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Period 18th century
Remove constraint Period: 18th centuryGenre sporting art
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1
- Turf, with Jockey up, at Newmarket
- ca. 1766
- On view at YUAG
2
- Margaret Newton (née Coningsby), Countess of Coningsby in the Costume of the Charlton Hunt
- ca. 1760
- Not on view
3
- Foxhound
- ca. 1760
- Not on view
4
- Foxhound
- ca. 1760
- Not on view
5
- Lustre, held by a Groom
- ca. 1762
- Not on view
6
- Studies for or after "The third Duke of Richmond with the Charleton Hunt"
- late 1750s
- Not on view
7
- A Repose after Shooting
- 1770
- Not on view
8
- Two Gentlemen Going a Shooting
- 1768
- Not on view
9
- Two Gentlemen Going a Shooting, with a View of Creswell Crags, Taken on the Spot
- ca. 1767
- Not on view
10
- Two Gentlemen Shooting
- ca. 1769
- Not on view
11
- A Sportsman with His Son
- 1779
- Not on view
12
- Preparing for the Hunt
- ca. 1745
- Not on view
13
- Lamprey at Newmarket, with a Group of Figures Including Sir William Morgan and Girolamo Bardoletti
- 1723
- Not on view
14
- Lord Portmore Watching Racehorses at Exercise on Newmarket Heath
- ca. 1735
- Not on view
15
- The Death of the Hare
- ca. 1735
- Not on view
16
- Windham Quin of Adare, Co. Limerick, Ireland
- ca. 1745
- Not on view
17
- James Rann (1756-1813)
- ca. 1780
- Not on view
18
- Sir Roger Burgoyne Riding "Badger"
- 1740
- Not on view
19
- Diamond, with Dennis Fitzpatrick Up
- 1799
- Not on view
20
- The Duke of Hamilton's Grey Racehorse 'Victorious' at Newmarket
- ca. 1725
- Not on view
21
- A Sportsman
- 1752
- Not on view
22
- Lough Erne from Knock Ninney, with Bellisle in the distance, County Fermanagh, Ireland
- 1771
- Not on view
23
- Lord Bulkeley and his Harriers, his Huntsman John Wells and Whipper-In R. Jennings
- 1773
- Not on view
24
- The Reverend Jemmet Browne at a meet of foxhounds
- 1730 to 1732
- Not on view
25
- Major John Dade of Tannington, Suffolk
- ca. 1755
- Not on view
26
- Learning about the Hounds
- ca. 1750
- Not on view
27
- The Match between Aaron and Driver at Maidenhead, Aug. 1754: Aaron winning the Second Heat
- ca. 1754
- Not on view
28
- The Chaise Match Run on Newmarket Heath on Wednesday the 29th of August, 1750
- 1750
- Not on view
29
- Tiger Hunting in the East Indies
- 1798
- Not on view
30
- A Game of Cricket (The Royal Academy Club in Marylebone Fields, now Regent's Park)
- between 1790 and 1799
- Not on view
31
- An Exercise in Haute Ecole: the Passage to the Left along a Wall, after Vanderbank
- ca. 1730
- Not on view
32
- Portrait of a Racehorse, Possibly Disguise, the Property of the Duke of Hamilton, with Jockey Up
- 1786
- Not on view
33
- Catherine Howard (née Proctor), Countess of Effingham with Gun and Shooting Dogs
- 1787
- Not on view
34
- A Party Angling
- 1789
- Not on view
35
- The Shooting Party
- ca. 1800
- Not on view
36
- Partridge Shooting
- ca. 1790
- Not on view
37
- Pheasant Shooting
- ca. 1790
- Not on view
38
- One of Four Portraits of Horses - a Chestnut Horse (? Old Partner) held by a Groom: standing facing right, wearing blue saddle-cloth edged with gold; the groom in blue..
- ca. 1730
- Not on view
39
- One of Four Portraits of Horses - a Chestnut Racehorse Exercised by a Trainer in a Blue Coat: galloping to the left, the horse wearing blue sweat cover and saddle-cloth edged with gold
- ca. 1730
- Not on view
40
- One of Four Portraits of Horses - a Chestnut Racehorse Exercised by a Trainer in a Red Coat: galloping to the left, the horse wearing white sweat covers on head, neck and body
- ca. 1730
- Not on view
41
- An Unknown Man, perhaps Charles Goring of Wiston (1744-1829), out Shooting with his Servant
- ca. 1765
- Not on view
42
- Releasing the Hounds
- ca. 1745
- Not on view
43
- Foxhunting in Hilly Country
- 1792
- Not on view
44
- Portrait of a sportsman, possibly Robert Rayner
- ca. 1770
- Not on view
45
- A Bay Racehorse with Jockey Up
- ca. 1730
- Not on view
46
- One of Four Portraits of Horses - a Chestnut Racehorse with Jockey Up: walking to the left; jockey in buff-yellow jacket
- ca. 1730
- Not on view
47
- Borlase Cokayne as a Boy riding Sultana
- 1751
- Not on view
48
- Scipio, a spotted hunter, the property of Colonel Roche
- ca. 1750
- Not on view
49
- John Sidey and his Hounds at a Farmhouse near Hadleigh, Suffolk
- 1765
- Not on view
50
- John Corbet, Sir Robert Leighton and John Kynaston with their Horses and Hounds
- 1779
- Not on view
51
- George Morland on his Hunter
- 1794
- Not on view
52
- The Death of the Hare
- between 1760 and 1770
- Not on view
53
- Hunting Scenes: five oval plaques in one frame, perhaps Staffordshire or Liverpool and possibly enamel transfer-printed in black
- 18th century
- Not on view
54
- Studies of Horses
- undated
55
- Landscape with Sportsman and Guns
- 1779
56
- Two Jeyties
- 1792
57
- Three Jeyties Exercising
- ca. 1792
58
- Vishnu Riding a Horse Composed of Women
- undated
59
- An Arab in the Clothes of Gujarat
- undated
60
- Archer on Horseback
- undated
61
- The Royal Sport, Pit Ticket
- undated
62
- Flying the Kite
- ca. 1740
63
- Battledore and Shuttlecock
- ca. 1740
64
- Atalanta and Hippomanes
- 1763
65
- Diana, The Huntress
- 1763
66
- Diana, The Huntress
- 1783
67
- A Sacrifice To Diana The Goddess Of Hunting
- 1791
68
- Robin Hood and Clarinda hunting deer in a wooded landscape
- undated
69
- Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes
- 1763
70
- Premiere Position du Salut
- 1763
71
- Seconde Position du Salut
- 1763
72
- Quatrieme Position du Salut
- 1763
73
- De la Parade de Seconde sur le Coup de Seconde
- 1763
74
- De la Risposte de Quarte apres la Parade de Quarte
- 1763
75
- De la Risposte en Quinte de Pied forme sur le Coup de Seconde
- 1763
76
- De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde
- 1763
77
- De la Passe en Quarte du Dehors des Armes
- 1763
78
- Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes
- 1763
79
- Du Desarmement Aprés Avoir Paré le Coup de Quarte
- 1763
80
- Demi Volte sur les Coups Forcés au Dehors des Armes
- 1763
81
- Du Desarmement sur le Coup de Tierce
- 1763
82
- Position Aprés Avoir Desarmé sur le Coup de Quarte
- 1763
83
- De la Volte sur la Passe au Dehors des Armes
- 1763
84
- Du Desarmement sur le Coup de Quarte ou de Seconde Paré de Prime
- 1763
85
- Position Aprés Avoir Désarmé sur le Coup de Tierce
- 1763
86
- Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime
- 1763
87
- Position de la Garde Italienne de L'Epée & Poignard
- 1763
88
- Risposte Aprés Avoir Trompé la Parade du Poignard
- 1763
89
- De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise
- 1763
90
- De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson
- 1763
91
- Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne
- 1763
92
- L'Epée & Lanterne Combattüe par L'Epée et Manteau
- 1763
93
- Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B
- 1763
94
- Premiere Position pour tirer L'Epée
- 1763
95
- Position pour la Garde en Tierce
- 1763
96
- Position pour le Garde en Tierce et le Coup de Tierce
- 1763
97
- Position pour la Garde en Quarte
- 1763
98
- Position de la Garde de Tierce et le Coup de Seconde
- 1763
99
- Position pour la Garde en Quarte et le Coup de Quarte
- 1763
100
- Position de la Garde en Quarte, et le Coup de Flanconnade
- 1763