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Period 18th century

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Work Type watercolor

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Subject Terms sheep

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William Blake The Lamb (Plate 8)
Print made by William Blake, 1757–1827
The Lamb (Plate 8)
1789
William Blake Songs of Innocence, Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
Songs of Innocence, Frontispiece (Plate 1)
1789
William Blake On Anothers Sorrow (Plate 24)
Print made by William Blake, 1757–1827
On Anothers Sorrow (Plate 24)
1789
William Blake Infant Joy (Plate 14)
Print made by William Blake, 1757–1827
Infant Joy (Plate 14)
1789
William Blake Spring (Plate 26)
Print made by William Blake, 1757–1827
Spring (Plate 26)
1789
William Blake 'Swift on His Downy Pinion Flies from Woe' (Page 1)
Print made by William Blake, 1757–1827
'Swift on His Downy Pinion Flies from Woe' (Page 1)
ca. 1797
William Blake 'Disease invades the chastest temperence' (Page 10)
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
ca. 1797
William Blake The Shepherd (Plate 4)
Print made by William Blake, 1757–1827
The Shepherd (Plate 4)
1789
William Blake The Chimney Sweeper (Plate 10)
Print made by William Blake, 1757–1827
The Chimney Sweeper (Plate 10)
1789
William Blake Spring (Plate 12)
Print made by William Blake, 1757–1827
Spring (Plate 12)
1789
William Blake 'Swift on his downy pinion flies from woe' (Page 1)
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
1797
William Blake 'Disease invades the chastest temperence' (Page 10)
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
1797
William Blake "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
William Blake, 1757–1827
"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
between 1797 and 1798
William Blake The Lamb (Plate 18)
Print made by William Blake, 1757–1827
The Lamb (Plate 18)
1789
William Blake The Clod & the Pebble (Plate 36)
Print made by William Blake, 1757–1827
The Clod & the Pebble (Plate 36)
1794
William Blake "In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
Print made by William Blake, 1757–1827
"In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
1793
William Blake Spring, from Songs of Innocence
Print made by William Blake, 1757–1827
Spring, from Songs of Innocence
ca. 1795
William Blake The Shepherd, from Songs of Innocence
Print made by William Blake, 1757–1827
The Shepherd, from Songs of Innocence
ca. 1795
Julius Caesar Ibbetson Farmyard Animals: Tribulation
Julius Caesar Ibbetson, 1759–1817
Farmyard Animals: Tribulation
1797
Thomas Hearne The Ruins of the College of Lincluden, Near Dumfries
Thomas Hearne, 1744–1817
The Ruins of the College of Lincluden, Near Dumfries
ca. 1778
Samuel Howitt A Park Landscape with Shepherd and Sheep
Samuel Howitt, 1756–1822
A Park Landscape with Shepherd and Sheep
1793
Thomas Hearne View from Skiddaw over Derwentwater
Thomas Hearne, 1744–1817
View from Skiddaw over Derwentwater
between 1772 and 1782
James Lambert of Lewes North East View of a House at Ringmer with Cattle and Sheep by a Pond
James Lambert of Lewes, 1725–1788
North East View of a House at Ringmer with Cattle and Sheep by a Pond
1787
Francis Wheatley Adelaide
Francis Wheatley, 1747–1801
Adelaide
between 1785 and 1786
Paul Sandby Couple in a Farmyard
Paul Sandby, 1731–1809
Couple in a Farmyard
1782
James Moore The Artist Sketching Mlle. de St. Legier as a Shepherdess
James Moore, 1762–1799
The Artist Sketching Mlle. de St. Legier as a Shepherdess
1787
Paul Sandby Landscape with beech trees and man driving cattle and sheep
style of Paul Sandby, 1731–1809
Landscape with beech trees and man driving cattle and sheep
undated
Richard Brookes Sheep, and Three Animals
Richard Brookes, 1721–1763
Sheep, and Three Animals
ca. 1760
Paul Sandby Ruins of Newark Castle
style of Paul Sandby, 1731–1809
Ruins of Newark Castle
undated
William Pars Temple of Venus and Rome from the Colosseum
William Pars, 1742–1782
Temple of Venus and Rome from the Colosseum
1781
Paul Sandby Roslin Castle, Midlothian
Paul Sandby, 1731–1809
Roslin Castle, Midlothian
ca. 1780
William Beilby Kielder Castle, Northumberland
William Beilby, 1740–1819
Kielder Castle, Northumberland
undated
Paul Sandby Ipswich from the Grounds of Christchurch Mansion
Paul Sandby, 1731–1809
Ipswich from the Grounds of Christchurch Mansion
undated
Paul Sandby Italianate Landscape with Travelers, No. 1
Paul Sandby, 1731–1809
Italianate Landscape with Travelers, No. 1
ca. 1765
Paul Sandby Italianate Landscape with Travellers no. 2
Paul Sandby, 1731–1809
Italianate Landscape with Travellers no. 2
ca. 1760
William Beilby Prudhoe Castle, Northumberland
William Beilby, 1740–1819
Prudhoe Castle, Northumberland
undated
William Beilby Bridge at Alnwick Castle, Northumberland
William Beilby, 1740–1819
Bridge at Alnwick Castle, Northumberland
undated
John Robert Cozens The Lake of Nemi
John Robert Cozens, 1752–1797
The Lake of Nemi
between 1783 and 1785
John Robert Cozens The Thames from Richmond Hill Looking Southwest
John Robert Cozens, 1752–1797
The Thames from Richmond Hill Looking Southwest
ca. 1791
Thomas Girtin Rocca del Papa, with Monte Cavo
Thomas Girtin, 1775–1802
Rocca del Papa, with Monte Cavo
ca. 1796
Thomas Girtin Valle Crucis Abbey, near Llangollen
imitator of Thomas Girtin, 1775–1802
Valle Crucis Abbey, near Llangollen
between 1798 and 1801
John Warwick Smith In the Camp Vaccinio at Rome
John Warwick Smith, 1749–1831
In the Camp Vaccinio at Rome
ca. 1777
Thomas Gainsborough Mountain Landscape with Figures, Sheep and Fountain
Thomas Gainsborough, 1727–1788
Mountain Landscape with Figures, Sheep and Fountain
between 1785 and 1788
John Robert Cozens The Lake of Albano and Castle Gandolfo
John Robert Cozens, 1752–1797
The Lake of Albano and Castle Gandolfo
ca. 1779
Thomas Gainsborough Wooded Landscape with Shepherd and Sheep
Thomas Gainsborough, 1727–1788
Wooded Landscape with Shepherd and Sheep
between 1765 and 1770
Bernard Lens III Classical Landscape
Bernard Lens III, 1682–1740
Classical Landscape
1717