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Date 1855

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Second Class—The Parting. "Thus part we rich in sorrow, parting poor."
Creator:
Abraham Solomon, 1823–1862
Date:
1855
Materials & Techniques:
Oil on panel
Dimensions:
8 x 10 inches (20.3 x 25.4 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
First Class—The Meeting. "And at first meeting loved."
Creator:
Abraham Solomon, 1823–1862
Date:
1855
Materials & Techniques:
Oil on panel
Dimensions:
8 x 10 inches (20.3 x 25.4 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
By the Heath
Creator:
Print made by Robert Barnes, 1840–1895
Date:
undated
Materials & Techniques:
Wood-engraving with watercolor on thick, slightly textured, cream card mounted on moderately thick, slightly textured, beige wove paper
Dimensions:
Mount: 6 15/16 x 8 inches (17.6 x 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Boy Sketching a Man with Two Girls Watching
Creator:
Print made by Robert Barnes, 1840–1895
Date:
undated
Materials & Techniques:
Wood-engraving with watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 1/8 x 7 1/4 inches (23.2 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Grandmother with her Grandchildren
Creator:
Print made by Robert Barnes, 1840–1895
Date:
undated
Materials & Techniques:
Wood-engraving with watercolor on thick, slightly textured, cream card mounted on moderately thick, slightly textured, beige wove paper
Dimensions:
Mount: 7 15/16 x 6 15/16 inches (20.2 x 17.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
English Country House, Family Group
Creator:
Attributed to John Mercer, 1791–1866
Date:
ca. 1860
Materials & Techniques:
Ambrotype on glass in metal passe-partout frame
Dimensions:
Overall: 4 × 5 inches (10.2 × 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro