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Jean Shrimpton and Chris Powell, Racecourse Fashion for 'Go!'
Creator:
Lewis Morley, 1925–2013
Date:
1961
Materials & Techniques:
Gelatin silver print on resin-coated photographic paper
Dimensions:
Sheet: 20 × 16 inches (50.8 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Kennedy
Alan Bennett, Peter Cook, Jonathan Miller, and Dudley Moore
Creator:
Lewis Morley, 1925–2013
Date:
1961
Materials & Techniques:
Gelatin silver print on resin-coated photographic paper
Dimensions:
Sheet: 20 × 16 inches (50.8 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Kennedy
Patricia Routledge and John Wood in 'Out of My Mind' by Lance Mulcahy and Stanley Daniels
Creator:
Lewis Morley, 1925–2013
Date:
taken 1961, printed 1998
Materials & Techniques:
Gelatin silver print on semigloss photographic paper
Dimensions:
Sheet: 20 × 16 inches (50.8 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Kennedy
Somerset Maugham
Creator:
Lewis Morley, 1925–2013
Date:
1961
Materials & Techniques:
Gelatin silver print on semigloss photographic paper
Dimensions:
Sheet: 20 × 16 inches (50.8 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Kennedy
Jean Shrimpton and Chris Powell, Racecourse Fashion for 'Go!'
Creator:
Lewis Morley, 1925–2013
Date:
1961
Materials & Techniques:
Gelatin silver print on semigloss photographic paper
Dimensions:
Sheet: 12 × 16 inches (30.5 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Kennedy
Drinking Coca-Cola, Mexico, 1961
Creator:
Constance Stuart Larrabee, 1914–2000
Date:
1961, printed 1993
Materials & Techniques:
Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:
Sheet: 20 × 16 inches (50.8 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund