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Period 18th century

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Associated Places England

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Subject Terms masts

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Frost on the Thames
Creator:
Samuel Collings, active 1784–1795
Date:
1788 to 1789
Materials & Techniques:
Oil on canvas
Dimensions:
30 3/16 × 48 3/16 inches (76.7 × 122.4 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The Port of London
Creator:
Thomas Luny, 1759–1837
Date:
1798
Materials & Techniques:
Oil on canvas
Dimensions:
21 3/4 × 33 7/8 inches (55.2 × 86 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The River Avon: with Passing Vessels
Creator:
Nicholas Pocock, 1740–1821
Date:
1785
Materials & Techniques:
Watercolor and pen and black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 3/8 × 22 1/8 inches (41.6 × 56.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of His Majesty's Ship Boyne of 98 Guns, on Fire by Accident at Spithead, May 1, 1795
Creator:
John William Edy, 1760–1820
Date:
1797
Materials & Techniques:
Aquatint and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/8 × 18 11/16 inches (35.9 × 47.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ham Court, the Seat of John Martin, Esq.
Creator:
Print made by James Caldwall, 1739–1819
Date:
undated
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/4 x 10 1/4 inches (28.6 x 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Geometrical Plan of his Majesty's Dockyard, Deptford
Creator:
Print made by Pierre Charles Canot, ca. 1710–1777
Date:
1755
Materials & Techniques:
Line engraving on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 21 1/2 × 28 9/16 inches (54.6 × 72.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection