Date: 1860 / Period: 19th century / Genre: landscape - YCBA Collections Search Search Results

1. Zagori, Greece

Creator:: Edward Lear, 1812–1888
Date:: 1860
Materials & Techniques:: Oil on canvas
Dimensions:: 15 1/2 x 10 inches (39.4 x 25.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939
On View:: Not on view

2. Evening Pasture

Creator:: James Smetham, 1821–1889
Date:: ca. 1865
Materials & Techniques:: Oil on canvas
Dimensions:: 7 3/4 × 20 inches (19.7 × 50.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. Whitlingham, Norfolk

Creator:: Frederick Sandys, 1829–1904
Date:: 1860
Materials & Techniques:: Oil on canvas
Dimensions:: 10 1/8 x 29 15/16 inches (25.7 x 76 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

4. Ailsa Craig

Creator:: William Bell Scott, 1811–1890
Date:: 1860
Materials & Techniques:: Oil on canvas
Dimensions:: 12 13/16 x 19 1/4 inches (32.5 x 48.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. The Morning of Life

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1860-1861
Materials & Techniques:: Etching, engraving and drypoint, with plate tone on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 10 7/8 inches (19 x 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. The Morning of Life

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1860-1861
Materials & Techniques:: Etching, engraving and drypoint, with plate tone on thick, smooth, cream wove paper
Dimensions:: Sheet: 8 1/2 x 11 3/4 inches (21.6 x 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

7. Dover from Shakespeare's Cliff

Creator:: Print made by William Chapman, 1817–1879
Date:: 1860
Materials & Techniques:: Etching and line engraving on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 1/4 × 16 1/2 inches (36.2 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Kensington Gardens, no. 2 (large plate)

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1860
Materials & Techniques:: Etching and drypoint, with plate tone on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 17 3/16 x 12 1/2 inches (43.6 x 31.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Allen Evarts Foster, B.A. 1906

9. Shere Mill Pond, no. 2 (large plate)

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1860
Materials & Techniques:: Etching and drypoint on moderately thick, moderately textured, cream antique laid paper
Dimensions:: Sheet: 12 1/2 x 18 3/8 inches (31.7 x 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

10. Kensington Gardens, no. 2 (large plate)

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1860
Materials & Techniques:: Etching and drypoint, with plate tone on medium, smooth, cream Asian paper
Dimensions:: Sheet: 10 13/16 x 6 3/4 inches (27.4 x 17.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

11. Combe Bottom

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1860
Materials & Techniques:: Etching and drypoint, with plate tone on thin, smooth, cream Asian paper
Dimensions:: Sheet: 4 7/16 x 6 1/8 inches (11.3 x 15.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

12. A Byroad in Tipperary

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1860
Materials & Techniques:: Etching and drypoint, retouched with graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 5 11/16 x 11 1/4 inches (14.5 x 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

13. Shere Mill Pond, no. 1 (small plate)

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1860
Materials & Techniques:: Etching and drypoint on thin, smooth, cream Asian paper
Dimensions:: Sheet: 6 1/4 x 7 13/16 inches (15.8 x 19.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

14. A Byroad in Tipperary

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1860
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 1/8 x 15 5/8 inches (30.8 x 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

15. Shere Mill Pond, no. 2 (large plate)

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1860
Materials & Techniques:: Etching and drypoint on thin, slightly textured, cream Asian paper
Dimensions:: Sheet: 8 5/16 x 14 1/16 inches (21.1 x 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

16. Shere Mill Pond, no. 2 (large plate)

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1860
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream antique laid paper
Dimensions:: Sheet: 8 1/4 x 13 7/8 inches (20.9 x 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Yale Stevens from her father's (Richard Sharpe V, B.S. 1873) Collection

17. The Holly Field

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1860
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/8 x 6 9/16 inches (10.5 x 16.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard C. Morse

18. The Source of the Arveron in the Valley of Chamouni, Savoy

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1860
Materials & Techniques:: Etching and mezzotint, printed in brown ink; finished state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/8 × 17 7/8 inches (34 × 45.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. The Mill Pond, Evelyn Woods

Creator:: George Vicat Cole, 1833–1893
Date:: 1860
Materials & Techniques:: Watercolor, gouache, pen and brown ink, and gum arabic on moderately thick, moderately textured, cream wove paper
Dimensions:: Mount: 15 7/8 × 21 7/8 inches (40.3 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

20. Londres. Vue Prise de la Tour de l'Eglise de St. Paul

Creator:: Print made by Henry Walter, 1786–1849
Date:: 1860
Materials & Techniques:: Lithograph, hand colored on moderately thick, smooth, cream wove paper
Dimensions:: Mount: 21 x 30 1/2 inches (53.4 x 77.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. View near Auckland: Maori Warrior and Women

Creator:: Lt. Gen. Charles Emilius Gold, 1803?–1871
Date:: 1860
Materials & Techniques:: Watercolor, gouache and graphite with scratching out on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/8 × 9 1/4 inches (17.5 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. View near Auckland: Three Maoris and a Dog

Creator:: Lt. Gen. Charles Emilius Gold, 1803?–1871
Date:: 1860
Materials & Techniques:: Watercolor, gouache and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 × 12 1/2 inches (27 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Rocks in Unrest

Creator:: Print made by James Charles Armytage, 1802–1897
Date:: 1860
Materials & Techniques:: Etching and line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Combe Bottom

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1860
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, light blue laid paper
Dimensions:: Sheet: 7 11/16 x 12 1/2 inches (19.6 x 31.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

25. The Nets in the Rapids

Creator:: Print made by John Henry Le Keux, 1812–1896
Date:: 1860
Materials & Techniques:: Photogravure
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Old British Camp in Bulstrode Park

Creator:: George Arthur Fripp, 1813–1896
Date:: 1860
Materials & Techniques:: Watercolor, gouache, graphite, and gum with scraping out on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 7/8 × 24 1/4 inches (35.2 × 61.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Oakley Hall

Creator:: Henry Edridge, 1769–1821
Date:: 1860
Materials & Techniques:: Graphite and gray wash on thick, rough, cream wove paper
Dimensions:: Sheet: 6 1/4 × 9 7/8 inches (15.9 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Cedar, At Warwick

Creator:: Francis Bedford, 1816–1894
Date:: 1860s
Materials & Techniques:: Albumen print on thin, smooth, cream wove paper
Dimensions:: Sheet: 8 1/4 × 6 1/2 inches (21 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Dr. and Mrs. Charles T. Isaacs

29. Loch Ranza

Creator:: Thomas Annan, 1829–1887
Date:: early 1860s
Materials & Techniques:: Albumen print on thin, smooth, cream wove paper
Dimensions:: Sheet: 11 × 15 3/8 inches (27.9 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

30. Rushford Mill

Creator:: Francis Bedford, 1816–1894
Date:: ca. 1865
Materials & Techniques:: Carbon print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 8 3/4 × 11 1/8 inches (22.2 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

31. Trees in the Snow

Creator:: A. Booty Esq., active 1867
Date:: 1860s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 7 1/8 × 9 1/2 inches (18.1 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

32. On the Teith, near Collander

Creator:: W. Church Esq., active 1862–1867
Date:: 1860s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 8 1/4 × 10 1/2 inches (21 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

33. The Foot-Bridge

Creator:: Alfred Rosling, 1802–ca. 1880
Date:: 1860s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 8 1/8 × 6 1/2 inches (20.6 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

34. View in Betchworth Park, Surrey

Creator:: Alfred Rosling, 1802–ca. 1880
Date:: 1860s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 8 1/4 × 6 1/2 inches (21 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

35. Mt. Pleasant Fields, Hornsey

Creator:: George Shadbolt, 1830–1901
Date:: 1860s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 6 3/4 × 8 3/8 inches (17.1 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

36. Stubbes, Essex

Creator:: George Shadbolt, 1830–1901
Date:: 1860
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 6 3/8 × 8 1/8 inches (16.2 × 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

37. The Black Bridge

Creator:: James Valentine, 1815–1879
Date:: 1860s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 7 1/2 × 9 1/2 inches (19.1 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

38. On the Severn

Creator:: unknown artist
Date:: 1860s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 8 7/8 × 7 7/8 inches (22.5 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

39. Loch Mouraig

Creator:: James Valentine, 1815–1879
Date:: 1860s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 7 1/4 × 9 3/8 inches (18.4 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

40. Aquatic Landscape; Men with Boats and Fishtraps

Creator:: unknown artist
Date:: 1860s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 5 7/8 × 7 7/8 inches (14.9 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

41. Rustic Steps and Bridge in Landscape

Creator:: unknown artist
Date:: 1860s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 8 1/8 × 6 1/4 inches (20.6 × 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

42. Bend in the Dargle

Creator:: Payne Jennings, active ca. 1875, died 1926
Date:: 1860s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 9 3/8 × 11 3/8 inches (23.8 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

43. River Scene with Cliff, Man in Boat

Creator:: Payne Jennings, active ca. 1875, died 1926
Date:: 1860s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 11 1/2 × 9 3/8 inches (29.2 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

44. Study of a Tree Overgrown with Ivy

Creator:: Attributed to James Mudd, 1821–ca. 1906
Date:: 1860s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 14 1/2 × 11 1/2 inches (36.8 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Dr. and Mrs. Charles T. Isaacs

45. Long Ships Lighthouse off the Land’s End, Cornwall

Creator:: William May, active 19th century
Date:: 1860s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 11 1/4 × 15 inches (28.6 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Dr. and Mrs. Charles T. Isaacs

46. View of Oakfield, Hornsey

Creator:: George Shadbolt, 1830–1901
Date:: 1860s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 7 × 8 1/4 inches (17.8 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

47. View on the Trent, Nottingham Castle in the Distance

Creator:: George Bankart, died 1903
Date:: 1860s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 8 1/4 × 11 3/8 inches (21 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

48. Tree Study

Creator:: F. Beazley, active 1865–1871
Date:: 1860s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 7 1/2 × 9 1/2 inches (19.1 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

49. Loch Earu

Creator:: Rev. N. B. Drummond, active 1860s
Date:: 1860s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Mount: 12 × 14 1/2 inches (30.5 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Dr. and Mrs. Charles T. Isaacs

50. View on the Lochlong with Gate

Creator:: unknown artist
Date:: 1860s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 9 1/4 × 10 1/2 inches (23.5 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

51. Waterfall

Creator:: Payne Jennings, active ca. 1875, died 1926
Date:: 1860s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 11 1/2 × 9 1/2 inches (29.2 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

52. The Morning of Life

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1860-1861
Materials & Techniques:: Etching, engraving and drypoint, with plate tone, retouched with white watercolor, gouache or chalk on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 x 12 5/16 inches (22.6 x 31.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. The Temple of Aphaia at Aegina: Longitudinal Section of Platform and Cave

Creator:: Charles Robert Cockerell, 1788–1863
Date:: 1860
Materials & Techniques:: Line engraving with graphite on smooth, thick, cream wove paper
Dimensions:: Sheet: 7 1/16 × 11 3/4 inches (17.9 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Search Constraints

Date 1860

Period 19th century

Genre landscape

Search Results

1. Zagori, Greece

2. Evening Pasture

3. Whitlingham, Norfolk

4. Ailsa Craig

5. The Morning of Life

6. The Morning of Life

7. Dover from Shakespeare's Cliff

8. Kensington Gardens, no. 2 (large plate)

9. Shere Mill Pond, no. 2 (large plate)

10. Kensington Gardens, no. 2 (large plate)

11. Combe Bottom

12. A Byroad in Tipperary

13. Shere Mill Pond, no. 1 (small plate)

14. A Byroad in Tipperary

15. Shere Mill Pond, no. 2 (large plate)

16. Shere Mill Pond, no. 2 (large plate)

17. The Holly Field

18. The Source of the Arveron in the Valley of Chamouni, Savoy

19. The Mill Pond, Evelyn Woods

20. Londres. Vue Prise de la Tour de l'Eglise de St. Paul

21. View near Auckland: Maori Warrior and Women

22. View near Auckland: Three Maoris and a Dog

23. Rocks in Unrest

24. Combe Bottom

25. The Nets in the Rapids

26. Old British Camp in Bulstrode Park

27. Oakley Hall

28. Cedar, At Warwick

29. Loch Ranza

30. Rushford Mill

31. Trees in the Snow

32. On the Teith, near Collander

33. The Foot-Bridge

34. View in Betchworth Park, Surrey

35. Mt. Pleasant Fields, Hornsey

36. Stubbes, Essex

37. The Black Bridge

38. On the Severn

39. Loch Mouraig

40. Aquatic Landscape; Men with Boats and Fishtraps

41. Rustic Steps and Bridge in Landscape

42. Bend in the Dargle

43. River Scene with Cliff, Man in Boat

44. Study of a Tree Overgrown with Ivy

45. Long Ships Lighthouse off the Land’s End, Cornwall

46. View of Oakfield, Hornsey

47. View on the Trent, Nottingham Castle in the Distance

48. Tree Study

49. Loch Earu

50. View on the Lochlong with Gate

51. Waterfall

52. The Morning of Life

53. The Temple of Aphaia at Aegina: Longitudinal Section of Platform and Cave