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Period 18th century

Remove constraint Period: 18th century

Creator Highmore, Joseph, 1692–1780

Remove constraint Creator: Highmore, Joseph, 1692–1780

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William Hogarth A Club of Gentlemen
William Hogarth, 1697–1764
A Club of Gentlemen
ca. 1730
Not on view
Joseph Highmore An Unknown Man in Black
Joseph Highmore, 1692–1780
An Unknown Man in Black
1735
Not on view
Joseph Highmore A Family Conversation Piece
Joseph Highmore, 1692–1780
A Family Conversation Piece
1730 to 1735
Not on view
Joseph Highmore Figures in a Tavern or Coffee House
Attributed to Joseph Highmore, 1692–1780
Figures in a Tavern or Coffee House
ca. 1725 or after 1750
Not on view
Joseph Highmore Study for a Group Portrait
Joseph Highmore, 1692–1780
Study for a Group Portrait
between 1729 and 1730
Not on view
Joseph Highmore The Angel of Mercy
Joseph Highmore, 1692–1780
The Angel of Mercy
ca. 1746
Not on view
Joseph Highmore The Harlowe Family, from Samuel Richardson's "Clarissa"
Joseph Highmore, 1692–1780
The Harlowe Family, from Samuel Richardson's "Clarissa"
between 1745 and 1747
Not on view
Joseph Highmore The Head of a Young Boy
Joseph Highmore, 1692–1780
The Head of a Young Boy
ca. 1735
Not on view
Joseph Highmore Sketch of a Young Girl
Joseph Highmore, 1692–1780
Sketch of a Young Girl
ca. 1735
Not on view
Joseph Highmore Charles Penruddocke
Joseph Highmore, 1692–1780
Charles Penruddocke
1743
Not on view
Joseph Highmore A Woman and her Child, Probably Olive Sharpe (née Cartwright) and her son John
Joseph Highmore, 1692–1780
A Woman and her Child, Probably Olive Sharpe (née Cartwright) and her son John
1731
Not on view
Joseph Highmore An Unknown Man
Joseph Highmore, 1692–1780
An Unknown Man
between 1730 and 1735
Not on view
John Faber the Younger Caroline (Queen of George II)
John Faber the Younger, ca. 1695–1756
Caroline (Queen of George II)
L. Truchy Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
Print made by L. Truchy, 1721–1764
Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
1762
Guillaume Philippe Benoist Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
Guillaume Philippe Benoist, 1725–ca. 1770
Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
1762
Guillaume Philippe Benoist Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
Guillaume Philippe Benoist, 1725–ca. 1770
Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
1762
L. Truchy Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
L. Truchy, 1721–1764
Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
1762
Guillaume Philippe Benoist Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
Guillaume Philippe Benoist, 1725–ca. 1770
Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
1762
Guillaume Philippe Benoist Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
Guillaume Philippe Benoist, 1725–ca. 1770
Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
1762
L. Truchy Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
L. Truchy, 1721–1764
Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
1762
Guillaume Philippe Benoist Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
1762
L. Truchy Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
Print made by L. Truchy, 1721–1764
Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
1762
John Tinney The Diagonal Walk, fountain and canal in the Garden of Hampton Court
Print made by John Tinney, died 1761
The Diagonal Walk, fountain and canal in the Garden of Hampton Court
1744
John Faber the Younger Sir James Thornhill
John Faber the Younger, ca. 1695–1756
Sir James Thornhill
1732
John Tinney An Oblique View of the East Front of Hampton Court, with part of garden
Print made by John Tinney, died 1761
An Oblique View of the East Front of Hampton Court, with part of garden
1744
John Tinney The South Front of Hampton Court with part of the garden
Print made by John Tinney, died 1761
The South Front of Hampton Court with part of the garden
1744
John Tinney A Perspective view of the East Front of Hampton Court, taken from the Park Gate
Print made by John Tinney, died 1761
A Perspective view of the East Front of Hampton Court, taken from the Park Gate
1744
John Tinney The Pavilion Belonging to the Bowling Green at the end of the Terras Walk, at Hampton Court
Print made by John Tinney, died 1761
The Pavilion Belonging to the Bowling Green at the end of the Terras Walk, at Hampton Court
1744
L. Truchy Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
L. Truchy, 1721–1764
Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
1762
Guillaume Philippe Benoist Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
Guillaume Philippe Benoist, 1725–ca. 1770
Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
1762
L. Truchy Pamela is represented in this first Piece, writing in her late Lady's dressing room, her History being known only by her letters. She is here surprised by Mr. B. who improves this occasion to further his designs
L. Truchy, 1721–1764
Pamela is represented in this first Piece, writing in her late Lady's dressing room, her History being known only by her letters. She is here surprised by Mr. B. who improves this occasion to further his designs
1762
Guillaume Philippe Benoist Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming
1745
unknown artist Woman wearing a Feathered Headdress
unknown artist
Woman wearing a Feathered Headdress
undated
Charles Bretherton Sir James Thornhill
Print made by Charles Bretherton, ca. 1760–1783
Sir James Thornhill
1782
John Faber the Younger Sir James Thornhill
John Faber the Younger, ca. 1695–1756
Sir James Thornhill
1732
Guillaume Philippe Benoist The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door
1745
L. Truchy Pamela dressed in order to meet Mr. B. at Sir Simon Darnford's, is prevented by the sudden arrival of Lady Davers, who forceibly detains her, & loads her with the bitterest reproaches that rage & disdain could suggest, her Nephew is looking over...
L. Truchy, 1721–1764
Pamela dressed in order to meet Mr. B. at Sir Simon Darnford's, is prevented by the sudden arrival of Lady Davers, who forceibly detains her, & loads her with the bitterest reproaches that rage & disdain could suggest, her Nephew is looking over..
1745
Guillaume Philippe Benoist Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;...
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..
1745
Guillaume Philippe Benoist Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
Guillaume Philippe Benoist Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
1745
L. Truchy Pamela undressing herself (Mrs Jewkes being first got to bed) while Mr. B. disguised in the maids clothes, with the apron thrown over his face, is impatiently waiting for the execution of his plot.
L. Truchy, 1721–1764
Pamela undressing herself (Mrs Jewkes being first got to bed) while Mr. B. disguised in the maids clothes, with the apron thrown over his face, is impatiently waiting for the execution of his plot
1745
L. Truchy Pamela asking the Blessing of Sr. Jacob Swinford, Mr. B's unkle, a rough old fox hunter, who after the most obstinate resolution to the contrary, relents, and becomes her great admirer, Mr. B. behind, whispering Lady Davers she having conceived the...
L. Truchy, 1721–1764
Pamela asking the Blessing of Sr. Jacob Swinford, Mr. B's unkle, a rough old fox hunter, who after the most obstinate resolution to the contrary, relents, and becomes her great admirer, Mr. B. behind, whispering Lady Davers she having conceived the..
1745
L. Truchy Mr. B. Expostulating with Pamela in the Summer house after some liberties taken Mrs. Jervis (who is seen through the window) having just before left her.
L. Truchy, 1721–1764
Mr. B. Expostulating with Pamela in the Summer house after some liberties taken Mrs. Jervis (who is seen through the window) having just before left her
Guillaume Philippe Benoist Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
1745
L. Truchy Pamela on her knees before her Father, whom she had discovered behind the door having overturned the card table in the way. Sr. Simon Darnford his Lady & c. observing her with eagerness and admiration Mr. B struck with this scene is waiting the issue.
L. Truchy, 1721–1764
Pamela on her knees before her Father, whom she had discovered behind the door having overturned the card table in the way. Sr. Simon Darnford his Lady & c. observing her with eagerness and admiration Mr. B struck with this scene is waiting the issue
1745
John Faber the Younger Teresia Constantia Phillips
John Faber the Younger, ca. 1695–1756
Teresia Constantia Phillips
Highmore, Joseph, 1692-1780. The practice of perspective, on the principles of Dr. Brook Taylor:
Highmore, Joseph, 1692–1780
The practice of perspective, on the principles of Dr. Brook Taylor
1763
Highmore, Joseph, 1692-1780. A critical examination of those two paintings on the cieling [sic] of the banqueting-house at Whitehall :
Highmore, Joseph, 1692–1780
A critical examination of those two paintings on the cieling [sic] of the banqueting-house at Whitehall
1754