A Perspective View of ye Parade in St. James's Park. The Treasury, The New Buildings for the Horse Guards, And His Majesty going to the House of Lords
204
John Maurer, active 1713–1761
A Perspective of ye Royal Palace of Somerset next ye River
1742
205
Thomas Bowles III, ca. 1712–1767
The Inside of St. Martin's Church in the Fields
206
unknown artist
The Inside of St. Paul's Cathedral from the West End to the Choir
207
unknown artist
View of the New Trinity House on Tower Hill. Samuel Wyatt Esqr. Architect. The first Stone of this Noble Building was laid on the 12th of September 1793, by the Right Hon'ble William Pitt, First Lord of the Treasury and Master of this Corporation
1799
208
Michael "Angelo" Rooker, 1746–1801
The Admiralty Building from Whitehall
1782
209
Thomas Bowles III, ca. 1712–1767
An Inside View of the Church of St. Stephen Walbrooke London
210
Thomas Bowles III, ca. 1712–1767
A View of Somerset House with St. Mary's Church in the Strand London
211
Print made by Thomas Bowles III, ca. 1712–1767
The Church of St. Mary Le Bow in Cheapside London
212
unknown artist
A Curious Perspective View of the Inside of St. Paul's Cathedral, Shewing part of the Dome, the Piers and Arches which support it; and the Entrances into the Choir and the Isles
213
Print made by Johannes Kip, 1653–1722
St James's House, Le Palais Royal de St James
1707
214
Print made by Jacob Bonneau, 1741–1786
One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
1751
215
Print made by Jacob Bonneau, 1741–1786
One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
1751
216
Print made by Jacob Bonneau, 1741–1786
One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
1751
217
Print made by Jacob Bonneau, 1741–1786
One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
1751
218
Print made by Jacob Bonneau, 1741–1786
One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
1751
219
Thomas Rowlandson, 1756–1827
Skating on the Serpentine
before 1790
220
Thomas Rowlandson, 1756–1827
Vauxhall Gardens
ca. 1784
221
Print made by Charles Grignion, 1717–1810
House of Commons and the Entrance to the House of Lords with the Office of Ordnance
undated
222
Attributed to John Carter, 1748–1817
East Front of Painted Chamber
between 1793 and 1799
223
Attributed to John Carter, 1748–1817
Side Window, North, Painted Chamber
between 1793 and 1799
224
Attributed to John Carter, 1748–1817
East End, Painted Chamber
between 1793 and 1799
225
Attributed to John Carter, 1748–1817
North Side, Painted Chamber
between 1793 and 1799
226
Attributed to John Carter, 1748–1817
Wall Paintings
between 1793 and 1799
227
William Capon, 1757–1827
Henry VII Chapel
ca. 1793
228
Print made by George Barret Jr., 1767–1842
Marriage of Henry the seventh
1796
229
Attributed to John Carter, 1748–1817
Figure study, Henry VII Chapel
ca. 1793
230
Thomas Girtin, 1775–1802
Ruins of Savoy Palace
ca. 1795
231
Thomas Girtin, 1775–1802
London from Highgate Hill
1792
232
unknown artist
A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
printed 1740, drawn ca. 1760
233
unknown artist
Details of the Screen of Entrance Porch, St Stephen's Chapel
undated
234
Print made by James Basire, 1730–1802
Plate X: St Stephen's Chapel
1795
235
Print made by James Basire, 1730–1802
Plate XI: St Stephen's Chapel
1795
236
Print made by James Basire, 1730–1802
View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster
1795
237
Print made by James Basire, 1730–1802
Plate XII: St Stephen's Chapel
1795
238
Print made by John Thomas Smith, 1766–1833
Geometrical Construction of the Freeze and Battlements in the House of Commons
1805
239
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
240
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West
ca. 1781
241
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
242
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
243
George Johann Scharf, 1788–1860
View through the South East Window of the Crypt beneath St Stephen's, Westminster
1852
244
Attributed to John Carter, 1748–1817
Plan of Painted Chamber
between 1793 and 1799
245
Attributed to John Carter, 1748–1817
Enlarged Detail of Figures from Painting Shown in Previous Sketch
between 1793 and 1799
246
Attributed to John Carter, 1748–1817
Seats in Henry VII Chapel, Westminster Abbey
ca. 1793
247
Attributed to John Carter, 1748–1817
Continuation of the Preceeding Ornaments
1793
248
John Carter, 1748–1817
South East View of the Towers of the Abbey, &c. from College St. Westminster
1782
249
Attributed to John Carter, 1748–1817
South View of the Abbey Church, Westminster, Taken from Dean's Yard
1785
250
Samuel Scott, 1701/2–1772
A Wood Yard on the Thames at Nine Elms
undated
251
unknown artist
Entrance Doorway in the Tower, St Stephen's Chapel
undated
252
Print made by James Basire, 1730–1802
Plate VIII: St Stephen's Chapel
1795
253
Print made by James Basire, 1730–1802
Plate IX: St Stephen's Chapel
1795
254
Print made by James Basire, 1730–1802
Plate XIII: St Stephen's Chapel
1795
255
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
256
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
257
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
258
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
259
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
260
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
261
unknown artist
View of the Office of Ordnance with the Entrance of the House of Lords
undated
262
Attributed to William Capon, 1757–1827
Entrance to the House of Lords
1796
263
Attributed to John Carter, 1748–1817
Paintings on the Wall by H in Plan
between 1793 and 1799
264
Print made by John Collins, active ca. 1682
The North Prospect of Westminster Abbey
between 1680 and 1710
265
Attributed to John Carter, 1748–1817
North View of the Jerusalem Chamber, Taken from the West Porch of Westminster Abbey
1792
266
Attributed to John Carter, 1748–1817
Door-way in Wall of South Precints of Westminster Abbey
undated
267
Print made by John Carter, 1748–1817
Plate XCIV: South View of Westminster Abbey, Taken from Deans Yard
1791
268
Attributed to John Carter, 1748–1817
Window, Dean's Yard
between 1806 and 1815
269
Robert Dighton, 1752–1814
Four Corners Played at the Swan, Chelsea
ca. 1784
270
unknown artist
Plan of Westminster Showing the Coronation Route of George II
ca. 1727
271
unknown artist
A view of the inside of Westminster Hall
ca. 1700
272
Thomas Girtin, 1775–1802
Christ Church, Blackfriars, London
between 1792 and 1794
273
Thomas Girtin, 1775–1802
St. Paul's Cathedral, from St. Martin's-le-Grand, London
ca. 1795
274
Print made by Charles J. Hullmandel, 1789–1850
View of Palace Yard on the day of the Coronation of His Majesty George IV
1821
275
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
276
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
277
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
278
Print made by unknown artist
Entrance of the House of Lords with the Office of Ordnance
undated
279
unknown artist
Details of Capitals and Arches, Painted Chamber
between 1793 and 1799
280
Attributed to John Carter, 1748–1817
Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
between 1793 and 1799
281
Attributed to John Carter, 1748–1817
Door on South Side of Painted Chamber
between 1793 and 1799
282
Attributed to John Carter, 1748–1817
Details of one of the Figures
ca. 1795
283
Print made by William Henry Toms, ca. 1700–ca. 1750
The South-East Prospect of King Henry The VII's Chapel at Westminster
1739
284
Print made by Edward Rooker, 1724–1774
Henry the Seventh's Chapel
undated
285
Robert Dighton, 1752–1814
Cricket played by the Gentlemens Club, Whiteconduit House
1784
286
Samuel Scott, 1701/2–1772
Thames Side Buildings
undated
287
Charles Reuben Ryley, 1752–1798
A London Riot
undated
288
Samuel Hieronymus Grimm, 1733–1794
Greenwich Park
undated
289
Samuel Hieronymus Grimm, 1733–1794
The French Lady in London
ca. 1771
290
Thomas Rowlandson, 1756–1827
An Audience Watching a Play at Drury Lane Theatre
ca. 1785
291
Edward Dayes, 1763–1804
St. Paul's Church, Covent Garden, after the fire
1795
292
Sir William Chambers, 1723–1796
Royal Botanic Gardens, Kew: Design for Interior of a Mosque
ca. 1761
293
Samuel Collings, active 1784–1795
Manning the Navy
undated
294
John Robert Cozens, 1752–1797
London from Greenwich Hill
ca. 1791
295
Sir William Chambers, 1723–1796
Design for Ceiling
ca. 1765
296
Sir William Chambers, 1723–1796
Facade for a Temple of Peace, Kew Gardens, Surrey
ca. 1763
297
unknown artist
Bush Hill, Edmonton, London: Plan of a Knot Garden