Period: 18th century / Work Type: intaglio print / Subject Terms: science

Print made by William Hogarth, 1697–1764

The Fourth Stage of Cruelty: The Reward of Cruelty

1751, printed 1790

Print made by William Blake, 1757–1827

'The thunder, if in that the Almighty dwells' (Page 80)

1797

Print made by William Blake, 1757–1827

What is Man!, Frontispiece (Plate 1)

1793

Print made by James Caldwall, 1739–1819

A French Physician with His Retinue Going to Visit His Patients

1771

Edward Fisher, 1722–1785

Admiral Augustus Keppel, Viscount Keppel

1759

Print made by Valentine Green, 1739–1813

Peter and John Going to the Sepulchre

1784

Simon François Ravenet, 1706–1774

Mr. Garrick and Miss Bellamy in the Characters of Romeo and Juliet

1753

Figures engraved by William Sharp, 1749–1824

Niobe

1792

Print made by William Woollett, 1735–1785

The Fishery

1768

Richard Bernard Godfrey, 1728–op.1794

Ships in Distress

1796

Simon François Ravenet, 1706–1774

The Good Samaritan

1772

Print made by Francesco Bartolozzi, 1728–1815

Ticket: For the Benefit of Mr. Salomon

1794

Print made by Francesco Bartolozzi, 1728–1815

Ticket: Mr. Cox's Museum

1772

Samuel William Reynolds, 1773–1835

Garrick, In the Character of Abel Drugger

1825

Print made by John Dean, 1754–1798

A Shepherdess

1786

Print made by Butler Clowes, active 1768, died 1782

The Engineer

ca. 1770

Engraved by William Woollett, 1735–1785

Celadon and Amelia

1766

Print made by Richard Earlom, 1743–1822

Scene of a Storm, with a Vessel Wrecked

1774

Print made by unknown artist

A View of the Salfatara, a Remarkable Mountain Near Naples

undated

Print made by James Bretherton, ca. 1730–1806

The Damnation of Obadiah

1773

Print made by Pierre Charles Canot, ca. 1710–1777

A Ship in Distress

1745

Print made by Pierre Charles Canot, ca. 1710–1777

Shipwreck

1745

Print made by John Boydell, 1720–1804

The Wreck of the Nuestra Senora de los Remedios

1753

Print made by Francesco Bartolozzi, 1728–1815

Dr. John Fothergill

1782

Print made by Peter P. Benazech, 1767–1794

For Japanning, Plate 3

1757

Print made by Peter P. Benazech, 1767–1794

For Japanning, Plate 5

1757

Print made by Benjamin Green, ca. 1736–ca. 1800

Oxford Physic Garden

1766

Print made by Elizabeth Blackwell, died 1774

Lysimachia (Loosestrife), Plate 278 from 'A Curious Herbal', volume II, London, 1737

1737

John Harris the elder Phalaena Aceris. Acer Rubrum (Grey Maple Moth, Red Maple), Plate 93 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797

Print made by John Harris the elder, 1767–1832

Phalaena Aceris. Acer Rubrum (Grey Maple Moth, Red Maple), Plate 93 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797

1797

John Harris the elder Phalaena Quernaria. Quercus Rubra (American Oak Beauty, Northern Red Oak), Plate 103 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797

Print made by John Harris the elder, 1767–1832

Phalaena Quernaria. Quercus Rubra (American Oak Beauty, Northern Red Oak), Plate 103 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797

1797