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Period 18th century

Remove constraint Period: 18th century

Creator Truchy, L., 1721–1764

Remove constraint Creator: Truchy, L., 1721–1764

Image Use Free to Use

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L. Truchy Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
Print made by L. Truchy, 1721–1764
Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
1762
L. Truchy Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
Print made by L. Truchy, 1721–1764
Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
1762
L. Truchy Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
L. Truchy, 1721–1764
Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
1762
L. Truchy Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
L. Truchy, 1721–1764
Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
1762
L. Truchy Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
L. Truchy, 1721–1764
Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
1762
L. Truchy A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Two horses standing restlessly outside a stable...]
L. Truchy, 1721–1764
A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Two horses standing restlessly outside a stable...]
1735
L. Truchy A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Centre, a grey held by a hunt servant, with other horses and hounds....]
L. Truchy, 1721–1764
A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Centre, a grey held by a hunt servant, with other horses and hounds....]
1735
L. Truchy A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Three men digging out a fox's earth, watched eagerly by hounds...]
L. Truchy, 1721–1764
A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Three men digging out a fox's earth, watched eagerly by hounds...]
1735
L. Truchy A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Two riders by a farmhouse asking direction from a peasant; a well at left, with a couple of foxhounds...]
L. Truchy, 1721–1764
A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Two riders by a farmhouse asking direction from a peasant; a well at left, with a couple of foxhounds...]
1735
L. Truchy Set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [A gentleman standing at left with a hound; at right...]
L. Truchy, 1721–1764
Set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [A gentleman standing at left with a hound; at right...]
1735
L. Truchy A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [The kill: two riders dismounted, one holding fox above clamouring hounds; the huntsman blowing his horn ...]
L. Truchy, 1721–1764
A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [The kill: two riders dismounted, one holding fox above clamouring hounds; the huntsman blowing his horn ...]
1735
L. Truchy A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Riders and hounds resting in a rocky landscape.]
L. Truchy, 1721–1764
A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Riders and hounds resting in a rocky landscape.]
1735
L. Truchy Pamela is represented in this first Piece, writing in her late Lady's dressing room, her History being known only by her letters. She is here surprised by Mr. B. who improves this occasion to further his designs
L. Truchy, 1721–1764
Pamela is represented in this first Piece, writing in her late Lady's dressing room, her History being known only by her letters. She is here surprised by Mr. B. who improves this occasion to further his designs
1762
L. Truchy Pamela undressing herself (Mrs Jewkes being first got to bed) while Mr. B. disguised in the maids clothes, with the apron thrown over his face, is impatiently waiting for the execution of his plot.
L. Truchy, 1721–1764
Pamela undressing herself (Mrs Jewkes being first got to bed) while Mr. B. disguised in the maids clothes, with the apron thrown over his face, is impatiently waiting for the execution of his plot
1745
L. Truchy Building Houses with Cards
Print made by L. Truchy, 1721–1764
Building Houses with Cards
1743
L. Truchy Sir John Falstaff in the Buck Basket
L. Truchy, 1721–1764
Sir John Falstaff in the Buck Basket
L. Truchy Falstaff's Cowardice Detected...
L. Truchy, 1721–1764
Falstaff's Cowardice Detected..
L. Truchy The Exercise of the See Saw
L. Truchy, 1721–1764
The Exercise of the See Saw
L. Truchy The Mock Doctor or Dumb Lady Cur'd
L. Truchy, 1721–1764
The Mock Doctor or Dumb Lady Cur'd
L. Truchy Leap-Frog
L. Truchy, 1721–1764
Leap-Frog
undated
L. Truchy The Exercise of See Saw
L. Truchy, 1721–1764
The Exercise of See Saw
ca. 1743
L. Truchy Pamela dressed in order to meet Mr. B. at Sir Simon Darnford's, is prevented by the sudden arrival of Lady Davers, who forceibly detains her, & loads her with the bitterest reproaches that rage & disdain could suggest, her Nephew is looking over...
L. Truchy, 1721–1764
Pamela dressed in order to meet Mr. B. at Sir Simon Darnford's, is prevented by the sudden arrival of Lady Davers, who forceibly detains her, & loads her with the bitterest reproaches that rage & disdain could suggest, her Nephew is looking over..
1745
L. Truchy Mr. B. Expostulating with Pamela in the Summer house after some liberties taken Mrs. Jervis (who is seen through the window) having just before left her.
L. Truchy, 1721–1764
Mr. B. Expostulating with Pamela in the Summer house after some liberties taken Mrs. Jervis (who is seen through the window) having just before left her
L. Truchy Pamela asking the Blessing of Sr. Jacob Swinford, Mr. B's unkle, a rough old fox hunter, who after the most obstinate resolution to the contrary, relents, and becomes her great admirer, Mr. B. behind, whispering Lady Davers she having conceived the...
L. Truchy, 1721–1764
Pamela asking the Blessing of Sr. Jacob Swinford, Mr. B's unkle, a rough old fox hunter, who after the most obstinate resolution to the contrary, relents, and becomes her great admirer, Mr. B. behind, whispering Lady Davers she having conceived the..
1745
L. Truchy Pamela on her knees before her Father, whom she had discovered behind the door having overturned the card table in the way. Sr. Simon Darnford his Lady & c. observing her with eagerness and admiration Mr. B struck with this scene is waiting the issue.
L. Truchy, 1721–1764
Pamela on her knees before her Father, whom she had discovered behind the door having overturned the card table in the way. Sr. Simon Darnford his Lady & c. observing her with eagerness and admiration Mr. B struck with this scene is waiting the issue
1745