'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
2
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
3
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
ca. 1797
4
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
5
Print made by William Blake, 1757–1827
'Oft bursts my song beyond the bounds of life' (Page 16)
1797
6
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
1797
7
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
8
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
1797
9
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
10
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
ca. 1797
11
Print made by Robert Dunkarton, 1744–1811
Sisters Contemplating on Mortality
1770
12
Print made by Richard Earlom, 1743–1822
A Shepherd Boy
1781
13
Print made by John Raphael Smith, 1752–1812
Master Henry George Herbert as the 'Infant Bacchus'
1776
14
Print made by Richard Earlom, 1743–1822
The Enchantress
1786
15
Print made by Thomas Cheesman, 1760–1834/35
Lady Hamilton as The Sempstress
1787
16
Print made by Thomas Cheesman, 1760–1834/35
Lady Hamilton as the Spinster
1789
17
Print made by Richard Earlom, 1743–1822
The Enchantress
1786
18
Print made by John Dixon, ca. 1740–1811
A Peasant Family
between 1765 and 1771
19
Print made by John Simon, 1675–1751
Autumn
1758
20
Print made by Richard Earlom, 1743–1822
The Exposition of Cyrus
1781
21
Print made by Johann Jacobus Haid, 1704–1767
Rhetorica. Die Redekunst
undated
22
after Sir Joshua Reynolds, 1723–1792
Birth of Bacchus
1788
23
Print made by Simon Gribelin, 1662–1733
The Ceiling of the Banqueting House at Whitehall: The Union of the Crowns of England and Scotland
1720
24
Print made by Simon Gribelin, 1662–1733
The Ceiling in the Banqueting House at Whitehall
ca. 1720
25
Print made by Robert Blyth, 1750–1784
Silenus
1779
26
Print made by Robert Blyth, 1750–1784
Silenus
1779
27
Print made by J. Carwitham, active 1720–1740
A New Drawing Book of Variety of Landskips
ca. 1730
28
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
29
Print made by Richard Cosway, 1742–1821
Richard and Maria Cosway, and Ottobah Cugoano
1784
30
Print made by George Bickham the Elder, 1683/4–1758
Two Turkeys, two hens and four doves a plate for 'A New Drawing Book...of Various Kinds of Birds, Drawn from the Life by Mr. Francis Barlow' 1731 (1 of 9)
1731
31
Caroline Watson, 1760–1814
Garrick Reading the Ode at the Shakespeare Jubilee
1784
32
Print made by Jacob Bonneau, 1741–1786
One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
1751
33
Print made by Anthony Cardon, 1772–1813
Credulity
1796
34
Simon François Ravenet, 1706–1774
Mr. Garrick and Miss Bellamy in the Characters of Romeo and Juliet
1753
35
James Gillray, 1756–1815
Doublûres of Characters; - or - Striking Resemblance in Phisiognomy