Studies for or after "The third Duke of Richmond with the Charleton Hunt"
late 1750s
Not on view
5
George Stubbs, 1724–1806
Lustre, held by a Groom
ca. 1762
Not on view
6
George Stubbs, 1724–1806
Margaret Newton (née Coningsby), Countess of Coningsby in the Costume of the Charlton Hunt
ca. 1760
Not on view
7
George Stubbs, 1724–1806
A Repose after Shooting
1770
Not on view
8
George Stubbs, 1724–1806
Two Gentlemen Going a Shooting, with a View of Creswell Crags, Taken on the Spot
ca. 1767
Not on view
9
George Stubbs, 1724–1806
Two Gentlemen Going a Shooting
1768
Not on view
10
George Stubbs, 1724–1806
Two Gentlemen Shooting
ca. 1769
Not on view
11
Edward Haytley, active 1740–1761
A Sportsman
1752
Not on view
12
Stephen Slaughter, 1697–1765
Windham Quin of Adare, Co. Limerick, Ireland
ca. 1745
Not on view
13
James Seymour, 1702–1752
Sir Roger Burgoyne Riding "Badger"
1740
Not on view
14
Peter Tillemans, 1684–1734
The Reverend Jemmet Browne at a meet of foxhounds
1730 to 1732
Not on view
15
Julius Caesar Ibbetson, 1759–1817
The Shooting Party
ca. 1800
Not on view
16
George Morland, 1763–1804
A Party Angling
1789
Not on view
17
Attributed to James Seymour, 1702–1752
One of Four Portraits of Horses - a Chestnut Racehorse with Jockey Up: walking to the left; jockey in buff-yellow jacket
ca. 1730
Not on view
18
Attributed to James Seymour, 1702–1752
One of Four Portraits of Horses - a Chestnut Horse (? Old Partner) held by a Groom: standing facing right, wearing blue saddle-cloth edged with gold; the groom in blue..
ca. 1730
Not on view
19
Attributed to James Seymour, 1702–1752
One of Four Portraits of Horses - a Chestnut Racehorse Exercised by a Trainer in a Blue Coat: galloping to the left, the horse wearing blue sweat cover and saddle-cloth edged with gold
ca. 1730
Not on view
20
Thomas Smith of Derby, ca. 1720–1767
Borlase Cokayne as a Boy riding Sultana
1751
Not on view
21
Henry Walton, 1746–1813
Portrait of a sportsman, possibly Robert Rayner
ca. 1770
Not on view
22
unknown artist
An Unknown Man, perhaps Charles Goring of Wiston (1744-1829), out Shooting with his Servant
ca. 1765
Not on view
23
George Morland, 1763–1804
Foxhunting in Hilly Country
1792
Not on view
24
Thomas Spencer, 1700–1753
Scipio, a spotted hunter, the property of Colonel Roche
ca. 1750
Not on view
25
John Wootton, 1682–1764
Releasing the Hounds
ca. 1745
Not on view
26
James Seymour, 1702–1752
A Bay Racehorse with Jockey Up
ca. 1730
Not on view
27
Attributed to James Seymour, 1702–1752
One of Four Portraits of Horses - a Chestnut Racehorse Exercised by a Trainer in a Red Coat: galloping to the left, the horse wearing white sweat covers on head, neck and body
ca. 1730
Not on view
28
George Morland, 1763–1804
Partridge Shooting
ca. 1790
Not on view
29
George Morland, 1763–1804
Pheasant Shooting
ca. 1790
Not on view
30
Francis Wheatley, 1747–1801
A Sportsman with His Son
1779
Not on view
31
William Williams, 1727–1791
James Rann (1756-1813)
ca. 1780
Not on view
32
John Wootton, 1682–1764
Preparing for the Hunt
ca. 1745
Not on view
33
John Wootton, 1682–1764
Lamprey at Newmarket, with a Group of Figures Including Sir William Morgan and Girolamo Bardoletti
1723
Not on view
34
John Wootton, 1682–1764
Lord Portmore Watching Racehorses at Exercise on Newmarket Heath
ca. 1735
Not on view
35
John Wootton, 1682–1764
The Death of the Hare
ca. 1735
Not on view
36
Thomas Stringer, 1722–1790
Lord Bulkeley and his Harriers, his Huntsman John Wells and Whipper-In R. Jennings
1773
Not on view
37
Richard Roper, active 1749–1765
The Match between Aaron and Driver at Maidenhead, Aug. 1754: Aaron winning the Second Heat
ca. 1754
Not on view
38
Thomas Butler of Pall Mall, active 1750-1759
Learning about the Hounds
ca. 1750
Not on view
39
Thomas Gainsborough, 1727–1788
Major John Dade of Tannington, Suffolk
ca. 1755
Not on view
40
Thomas Roberts, 1748–1778
Lough Erne from Knock Ninney, with Bellisle in the distance, County Fermanagh, Ireland
1771
Not on view
41
Benjamin Marshall, 1768–1835
Diamond, with Dennis Fitzpatrick Up
1799
Not on view
42
John Wootton, 1682–1764
The Duke of Hamilton's Grey Racehorse 'Victorious' at Newmarket
ca. 1725
Not on view
43
James Dunthorne, 1730–1815
John Sidey and his Hounds at a Farmhouse near Hadleigh, Suffolk
1765
Not on view
44
unknown artist
An Exercise in Haute Ecole: the Passage to the Left along a Wall, after Vanderbank
ca. 1730
Not on view
45
unknown artist
A Game of Cricket (The Royal Academy Club in Marylebone Fields, now Regent's Park)
between 1790 and 1799
Not on view
46
George Garrard, 1760–1826
Portrait of a Racehorse, Possibly Disguise, the Property of the Duke of Hamilton, with Jockey Up
1786
Not on view
47
George Haugh, 1756–1827
Catherine Howard (née Proctor), Countess of Effingham with Gun and Shooting Dogs
1787
Not on view
48
Thomas Daniell, 1749–1840
Tiger Hunting in the East Indies
1798
Not on view
49
Thomas Stringer, 1722–1790
John Corbet, Sir Robert Leighton and John Kynaston with their Horses and Hounds
1779
Not on view
50
James Seymour, 1702–1752
The Chaise Match Run on Newmarket Heath on Wednesday the 29th of August, 1750
1750
Not on view
51
Thomas Hand, died 1804
George Morland on his Hunter
1794
Not on view
52
unknown artist
The Death of the Hare
between 1760 and 1770
Not on view
53
unknown artist
Hunting Scenes: five oval plaques in one frame, perhaps Staffordshire or Liverpool and possibly enamel transfer-printed in black
18th century
Not on view
54
George Romney, 1734–1802
Studies of Horses
undated
55
George Vertue, 1684–1756
Sir John Suckling
1744
56
Paul Sandby, 1731–1809
The Horse Race at Rome During the Carnival
ca. 1781
57
Paul Sandby, 1731–1809
The Victor Conducted in Triumph
ca. 1781
58
William Ward, 1766–1826
Children Birdsnesting
1789
59
Sadanand Vyas, active late 18th century
An Arab in the Clothes of Gujarat
undated
60
Gangaram Chintaman Tambat, active 1790s
A Pair of Jeyties
undated
61
Gangaram Chintaman Tambat, active 1790s
Jeytie Lifting Weights
undated
62
Gangaram Chintaman Tambat, active 1790s
Two Jeyties
1792
63
unknown artist
Robin Hood and Clarinda hunting deer in a wooded landscape
undated
64
James Watson, 1740–1790
Lord Charles Bunbury
1768
65
Print made by James Walker, 1748–1808
Wakefield
1798
66
Francis Hayman, 1707/8–1776
Battledore and Shuttlecock
ca. 1740
67
Francis Hayman, 1707/8–1776
Flying the Kite
ca. 1740
68
John Henry Müntz, 1727–1798
Landscape with Sportsman and Guns
1779
69
Sir Joshua Reynolds, 1723–1792
Man on Horseback
undated
70
James Gwin, 1700–1769
Position pour le Garde en Tierce et le Coup de Tierce
1763
71
James Gwin, 1700–1769
De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde
1763
72
James Gwin, 1700–1769
De la Risposte du Cavé de Pied Ferme sur le Coup de Flanconnade a ceux qui n'Opposent pas de la Main Gauche
1763
73
James Gwin, 1700–1769
De la Risposte en Quinte de Pied forme sur le Coup de Seconde
1763
74
James Gwin, 1700–1769
Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime
1763
75
James Gwin, 1700–1769
Position Aprés Avoir Desarmé sur le Coup de Quarte
1763
76
James Gwin, 1700–1769
Du Desarmement Aprés la Parade au Dehors des Armes
1763
77
James Gwin, 1700–1769
Risposte Aprés Avoir Trompé la Parade du Poignard
1763
78
James Gwin, 1700–1769
De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson
1763
79
James Gwin, 1700–1769
Position de la Garde Italienne de L'Epée & Poignard
1763
80
James Gwin, 1700–1769
L'Epée & Lanterne Combattüe par L'Epée et Manteau
1763
81
James Gwin, 1700–1769
Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne
1763
82
James Gwin, 1700–1769
Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B
1763
83
Print made by Robert Pollard, 1755–1838
Boys Playing at Peg Top
1786
84
Print made by Francesco Bartolozzi, 1728–1815
To His Grace The Duke Of Newcastle, This Print Of The Return From Shooting
1792
85
Print made by Richard Earlom, 1743–1822
Colonel Mordaunt's Cock Match at Lucknow
1792
86
Print made by Richard Earlom, 1743–1822
Colonel Mordaunt's Cock Match at Lucknow
1792
87
Sawrey Gilpin, 1733–1807
Flying Christian From the Life
1760
88
Sawrey Gilpin, 1733–1807
A Horse and Three Groomers
1760
89
James Gwin, 1700–1769
Premiere Position pour tirer L'Epée
1763
90
James Gwin, 1700–1769
Position pour la Garde en Tierce
1763
91
James Gwin, 1700–1769
Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes
1763
92
James Gwin, 1700–1769
Position pour la Garde en Quarte et le Coup de Quarte
1763
93
James Gwin, 1700–1769
Position pour la Garde en Quarte
1763
94
James Gwin, 1700–1769
Seconde Position du Salut
1763
95
James Gwin, 1700–1769
Premiere Position du Salut
1763
96
James Gwin, 1700–1769
De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte
1763
97
James Gwin, 1700–1769
De la Parade de Seconde sur le Coup de Seconde
1763
98
James Gwin, 1700–1769
De la Parade du Demi-Cercle sur le Coup, de Quarte Basse
1763
99
James Gwin, 1700–1769
De la Parade du Cavé sur le Coup de Flanconnade
1763
100
James Gwin, 1700–1769
Position de la Garde en Quarte, et le Coup de Flanconnade