At Length for Hatching Ripe He Breaks the Shell (Plate 8)
1793
3
Print made by William Blake, 1757–1827
'Swift on His Downy Pinion Flies from Woe' (Page 1)
ca. 1797
4
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
5
Print made by William Blake, 1757–1827
Help! Help! (Plate 12)
1793
6
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
1797
7
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
1797
8
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
ca. 1797
9
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
10
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
ca. 1797
11
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
ca. 1797
12
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
ca. 1797
13
Print made by William Blake, 1757–1827
'Time, in advance, behind him hides his wings' (Page 24)
1797
14
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
1797
15
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
16
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
1797
17
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
18
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
1797
19
Print made by Lydia Bates, active 1784
Coastal Scene
1784
20
Print made by Lydia Bates, active 1784
Little Missenden Church from the Southeast
1784
21
Print made by William Byrne, 1743–1805
The Ruins of the College of Lincluden
1782
22
Print made by Peter P. Benazech, 1767–1794
The Brave Captain Tyrrill in the Buckingham of 66 Guns and 472 Men, Defeating the Florissant, Aigrette & Atalante, Three French Ships of War, 3rd November, 1758
ca. 1760
23
Print made by Peter P. Benazech, 1767–1794
The Glorious Defeat of the French Fleet under the Command of Marshal Conflans, off Belle-Isle, on the 20th of November, 1759, ..
ca. 1759
24
Print made by Peter P. Benazech, 1767–1794
The Monmouth of 64 Guns, taking the Foudroyant a French Man of War of 84 Guns on the 28th of Feb. 1758 in the Mediterranean,...
ca. 1760
25
Print made by James Walker, 1748–1808
Hampton Court Palace, Herefordshire
1797
26
Print made by James Walker, 1748–1808
Sheffield
1798
27
Edward Fisher, 1722–1785
Admiral George Edgcumbe, first Earl of Mount Edgcumbe
1760
28
William Dickinson, 1746–1823
Sir Robert Fletcher
1774
29
Edward Fisher, 1722–1785
The Honorable Augustus Hervey, Captain in his Majesty's Navy
1763
30
Edward Fisher, 1722–1785
Sir Thomas Harrison
1765
31
Print made by John Dixon, ca. 1740–1811
Elizabeth, Countess of Pembroke, and the Rt. Honble. George, Lord Herbert
1771
32
Edward Fisher, 1722–1785
Admiral Augustus Keppel, Viscount Keppel
1759
33
John Dixon, ca. 1740–1811
Miss Emma Crewe and Miss Elizabeth Crewe
1782
34
John Dixon, ca. 1740–1811
Henry, tenth Earl of Pembroke and seventh Earl of Montgomery
1769
35
Engraved by William Woollett, 1735–1785
Celadon and Amelia
1766
36
Print made by John Faber the Younger, ca. 1695–1756
Geography
undated
37
Print made by John Smith, the mezzotinter, 1652–1743
The Triumph of Galatea
1701
38
Print made by John Boydell, 1720–1804
Greenland Fishery
1754
39
Print made by John Boydell, 1720–1804
The Boscawen and Sheerness Privateers
1753
40
Print made by John Boydell, 1720–1804
Evening
1755
41
Print made by John Boydell, 1720–1804
A Calm
1754
42
Print made by John Boydell, 1720–1804
Noon
1753
43
Print made by J. Carwitham, active 1720–1740
A New Drawing Book of Variety of Landskips
ca. 1730
44
Print made by John Boydell, 1720–1804
The Wreck of the Nuestra Senora de los Remedios
1753
45
Print made by Henry William Bunbury, 1750–1811
The Judgement of Paris
1771
46
Print made by Jean B. C. Chatelain, 1710–1771
Wooded Landscape with a River Leading to Distant Buildings
undated
47
Print made by Samuel Buck, 1696–1779
Bristol High Cross
1734
48
Print made by Franz Carl Heissig, active 1770
La petite marchande de carpe
ca. 1775
49
Print made by John Raphael Smith, 1752–1812
The Infant Jupiter
1775
50
Print made by Thomas Park, ca. 1760–1834
Mrs. Jordan in the Character of the Comic Muse
1787
51
Print made by Johann Jacobé, 1733–1797
Hebe
1780
52
Print made by Charles Howard Hodges, 1764–1837
Hebe
1785
53
Print made by Charles Howard Hodges, 1764–1837
Hebe
1785
54
Print made by John Dixon, ca. 1740–1811
Elizabeth, Countess of Pembroke, and the Rt. Honble. George, Lord Herbert
1771
55
Print made by Charles Howard Hodges, 1764–1837
Guardian Angels
1786
56
Print made by Robert Dunkarton, 1744–1811
Sisters Contemplating on Mortality
1770
57
Print made by Alexander van Haecken, 1701–1758
Juno
undated
58
Print made by James Watson, 1740–1790
Miss Elliot
undated
59
Print made by Johann Jacobus Haid, 1704–1767
L'Amoureuse
undated
60
Francesco Bartolozzi, 1728–1815
Queen Katherine's Dream - "Henry VIII"
1788
61
Thomas Watson, 1743–1781
Barbara Palmer (née Villiers) Countess of Castlemaine
undated
62
Print made by unknown artist
St. Martin's Church
between 1731 and 1754
63
Print made by William Dickinson, 1746–1823
Mrs. Sheridan as 'St. Cecilia'
1776
64
Print made by John Dixon, ca. 1740–1811
Mrs. Blake as Juno
1771
65
Print made by Francesco Bartolozzi, 1728–1815
Miss Farren
1792
66
Print made by A. Birrell, ca.1770–ca. 1820
John Home, Esq
1799
67
Charles Howard Hodges, 1764–1837
Mrs. Sophia (née Heywood) Musters as Hebe
1785
68
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford, Part of Clouds From the Nativity Scene
1785
69
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford, Angel Contemplating the Mystery of the Cross
1785
70
Print made by unknown artist
The South Sea House
between 1720 and 1728
71
Print made by unknown artist
The West Prospect of the Church and Steeple of St. Mary le Bow in Cheapside
between 1720 and 1750
72
Print made by Thomas Bowles III, ca. 1712–1767
The Admiralty Office
1731
73
Print made by Pierre Charles Canot, ca. 1710–1777
Marine Study No. 2
1773
74
Print made by Pierre Charles Canot, ca. 1710–1777
Sun Under a Cloud
1745
75
Print made by Pierre Charles Canot, ca. 1710–1777
A Ship in Distress
1745
76
Print made by Pierre Charles Canot, ca. 1710–1777
A Strong Gale or Squall
1745
77
Print made by Pierre Charles Canot, ca. 1710–1777
Shipwreck
1745
78
Print made by Valentine Green, 1739–1813
The Three Marys Going to the Sepulchre
1784
79
Print made by Anthony Cardon, 1772–1813
Credulity
1796
80
Print made by George Bickham the Younger, ca. 1706–1771
Architectural Designs incorporating Chinoiserie motifs: Japan Railing. A Hatch. An Obtuce Paling. Parallelgram Railing.
1751
81
Print made by Valentine Green, 1739–1813
Peter and John Going to the Sepulchre
1784
82
Simon François Ravenet, 1706–1774
Mr. Garrick and Miss Bellamy in the Characters of Romeo and Juliet
1753
83
Figures engraved by William Sharp, 1749–1824
Niobe
1792
84
Print made by Francesco Bartolozzi, 1728–1815
Hebe
1782
85
Print made by Francesco Bartolozzi, 1728–1815
Venus Chiding Cupid
1784
86
Print made by Thomas Bonnor, ca. 1740–ca. 1812
Blockley Church
ca. 1793
87
Print made by Francesco Bartolozzi, 1728–1815
St. Cecilia
1784
88
Print made by William Angus, 1752–1821
Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley
1793
89
Print made by Francesco Bartolozzi, 1728–1815
Ticket to Westminster Abbey
before 1791
90
Print made by Francesco Bartolozzi, 1728–1815
Ticket: For the Benefit of Mr. Salpietro
1799
91
Print made by James Caldwall, 1739–1819
Ham Court, the Seat of John Martin, Esq
undated
92
Print made by Pierre Charles Canot, ca. 1710–1777
Marine Study No. 4
1773
93
Print made by Pierre Charles Canot, ca. 1710–1777
Marine Study No. 3
1773
94
Print made by Pierre Charles Canot, ca. 1710–1777
Marine Study No. 1
1773
95
Print made by Simon Gribelin, 1662–1733
The Ceiling in the Banqueting House at Whitehall
ca. 1720
96
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford, Adoration of the Shepherds, From the Nativity Scene
1785
97
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford, Clouds, Part of the Nativity Scene
1785
98
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford: The Virtues - Temperance
1782
99
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford: The Virtues - Hope
1781
100
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford: The Virtues - Faith