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Cairo, 1944
Creator:
Constance Stuart Larrabee, 1914–2000
Date:
1944, printed 1993
Materials & Techniques:
Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:
Sheet: 20 × 16 inches (50.8 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Women Collaborators, St. Tropez, France. 1944
Creator:
Constance Stuart Larrabee, 1914–2000
Date:
1944, printed 1993
Materials & Techniques:
Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:
Sheet: 20 × 16 inches (50.8 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
South African Soldier, Grezzana, Italy, 1944
Creator:
Constance Stuart Larrabee, 1914–2000
Date:
1944, printed 1993
Materials & Techniques:
Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:
Sheet: 20 × 16 inches (50.8 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Souvenir Gas Mask, Marseille, France, 1944
Creator:
Constance Stuart Larrabee, 1914–2000
Date:
1944, printed 1993
Materials & Techniques:
Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:
Sheet: 20 × 16 inches (50.8 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Woman Punished for Associating with The Germans, St. Tropez, France, 1944
Creator:
Constance Stuart Larrabee, 1914–2000
Date:
1944, printed 1993
Materials & Techniques:
Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:
Sheet: 20 × 16 inches (50.8 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
British Boots Replace Clogs, Besancon, France, 1944
Creator:
Constance Stuart Larrabee, 1914–2000
Date:
1944, printed 1993
Materials & Techniques:
Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:
Sheet: 20 × 16 inches (50.8 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund