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Period 18th century
Remove constraint Period: 18th centuryWork Type intaglio print
Remove constraint Work Type: intaglio printSearch Results
1
- The Farmer's Wife and the Raven
- 1788
2
- A Sleeping Leopard
- 1791
3
- A Tiger and a Sleeping Leopard
- 1788
4
- A Tyger (Sleeping Leopard)
- 1788
5
- A Horse Affrighted by a Lion
- 1788
6
- Beer Street
- 1751
7
- A Rake's Progress, Plate VII: In Fleet Street Prison
- 1735
8
- Hogarth Painting the Comic Muse
- 1764
9
- Analysis of Beauty, Plate I: A Statuary's Yard
- 1753
10
- A Midnight Modern Conversation
- 1733
11
- Southwark Fair
- 1733
12
- The Sleeping Congregation
- 1736
13
- Frontispiece and its Explanation (no.1)
- 1726
14
- Plate 6, The Industrious 'Prentice Out of his Time and Married to his Master's Daughter
- 1747
15
- Plate 5, The Idle 'Prentice Turned Away, and Sent to Sea
- 1747
16
- Plate 1, The Fellow 'Prentices at their Looms
- 1747
17
- Plate 3, The Idle 'Prentice at Play in the Church Yard during Divine Service
- 1747
18
- Plate 10, The Industrious 'Prentice Alderman of London, The Idle One Brought Before him & Impeach'd by his Accomplice
- 1747
19
- Plate 7, The Idle 'Prentice Returned from Sea and in a Garret with a Common Prostitute
- 1747
20
- Plate 11, The Idle 'Prentice Executed at Tyburn
- 1747
21
- Plate 2, The Industrious 'Prentice Performing the Duty of a Christian
- 1747
22
- The Polling
- 1766
23
- The Chorus
- 1768
24
- Sketches from Pen and Ink Drawings, Character and Caricatura
- 1794
25
- Concert Ticket, Mary's Chappel
- 1799
26
- Concert Ticket, Mary's Chappel
- 1799
27
- Concert Ticket, Mary's Chappel
- 1799
28
- Concert Ticket, Mary's Chappel
- 1799
29
- Concert Ticket, Mary's Chappel
- 1799
30
- Concert Ticket, Mary's Chappel
- 1799
31
- Concert Ticket, Mary's Chappel
- 1799
32
- Sketches from Pen and Ink Drawings, Character and Caricatura
- 1794
33
- Sketches from Pen and Ink Drawings, Character and Caricatura
- 1794
34
- Sketches from Pen and Ink Drawings, Character and Caricatura
- 1794
35
- Sketches from Pen and Ink Drawings, Character and Caricatura
- 1794
36
- Auction of Pictures, &c
- 1799
37
- The Invasion, Plate I, France
- 1768
38
- Sketches from Pen and Ink Drawings, Character and Caricatura
- 1794
39
- Auction of Pictures, &c
- 1799
40
- The Invasion, Plate II, England
- 1768
41
- Chairing the Members
- 1766
42
- The Laughing Audience
- 1768
43
- Sketches from Pen and Ink Drawings, Character and Caricatura
- 1794
44
- Sketches from Pen and Ink Drawings, Character and Caricatura
- 1794
45
- Satire on False Perspective
- 1799
46
- Industry and Idleness, Plate XI, The Idle 'Prentice Executed at Tyburn
- 1768
47
- Prints Publish'd by the Late W. Hogarth
- 1765
48
- The Five Orders of Periwigs
- 1761
49
- Copyright - Act of Parliament
- 1767
50
- Strolling Actresses Dressing in a Barn
- 1738
51
- Columbus Breaking the Egg
- 1752
52
- Simon Lord Lovat
- 1746
53
- Marriage à la Mode, Plate 6
- 1745
54
- Plate 4, The Industrious 'Prentice a Favourite, and Entrusted by his Master
- 1747
55
- Plate 9, The Idle 'Prentice Betrayed by his Whore and Taken in a Night Cellar with his Accomplice
- 1747
56
- Plate 12, The Industrious 'Prentice Lord Mayor of London
- 1747
57
- Plate 8, The Industrious 'Prentice Grown Rich and Sheriff of London
- 1747
58
- The Fourth Stage of Cruelty: The Reward of Cruelty
- 1751, printed 1790
59
- The Third Stage of Cruelty: Cruelty in Perfection - The Murder
- 1751, printed 1790
60
- The Second Stage of Cruelty: Coachman Beating a Fallen Horse
- 1751, printed 1790
61
- The First Stage of Cruelty: Children Torturing Animals
- 1751, printed 1790
62
- The Bruiser
- 1763
63
- Subscription Ticket for The March to Finchley
- 1746
64
- Satire on False Perspective
- 1799
65
- Air (Plate 6)
- 1793
66
- At Length for Hatching Ripe He Breaks the Shell (Plate 8)
- 1793
67
- Alas! (Plate 9)
- 1793
68
- My Son! My Son! (Plate 10)
- 1793
69
- Does Thy God O Priest Take such Vengeance as This? (Plate 14)
- 1793
70
- Fear & Hope Are -- Vision (Plate 15)
- 1793
71
- The Traveller Hasteth in the Evening (Plate 16)
- 1793
72
- Death's Door (Plate 17)
- 1793
73
- 'Swift on His Downy Pinion Flies from Woe' (Page 1)
- ca. 1797
74
- 'The present moment terminates our sight' (Page 13)
- ca. 1797
75
- 'O treacherous conscience!' (Page 27)
- ca. 1797
76
- 'Like that, the dial speaks; and points to thee' (Page 33)
- ca. 1797
77
- 'Teaching, we learn; and giving, we retain' (Page 35)
- ca. 1797
78
- 'Angels should paint it, angels ever there' (Page 40)
- ca. 1797
79
- Night the First. On Life, Death and Immortality; Title Page
- ca. 1797
80
- Aged Ignorance (Plate 13)
- 1793
81
- I Have Said to the Worm, Thou Art My Mother & My Sister (Plate 18)
- 1793
82
- 'Its favours here are trials, not rewards' (Page 12)
- ca. 1797
83
- Night the Second. On Time, Death and Friendship; Title Page
- ca. 1797
84
- 'Emblem of that which shall awake the dead' (Page 19)
- ca. 1797
85
- Night the Third. Narcissa; Title Page
- ca. 1797
86
- What is Man!, Frontispiece (Plate 1)
- 1793
87
- Title Page, For Children. The Gates of Paradise (Plate 2)
- 1793
88
- I Found Him Beneath a Tree (Plate 3)
- 1793
89
- Water (Plate 4)
- 1793
90
- Earth (Plate 5)
- 1793
91
- Fire (Plate 7)
- 1793
92
- I Want! I Want! (Plate 11)
- 1793
93
- Help! Help! (Plate 12)
- 1793
94
- 'Emblem of that which shall awake the dead' (Page 19)
- 1797
95
- 'We censure nature for a span too short' (Page 23)
- 1797
96
- 'Measuring his motions by revolving spheres' (Page 26)
- 1797
97
- 'As if the sun could envy, check'd his beam' (Page 49)
- 1797
98
- 'The vale of death! that hush'd cimmerian vale' (Page 54)
- 1797
99
- 'Ungrateful, shall we grieve their hovering shades' (Page 55)
- 1797
100
- 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
- 1797