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1. Shere Mill Pond, no. 2 (large plate)

Shere Mill Pond, no. 2 (large plate)
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1860
Materials & Techniques:
Etching and drypoint on thin, slightly textured, cream Asian paper
Dimensions:
Sheet: 8 5/16 x 14 1/16 inches (21.1 x 35.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

2. Shere Mill Pond, no. 2 (large plate)

Shere Mill Pond, no. 2 (large plate)
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1860
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream antique laid paper
Dimensions:
Sheet: 8 1/4 x 13 7/8 inches (20.9 x 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Yale Stevens from her father's (Richard Sharpe V, B.S. 1873) Collection

3. The Source of the Arveron in the Valley of Chamouni, Savoy

The Source of the Arveron in the Valley of Chamouni, Savoy
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1860
Materials & Techniques:
Etching and mezzotint, printed in brown ink; finished state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 3/8 × 17 7/8 inches (34 × 45.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Cedar, At Warwick

Cedar, At Warwick
Creator:
Francis Bedford, 1816–1894
Date:
1860s
Materials & Techniques:
Albumen print on thin, smooth, cream wove paper
Dimensions:
Sheet: 8 1/4 × 6 1/2 inches (21 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Dr. and Mrs. Charles T. Isaacs

5. On the Teith, near Collander

On the Teith, near Collander
Creator:
W. Church Esq., active 1862–1867
Date:
1860s
Materials & Techniques:
Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 8 1/4 × 10 1/2 inches (21 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

6. The Foot-Bridge

The Foot-Bridge
Creator:
Alfred Rosling, 1802–ca. 1880
Date:
1860s
Materials & Techniques:
Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 8 1/8 × 6 1/2 inches (20.6 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

7. View in Betchworth Park, Surrey

View in Betchworth Park, Surrey
Creator:
Alfred Rosling, 1802–ca. 1880
Date:
1860s
Materials & Techniques:
Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 8 1/4 × 6 1/2 inches (21 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

8. Rustic Steps and Bridge in Landscape

Rustic Steps and Bridge in Landscape
Creator:
unknown artist
Date:
1860s
Materials & Techniques:
Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 8 1/8 × 6 1/4 inches (20.6 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

9. View on the Trent, Nottingham Castle in the Distance

View on the Trent, Nottingham Castle in the Distance
Creator:
George Bankart, died 1903
Date:
1860s
Materials & Techniques:
Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 8 1/4 × 11 3/8 inches (21 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro