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Period 18th century

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Creator Rowlandson, Thomas, 1756–1827

Remove constraint Creator: Rowlandson, Thomas, 1756–1827

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1. The Return of the Fleet to Great Yarmouth in 1797

The Return of the Fleet to Great Yarmouth in 1797
Creator:
Thomas Rowlandson, 1756–1827
Date:
1797
Materials & Techniques:
Watercolor and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/4 x 17 inches (27.3 x 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Set of eight (2): Cries of London

Set of eight (2): Cries of London
Creator:
Thomas Rowlandson, 1756–1827
Date:
1799
Materials & Techniques:
Etching with aquatint, colored by hand
Dimensions:
Sheet: 14 1/2 x 11 3/4in. (36.8 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Set of eight (5): Cries of London

Set of eight (5): Cries of London
Creator:
Thomas Rowlandson, 1756–1827
Date:
1799
Materials & Techniques:
Etching with aquatint, colored by hand
Dimensions:
Sheet: 14 1/2 x 11 3/4in. (36.8 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Set of eight (3): Cries of London

Set of eight (3): Cries of London
Creator:
Thomas Rowlandson, 1756–1827
Date:
1799
Materials & Techniques:
Etching with aquatint, colored by hand
Dimensions:
Sheet: 14 1/2 x 11 3/4in. (36.8 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Set of eight (4): Cries of London

Set of eight (4): Cries of London
Creator:
Thomas Rowlandson, 1756–1827
Date:
1799
Materials & Techniques:
Etching with aquatint, colored by hand
Dimensions:
Sheet: 14 1/2 x 11 3/4in. (36.8 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Set of eight (5): Cries of London

Set of eight (5): Cries of London
Creator:
Thomas Rowlandson, 1756–1827
Date:
1799
Materials & Techniques:
Etching with aquatint, colored by hand
Dimensions:
Sheet: 14 1/2 x 11 3/4in. (36.8 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Set of eight (7): Cries of London

Set of eight (7): Cries of London
Creator:
Thomas Rowlandson, 1756–1827
Date:
1799
Materials & Techniques:
Etching with aquatint, colored by hand
Dimensions:
Sheet: 14 1/2 x 11 3/4in. (36.8 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Set of eight (6): Cries of London

Set of eight (6): Cries of London
Creator:
Thomas Rowlandson, 1756–1827
Date:
1799
Materials & Techniques:
Etching with aquatint, colored by hand
Dimensions:
Sheet: 14 1/2 x 11 3/4in. (36.8 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Set of sixteen: Outlines of Figures and Landscapes

Set of sixteen: Outlines of Figures and Landscapes
Creator:
Thomas Rowlandson, 1756–1827
Date:
1790-1792
Materials & Techniques:
Etching, colored by hand
Dimensions:
Sheet: 14 1/4 x 10 1/4in. (36.2 x 26cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Set of sixteen: Outlines of Figures and Landscapes

Set of sixteen: Outlines of Figures and Landscapes
Creator:
Thomas Rowlandson, 1756–1827
Date:
1790-1792
Materials & Techniques:
Etching, colored by hand
Dimensions:
Sheet: 14 1/4 x 10 1/4in. (36.2 x 26cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Set of sixteen: Outlines of Figures and Landscapes

Set of sixteen: Outlines of Figures and Landscapes
Creator:
Thomas Rowlandson, 1756–1827
Date:
1790-1792
Materials & Techniques:
Etching, colored by hand
Dimensions:
Sheet: 14 1/4 x 10 1/4in. (36.2 x 26cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Set of Sixteen: Outlines of Figure and Landscapes

Set of Sixteen: Outlines of Figure and Landscapes
Creator:
Thomas Rowlandson, 1756–1827
Date:
1790-1792
Materials & Techniques:
Etching, colored by hand
Dimensions:
Sheet: 14 1/4 x 10 1/4in. (36.2 x 26cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Set of sixteen: Outlines of Figures and Landscapes

Set of sixteen: Outlines of Figures and Landscapes
Creator:
Thomas Rowlandson, 1756–1827
Date:
1790-1792
Materials & Techniques:
Etching, colored by hand
Dimensions:
Sheet: 14 1/4 x 10 1/4in. (36.2 x 26cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Set of sixteen: Outlines of Figures and Landscapes

Set of sixteen: Outlines of Figures and Landscapes
Creator:
Thomas Rowlandson, 1756–1827
Date:
1790-1792
Materials & Techniques:
Etching, colored by hand
Dimensions:
Sheet: 14 1/4 x 10 1/4in. (36.2 x 26cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. The Light House Volunteers of London and Westminster

The Light House Volunteers of London and Westminster
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Langbourn Ward Volunteer

Langbourn Ward Volunteer
Creator:
unknown artist
Date:
1798
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Candlewick Ward Association

Candlewick Ward Association
Creator:
unknown artist
Date:
1799
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. The Advantage of Shifting the Leg

The Advantage of Shifting the Leg
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Soldiers Recreating

Soldiers Recreating
Creator:
Heinrich Joseph Schutz, active 1798
Date:
1798
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. A French Family

A French Family
Creator:
Samuel Alken, 1756–1815
Date:
1786
Materials & Techniques:
Etching with aquatint
Dimensions:
Sheet: 15 7/8 x 21 1/4in. (40.3 x 54cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Set of sixteen: Outlines of Figures and Landscapes

Set of sixteen: Outlines of Figures and Landscapes
Creator:
Thomas Rowlandson, 1756–1827
Date:
1790-1792
Materials & Techniques:
Etching, colored by hand
Dimensions:
Sheet: 14 1/4 x 10 1/4in. (36.2 x 26cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Set of sixteen: Outlines of Figures and Landscapes

Set of sixteen: Outlines of Figures and Landscapes
Creator:
Thomas Rowlandson, 1756–1827
Date:
1790-1792
Materials & Techniques:
Etching, colored by hand
Dimensions:
Sheet: 14 1/4 x 10 1/4in. (36.2 x 26cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Sadlers Sharp Shooters

Sadlers Sharp Shooters
Creator:
unknown artist
Date:
1798
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. The Encampment in Hyde Park

The Encampment in Hyde Park
Creator:
Formerly Thomas Rowlandson, 1756–1827
Date:
1781
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Entrance from Hackney or Cambridge Heath Turnpike with a Distant iew of St. Paul's

Entrance from Hackney or Cambridge Heath Turnpike with a Distant iew of St. Paul's
Creator:
Heinrich Joseph Schutz, active 1798
Date:
1798
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Entrance of Tottenham Court Road Turnpike, with a View of St. Jame's Chapel

Entrance of Tottenham Court Road Turnpike, with a View of St. Jame's Chapel
Creator:
Heinrich Joseph Schutz, active 1798
Date:
1798
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Vauxhall

Vauxhall
Creator:
unknown artist
Materials & Techniques:
Reproduction
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley

Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley
Creator:
Print made by William Angus, 1752–1821
Date:
1793
Materials & Techniques:
Line engraving and etching on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 8 11/16 x 11 3/16 inches (22 x 28.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. The Prize Fight

The Prize Fight
Creator:
Thomas Rowlandson, 1756–1827
Date:
1787
Materials & Techniques:
Watercolor with pen and black and gray ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 18 1/8 x 27 3/8 inches (46 x 69.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Cut Two and Right Protect

Cut Two and Right Protect
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Resurrection or the Frightened Nurse

Resurrection or the Frightened Nurse
Creator:
Thomas Rowlandson, 1756–1827
Date:
1784
Materials & Techniques:
Etching
Dimensions:
Sheet: 11 3/4 x 14 1/2in. (29.8 x 36.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Bishopsgate Volunteer

Bishopsgate Volunteer
Creator:
unknown artist
Date:
1798
Materials & Techniques:
Hand colored engraving
Dimensions:
Sheet: 11 1/2 x 9 5/8in. (29.2 x 24.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Entrance to Oxford Street or Tyburn Turnpike with a View of Park Lane

Entrance to Oxford Street or Tyburn Turnpike with a View of Park Lane
Creator:
Heinrich Joseph Schutz, active 1798
Date:
1798
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Soldiers Cooking

Soldiers Cooking
Creator:
Heinrich Joseph Schutz, active 1798
Date:
1798
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Box Lobby Loungers

Box Lobby Loungers
Creator:
Thomas Rowlandson, 1756–1827
Date:
1786
Materials & Techniques:
Etching and stipple
Dimensions:
Sheet: 13 3/8 x 22 5/8in. (34 x 57.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Heads: Philosophorum

Heads: Philosophorum
Creator:
Thomas Rowlandson, 1756–1827
Date:
1800
Materials & Techniques:
Etching, colored
Dimensions:
Sheet: 10 1/2 x 5 1/2in. (26.7 x 14cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. An Italian Family

An Italian Family
Creator:
Samuel Alken, 1756–1815
Date:
1785
Materials & Techniques:
Etching with aquatint
Dimensions:
Sheet: 16 1/4 x 21 3/4in. (41.3 x 55.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Entrance from Mile End or White Chapel Turnpike

Entrance from Mile End or White Chapel Turnpike
Creator:
Heinrich Joseph Schutz, active 1798
Date:
1798
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Castle Baynard Volunteer

Castle Baynard Volunteer
Creator:
unknown artist
Date:
1798
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Dengate Ward Volunteer

Dengate Ward Volunteer
Creator:
unknown artist
Date:
1799
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. The Journalist, with a view of Auchinleck or the Land of Stones

The Journalist, with a view of Auchinleck or the Land of Stones
Creator:
Thomas Rowlandson, 1756–1827
Date:
1786
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale University Art Gallery Collection

42. A Pier at Amsterdam (Version A)

A Pier at Amsterdam (Version A)
Creator:
Thomas Rowlandson, 1756–1827
Date:
1792
Materials & Techniques:
Watercolor with pen and red-brown and brown ink over graphite on medium, slightly textured, wove paper
Dimensions:
Sheet: 8 7/16 x 11 1/8 inches (21.4 x 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Bucks of the First Head

Bucks of the First Head
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1785
Materials & Techniques:
Watercolor, with pen and black, and gray-brown ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 1/8 x 8 11/16 inches (18.1 x 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. The Recruiting Officer

The Recruiting Officer
Creator:
Thomas Rowlandson, 1756–1827
Date:
1797
Materials & Techniques:
Watercolor with pen and red-brown, gray and black ink; verso: watercolor stains. on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 4 x 6 inches (10.2 x 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Court of Common Pleas, Westminster Hall

Court of Common Pleas, Westminster Hall
Creator:
Joseph Constantine Stadler, active 1780–1812
Date:
1808
Materials & Techniques:
Colored aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

46. Vaux-Hall

Vaux-Hall
Creator:
Robert Pollard, 1755–1838
Date:
1785
Materials & Techniques:
Etching with aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 21 3/4 × 31 1/8 inches (55.2 × 79.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. The Bank

The Bank
Creator:
unknown artist
Date:
1792
Materials & Techniques:
Hand colored engraving on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 6 × 8 7/8 inches (15.2 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. The Word Eater

The Word Eater
Creator:
Thomas Rowlandson, 1756–1827
Date:
1786
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 x 12 7/8in. (20.3 x 32.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. A Touch of the Times

A Touch of the Times
Creator:
Thomas Rowlandson, 1756–1827
Date:
1788
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 1/2 x 13 7/8in. (24.1 x 35.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. The Modern Egbert, or the King of Kings

The Modern Egbert, or the King of Kings
Creator:
Thomas Rowlandson, 1756–1827
Date:
1789
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 1/4 x 13 1/8in. (21 x 33.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. Col. Topham Endeavouring with his Squirt to Extinguish the Genius of Holman

Col. Topham Endeavouring with his Squirt to Extinguish the Genius of Holman
Creator:
Thomas Rowlandson, 1756–1827
Date:
1785
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 1/2 x 12 7/8in. (21.6 x 32.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. Sketch of Politics in Europe, January 24, 1786 - Birthday of the King of Prussia

Sketch of Politics in Europe, January 24, 1786 - Birthday of the King of Prussia
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1786
Materials & Techniques:
Etching
Dimensions:
Sheet: 9 5/8 x 14 1/2in. (24.4 x 36.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. Box-Lobby Hero, The Branded Bully, or the Ass Stripp'd of the Lion's Skin

Box-Lobby Hero, The Branded Bully, or the Ass Stripp'd of the Lion's Skin
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1786
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 1/2 x 13in. (24.1 x 33cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. An Essay on the Sublime and Beautiful, The Maiden Speech

An Essay on the Sublime and Beautiful, The Maiden Speech
Creator:
Thomas Rowlandson, 1756–1827
Date:
1792
Materials & Techniques:
Etching, hand colored
Dimensions:
Sheet: 8 1/16 x 12 3/4in. (20.5 x 32.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. King's Place, or a View of (Monsieur Reynard's) Best Friends

King's Place, or a View of (Monsieur Reynard's) Best Friends
Creator:
Thomas Rowlandson, 1756–1827
Date:
1784
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 3/4 x 13 1/16in. (22.2 x 33.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. Nap in the Country - Nap in Town

Nap in the Country - Nap in Town
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1785
Materials & Techniques:
Etching
Dimensions:
Sheet: 13 x 8 7/8in. (33 x 22.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. The Minister's Ass - Vide Gazetteer - November 11

The Minister's Ass - Vide Gazetteer - November 11
Creator:
Thomas Rowlandson, 1756–1827
Date:
1784
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 5/8 x 13 3/16in. (21.9 x 33.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. Sir Cecil's Budget for Paying the National Debt

Sir Cecil's Budget for Paying the National Debt
Creator:
Thomas Rowlandson, 1756–1827
Date:
1784
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 1/2 x 12 7/8in. (21.6 x 32.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. Forget and Forgive or Honest Jack Shaking Hands with an Old Acquaintance

Forget and Forgive or Honest Jack Shaking Hands with an Old Acquaintance
Creator:
Thomas Rowlandson, 1756–1827
Date:
1799
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 1/8 x 11 3/4in. (20.6 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. (The) This Irish Ambassadors Extraordinary a Gallante(e) Show

(The) This Irish Ambassadors Extraordinary a Gallante(e) Show
Creator:
Thomas Rowlandson, 1756–1827
Date:
1789
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 1/4 x 14 1/8in. (23.5 x 35.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. Procession to the Hustings after a Successful Canvass

Procession to the Hustings after a Successful Canvass
Creator:
Thomas Rowlandson, 1756–1827
Date:
1784
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 3/4 x 13 1/4in. (22.2 x 33.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. Uncle George and Black Dick at Their New Game of Naval Shuttlecock

Uncle George and Black Dick at Their New Game of Naval Shuttlecock
Creator:
Thomas Rowlandson, 1756–1827
Date:
1787
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 13/16 x 13 1/8in. (22.4 x 33.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. False Courage

False Courage
Creator:
Print made by Thomas Rowlandson, 1756–1827
Date:
1788
Materials & Techniques:
Etching, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. Reformation - or - The Wonderful Effects of a Proclamation!!!

Reformation - or - The Wonderful Effects of a Proclamation!!!
Creator:
Thomas Rowlandson, 1756–1827
Date:
1787
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 1/2 x 14 5/8in. (24.1 x 37.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. Britania's Protection, or, Loyalty Triumphant

Britania's Protection, or, Loyalty Triumphant
Creator:
Thomas Rowlandson, 1756–1827
Date:
1800
Materials & Techniques:
Etching, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. A Charm for a Democracy, Reviewed, Analysed and Destroyed January 11th, 1799 to the Confusion of its Affiliated Friends

A Charm for a Democracy, Reviewed, Analysed and Destroyed January 11th, 1799 to the Confusion of its Affiliated Friends
Creator:
Thomas Rowlandson, 1756–1827
Date:
1799
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 10 3/8 x 16 3/4in. (26.4 x 42.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. Reform Advised - Reform Begun - Reform Compleat (Complete)

Reform Advised - Reform Begun - Reform Compleat (Complete)
Creator:
Thomas Rowlandson, 1756–1827
Date:
1793
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 16 x 9 3/4in. (40.6 x 24.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. Medical Intelligence - Extraordinary - A Coronation in Pall Mall

Medical Intelligence - Extraordinary - A Coronation in Pall Mall
Creator:
Print made by Thomas Rowlandson, 1756–1827
Date:
1789
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 1/4 x 14in. (21 x 35.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. An Irish Howl

An Irish Howl
Creator:
Thomas Rowlandson, 1756–1827
Date:
1799
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 7/8 x 11 3/4in. (22.5 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. Fraternization in Grand Cairo or the Mad General and his Bonny-Party likely to become Tame Musselmen

Fraternization in Grand Cairo or the Mad General and his Bonny-Party likely to become Tame Musselmen
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Etching
Dimensions:
Sheet: 9 3/4 x 12 5/8in. (24.8 x 32.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. High Fun for John Bull or the Republicans put to their Last Shift

High Fun for John Bull or the Republicans put to their Last Shift
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Etching
Dimensions:
Sheet: 10 5/16 x 13 3/4in. (26.2 x 34.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. (The) A Grand Battle between the Famous English Cock and Russian Hen!

(The) A Grand Battle between the Famous English Cock and Russian Hen!
Creator:
Attributed to Thomas Rowlandson, 1756–1827
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 10 7/8 x 15in. (27.6 x 38.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

73. Blue and Buf Loyalty

Blue and Buf Loyalty
Creator:
Thomas Rowlandson, 1756–1827
Date:
1788
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 7 1/4 x 12 7/8in. (18.4 x 32.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

74. Suitable Restrictions

Suitable Restrictions
Creator:
Thomas Rowlandson, 1756–1827
Date:
1789
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 1/4 x 12 3/4in. (21 x 32.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

75. Brothers of the Whip

Brothers of the Whip
Creator:
Thomas Rowlandson, 1756–1827
Date:
1781
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 7 x 9 1/4in. (17.8 x 23.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

76. A New Speaker - The Wedding Night

A New Speaker - The Wedding Night
Creator:
Thomas Rowlandson, 1756–1827
Date:
1789
Materials & Techniques:
Etching
Dimensions:
Sheet: 13 1/8 x 9 1/4in. (33.3 x 23.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

77. Britannia's Support or the Conspirators Defeated - The Hospital for Lunatics

Britannia's Support or the Conspirators Defeated - The Hospital for Lunatics
Creator:
Thomas Rowlandson, 1756–1827
Date:
1789
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 13 x 9in. (33 x 22.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

78. The Minister Casting Up His Accounts

The Minister Casting Up His Accounts
Creator:
Thomas Rowlandson, 1756–1827
Date:
1789
Materials & Techniques:
Etching
Dimensions:
Sheet: 13 x 9in. (33 x 22.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

79. The Reconciliation, or the Return from Scotland

The Reconciliation, or the Return from Scotland
Creator:
Thomas Rowlandson, 1756–1827
Date:
1793
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 x 12 7/8in. (22.9 x 32.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

80. Britannia's Support or the Conspirators Defeated - The Hospital for Lunatics

Britannia's Support or the Conspirators Defeated - The Hospital for Lunatics
Creator:
Thomas Rowlandson, 1756–1827
Date:
1789
Materials & Techniques:
Etching
Dimensions:
Sheet: 13 x 9in. (33 x 22.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

81. The Times

The Times
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1783
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 10 7/8 x 16 3/8in. (27.6 x 41.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

82. Sketch of Politics in Europe, January 24, 1786 - Birthday of the King of Prussia---

Sketch of Politics in Europe, January 24, 1786 - Birthday of the King of Prussia---
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1786
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 5/8 x 14 1/2in. (24.4 x 36.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

83. A Lying-In Visit, or a Short-Sighted Mistake

A Lying-In Visit, or a Short-Sighted Mistake
Creator:
Thomas Rowlandson, 1756–1827
Date:
1792
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 3/4 x 13in. (22.2 x 33cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

84. The Departure

The Departure
Creator:
Thomas Rowlandson, 1756–1827
Date:
1784
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 x 13 1/4in. (22.9 x 33.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

85. Bardolph Badger'd Or the Portland Hunt

Bardolph Badger'd Or the Portland Hunt
Creator:
Thomas Rowlandson, 1756–1827
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 10 x 16 1/4in. (25.4 x 41.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

86. French Barracks

French Barracks
Creator:
Etched by Thomas Rowlandson, 1756–1827
Date:
1791
Materials & Techniques:
Hand colored etching and aquatint on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 16 1/2 × 21 5/16 inches (41.9 × 54.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

87. English Barracks

English Barracks
Creator:
Etched by Thomas Rowlandson, 1756–1827
Date:
1791
Materials & Techniques:
Hand colored etching and aquatint on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 17 × 22 1/8 inches (43.2 × 56.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

88. Flying Breakfast, or the Contents of a Night Coach

Flying Breakfast, or the Contents of a Night Coach
Creator:
Thomas Rowlandson, 1756–1827
Date:
1792
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 7 11/16 x 12 9/16in. (19.5 x 31.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

89. Mr. H. Angelo's Fencing Academy

Mr. H. Angelo's Fencing Academy
Creator:
Charles Rosenberg, active 1790–1820
Date:
1791
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 12 7/8 x 19 3/4in. (32.7 x 50.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

90. The Ghosts of Mirabeau and Dr. Price appearing to Old Loyola

The Ghosts of Mirabeau and Dr. Price appearing to Old Loyola
Creator:
Thomas Rowlandson, 1756–1827
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 3/4 x 16 1/8in. (24.8 x 41cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

91. A Peep into the Retreat at Tinnehinch

A Peep into the Retreat at Tinnehinch
Creator:
Thomas Rowlandson, 1756–1827
Date:
1799
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 7 1/4 x 9 15/16in. (18.4 x 25.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

92. A New Insect

A New Insect
Creator:
Print made by Thomas Rowlandson, 1756–1827
Date:
1784
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 11 1/4 x 7 1/4in. (28.6 x 18.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

93. Morning

Morning
Creator:
unknown artist
Date:
1799
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 × 5 7/8 inches (10.2 × 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

94. Mid-Day

Mid-Day
Creator:
unknown artist
Date:
1799
Materials & Techniques:
Watercolor, pen and black ink, gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/16 × 5 7/8 inches (10.3 × 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

95. Breakfast before the Hunt

Breakfast before the Hunt
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1785 and 1790
Materials & Techniques:
Pen and black and gray ink with brown and blue wash on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 5 x 8 inches (12.7 x 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

96. Travelling in France

Travelling in France
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1785 and 1789
Materials & Techniques:
Watercolor, pen and black ink, gray ink, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 11 5/16 x 17 1/2 inches (28.7 x 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

97. The Runaway Coach

The Runaway Coach
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1791
Materials & Techniques:
Watercolor, pen and black ink, gray ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 7 7/8 x 9 3/4 inches (20 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

98. Hare Hunting

Hare Hunting
Creator:
Thomas Rowlandson, 1756–1827
Date:
1789
Materials & Techniques:
Hand colored etching
Dimensions:
Sheet: 9 11/16 x 13 5/8in. (24.6 x 34.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

99. Set of eight with title-page. 'Foreign and Domestick Animals.' 1. The Baboon

Set of eight with title-page. 'Foreign and Domestick Animals.' 1. The Baboon
Creator:
Thomas Rowlandson, 1756–1827
Date:
1787
Materials & Techniques:
Hand colored etching
Dimensions:
Sheet: 6 1/4 x 10 1/4in. (15.9 x 26cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

100. Set of eight (1): Cries of London

Set of eight (1): Cries of London
Creator:
Thomas Rowlandson, 1756–1827
Date:
1799
Materials & Techniques:
Etching with aquatint, colored by hand
Dimensions:
Sheet: 14 1/2 x 11 3/4in. (36.8 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection