46)
ca. 1797
William Blake 'Disease invades the chastest temperence' (Page 10)
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
ca. 1797
William Blake 'Death! great proprietor of all! 'tis thine' (Page 8)
Print made by William Blake, 1757–1827
'Death! great proprietor of all! 'tis thine' (Page 8)
1797
William Blake 'Disease invades the chastest temperence' (Page 10)
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
1797
William Blake 'The longest night though longer far, would fail' (Page 15)
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
1797
William Blake 'The present moment terminates our sight' (Page 13)
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
1797
William Blake 'Behold him, when past by; what then is seen' (Page 25)
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
1797
William Blake 'Oft bursts my song beyond the bounds of life' (Page 16)
Print made by William Blake, 1757–1827
'Oft bursts my song beyond the bounds of life' (Page 16)
1797
William Blake 'Emblem of that which shall awake the dead' (Page 19)
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
1797
William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
1797
William Blake Night the Third. Narcissa; Title Page
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
1797
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
1797
William Blake 'O treacherous conscience! while she seems to sleep" (Page 27)
Print made by William Blake, 1757–1827
'O treacherous conscience! while she seems to sleep" (Page 27)
1797
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
1797
William Blake 'Angels should paint it, angels ever there' (Page 40)
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
1797
William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
1797
William Blake 'This King of Terrors is the Prince of Peace' (Page 63)
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
1797
William Blake 'Tis greatly wise to talk with our past hours' (Page 31)
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
1797
William Blake 'One radiant mark, – the death-bed of the just' (Page 41)
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
1797
William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
ca. 1797
William Blake 'The longest night though longer far, would fail' (Page 15)
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
ca. 1797
William Blake Pity
Print made by William Blake, 1757–1827
Pity
ca. 1795
Christian von Mechel Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
Christian von Mechel, 1737–1817
Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
1792
Sir James Thornhill The Sermon on the Mount
Sir James Thornhill, 1675–1734
The Sermon on the Mount
undated
Henry Hulsberg Cobham Hall, Kent: First and Second Floor Plans
Print made by Henry Hulsberg, active 1700s–died 1729
Cobham Hall, Kent: First and Second Floor Plans
1715 to 1725
James Wyatt Cobham Hall, Kent: Unidentified Plan
James Wyatt, 1746–1813
Cobham Hall, Kent: Unidentified Plan
ca. 1790
Jacob More A View at Terracina
Jacob More, 1740–1793
A View at Terracina
1778
Robert Marris Waterfall near Lynton
Robert Marris, 1750–1827
Waterfall near Lynton
1780
James McArdell The Tribute Money
Print made by James McArdell, ca. 1729–1765
The Tribute Money
undated
Samuel Okey Money and Little Wit
Print made by Samuel Okey, active 1765–1780
Money and Little Wit
undated
Johann Philip Koch Der Keusche Joseph - Joseph Castus
Print made by Johann Philip Koch, ca. 1716–1796
Der Keusche Joseph - Joseph Castus
undated
Johann Philip Koch L'Automne - Der Herbst
Print made by Johann Philip Koch, ca. 1716–1796
L'Automne - Der Herbst
undated
Johann Philip Koch Le Printemps - Der Fruhling
Print made by Johann Philip Koch, ca. 1716–1796
Le Printemps - Der Fruhling
undated
Johann Philip Koch Die Unschuldige Susana - Susanna Innocens
Print made by Johann Philip Koch, ca. 1716–1796
Die Unschuldige Susana - Susanna Innocens
undated
Johann Lorenz Haid Manna maria est quia est subtilis et splendida suavis et virgo, quae veluti coelitus veniens, cunctis ecclesiaru populis cibum dulciorem melle defluxis
Print made by Johann Lorenz Haid, 1702–1750
Manna maria est quia est subtilis et splendida suavis et virgo, quae veluti coelitus veniens, cunctis ecclesiaru populis cibum dulciorem melle defluxis
undated
Johann Lorenz Haid La jeune cabarttiere
Print made by Johann Lorenz Haid, 1702–1750
La jeune cabarttiere
early 1750s
John Smith, the mezzotinter The Triumph of Galatea
Print made by John Smith, the mezzotinter, 1652–1743
The Triumph of Galatea
1701
Johann Lorenz Haid Le paysan paresseux
Print made by Johann Lorenz Haid, 1702–1750
Le paysan paresseux
early 1750s
Johann Lorenz Haid Portrait of a Man with a Staff
Print made by Johann Lorenz Haid, 1702–1750
Portrait of a Man with a Staff
early 1750s
Johann Lorenz Haid Le jeune devot
Print made by Johann Lorenz Haid, 1702–1750
Le jeune devot
undated
Johann Lorenz Haid L'Enseigne mor
Print made by Johann Lorenz Haid, 1702–1750
L'Enseigne mor
undated
James Watson Domestick Amusement: Playing the Guitar
Print made by James Watson, 1740–1790
Domestick Amusement: Playing the Guitar
undated
Johann Jacobus Haid S. Bartholomaeus
Print made by Johann Jacobus Haid, 1704–1767
S. Bartholomaeus
undated
Robert Laurie Mrs Banks
Robert Laurie, 1755?–1836
Mrs Banks
1772
Pieter van Bleeck Mrs. Cibber in the Character of Cordelia in Play of King Lear, Act III
Pieter van Bleeck, 1700–1764
Mrs. Cibber in the Character of Cordelia in Play of King Lear, Act III
Sir Richard Colt Hoare Church of S. Domenico on the river Fibrenus
Sir Richard Colt Hoare, 1758–1838
Church of S. Domenico on the river Fibrenus
1790
James Watson Frances Russell, Marquess of Tavistock
Print made by James Watson, 1740–1790
Frances Russell, Marquess of Tavistock
1767
James McArdell Maria, Countess Waldegrave
James McArdell, ca. 1729–1765
Maria, Countess Waldegrave
1762
Sir Richard Colt Hoare Monastery of La Trappe, at Casamare
Sir Richard Colt Hoare, 1758–1838
Monastery of La Trappe, at Casamare
1790
Sir Richard Colt Hoare The Carthusian Convent at Trisulto
Sir Richard Colt Hoare, 1758–1838
The Carthusian Convent at Trisulto
1790
Sir Richard Colt Hoare Palace of the Duca di Sora Where the Rivers Separate, at Isola di Sora
Sir Richard Colt Hoare, 1758–1838
Palace of the Duca di Sora Where the Rivers Separate, at Isola di Sora
1791
Sir Richard Colt Hoare Ducal Palace at Isola di Sora
Sir Richard Colt Hoare, 1758–1838
Ducal Palace at Isola di Sora
1791
Sir Richard Colt Hoare Ducal Palace at Isola di Sora
Sir Richard Colt Hoare, 1758–1838
Ducal Palace at Isola di Sora
1790
Sir Richard Colt Hoare View on the river Liris, near Isola di Sora
Sir Richard Colt Hoare, 1758–1838
View on the river Liris, near Isola di Sora
1790
Sir Richard Colt Hoare Ducal Palace etc at Isola di Sora
Sir Richard Colt Hoare, 1758–1838
Ducal Palace etc at Isola di Sora
1791
Sir Richard Colt Hoare View at Isola di Sora
Sir Richard Colt Hoare, 1758–1838
View at Isola di Sora
1790
Sir Richard Colt Hoare View on the Liris at Isola di Sora
Sir Richard Colt Hoare, 1758–1838
View on the Liris at Isola di Sora
1790
Sir Richard Colt Hoare View on the river Liris, near Isola
Sir Richard Colt Hoare, 1758–1838
View on the river Liris, near Isola
1790
Sir Richard Colt Hoare View on the River Liris, near Isola
Sir Richard Colt Hoare, 1758–1838
View on the River Liris, near Isola
1790
James McArdell Thomas Secker, Lord Bishop of Oxford
James McArdell, ca. 1729–1765
Thomas Secker, Lord Bishop of Oxford
1747
Charles Phillips Miss Nelly O'Brien
Charles Phillips, 1737– after 1783
Miss Nelly O'Brien
1770
John Jones Lady Caroline Price (née Carpenter)
John Jones, ca. 1745–1797
Lady Caroline Price (née Carpenter)
1788
Caroline Kirkley Sir Joshua Reynolds
Print made by Caroline Kirkley, active 1796–1797
Sir Joshua Reynolds
1795
Sir Richard Colt Hoare The Carthusian Convent at Trisulto
Sir Richard Colt Hoare, 1758–1838
The Carthusian Convent at Trisulto
1790
Sir Richard Colt Hoare The Monastery of the order of La Trappe, at Casamare between Frusinone and Sora
Sir Richard Colt Hoare, 1758–1838
The Monastery of the order of La Trappe, at Casamare between Frusinone and Sora
1790
Sir Richard Colt Hoare Convento del Carmine, at Isola di Sora
Sir Richard Colt Hoare, 1758–1838
Convento del Carmine, at Isola di Sora
1790
Sir Richard Colt Hoare View on the Liris near Isola
Sir Richard Colt Hoare, 1758–1838
View on the Liris near Isola
1790
Sir Richard Colt Hoare The Church of S. Domenico, and the site of Cicero's Villa, on the river Fibrenus
Sir Richard Colt Hoare, 1758–1838
The Church of S. Domenico, and the site of Cicero's Villa, on the river Fibrenus
1790
Sir Richard Colt Hoare View on the Liris, near Isola di Sora
Sir Richard Colt Hoare, 1758–1838
View on the Liris, near Isola di Sora
1790
unknown artist Bob Blunt in Amaze, or Female Fashionable Fallies
unknown artist
Bob Blunt in Amaze, or Female Fashionable Fallies
James Barry The Queen or Domestic Education at Windsor (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)
James Barry, 1741–1806
The Queen or Domestic Education at Windsor (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)
after 1783
James Watson James Paine and his Son
Print made by James Watson, 1740–1790
James Paine and his Son
1767
Giuseppe Marchi Mrs. Harriet Bouverie and Mrs. Frances Ann Crewe
Print made by Giuseppe Marchi, ca. 1735–1808
Mrs. Harriet Bouverie and Mrs. Frances Ann Crewe
1770