<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

You searched for:

Date 1992

Remove constraint Date: 1992

Work Type photomechanical print

Remove constraint Work Type: photomechanical print

Search Results

Mausoleum under Construction
Creator:
Dame Rachel Whiteread, born 1963
Date:
1992
Materials & Techniques:
Screen print with mezzotint on 300gsm Somerset Satin white wove paper
Dimensions:
Sheet: 28 × 34 3/4 inches (71.1 × 88.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Template for my Future Plastic Surgery
Creator:
Marc Quinn, born 1964
Date:
1992
Materials & Techniques:
Screen print on 300gsm Somerset Satin white wove paper
Dimensions:
Sheet: 33 3/4 × 26 3/4 inches (85.7 × 67.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
No cover image available
Creator:
Damien Hirst, born 1965
Date:
1992
Materials & Techniques:
Screen print on 300gsm Somerset Satin white wove paper
Dimensions:
Sheet: 33 1/2 x 24 1/2in. (85.1 x 62.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
No cover image available
Creator:
Marcus Taylor, Born 1964
Date:
1992
Materials & Techniques:
Screen print on 300gsm Somerset Satin white wove paper
Dimensions:
Sheet: 33 3/4 x 27 1/2in. (85.7 x 69.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
No cover image available
Creator:
Angus Fairhurst, 1966–2008
Date:
1992
Materials & Techniques:
Screen print on 300gsm Somerset Satin white wove paper
Dimensions:
Sheet: 34 1/8 × 26 inches (86.7 × 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
No cover image available
Creator:
Nicholas May, Born 1962
Date:
1992
Materials & Techniques:
Screen print on 300gsm Somerset Satin white wove paper
Dimensions:
Sheet: 34 7/8 × 23 3/4 inches (88.6 × 60.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund