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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
4
Creator
Lear, Edward, 1812–1888
2
Aston, Charles Reginald, 1832–1908
1
DeWint, Peter, 1784–1849
1
Date
1767
102
1814
41
1745
39
1764
36
1867
29
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21
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18
1793
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1841
16
1774
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1782
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1783
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1799
11
1772
9
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1784
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1836
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1746
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1786
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1804
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1770
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1795
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1808
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1810
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1813
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1759
5
1791
5
1797
5
1815
5
1830
5
1755
4
1771
4
1785
4
1787
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1788
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1792
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1796
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1798
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1825
4
1847
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4
1700
3
1749
3
1765
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1768
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1807
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1817
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1820
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1827
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1834
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1848
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1640
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1839
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1846
2
1850
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1851
2
1853
2
1854
2
1861
2
1912
2
1631
1
1697
1
1712
1
1718
1
1730
1
1734
1
1738
1
1740
1
1742
1
1743
1
1748
1
1751
1
1758
1
1763
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1766
1
1769
1
On-site Access
Accessible by appointment in the Study Room
4
Image Use
Free to Use
4
Image Available
Available
4
Classification
Drawings & Watercolors
4
Creator Gender
male
4
Period
19th century
3
19th century-20th century
1
Materials & Techniques
wove paper
4
graphite
3
brown ink
2
pen
2
watercolor
2
brown wash
1
charcoal
1
white chalk
1
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47
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66
Work Type
drawing
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4
watercolor
2
Genre
landscape
4
cityscape
1
Subject Terms
hills
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4
landscape
4
mountains
2
sea
2
sky
2
trees
2
Grand Tour
1
bathers
1
beach
1
boat
1
botany
1
buildings
1
city
1
cityscape
1
harvest
1
hay
1
laborers
1
plants
1
rocks (landforms)
1
science
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Associated Places
Italy
2
Buckinghamshire
1
Calabria
1
England
1
Palermo
1
Reggio nell'Emilia
1
Sicily
1
Tyrrhenian Sea
1
United Kingdom
1
Exhibition History
Edward Lear and the Art of Travel (Yale Center for British Art, 2000-09-20 - 2001-01-14)
2
Credit Line
Yale Center for British Art, Paul Mellon Collection
2
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939
1
Yale Center for British Art, Gift of Robert and Pauline Knoll
1
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Date
1847
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drawing
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hills
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1
Edward Lear, 1812–1888
Reggio, 26 July 1847
1847
2
Edward Lear, 1812–1888
View near Palermo
1847
3
Charles Reginald Aston, 1832–1908
Bathing Place, Anstey's Cove
undated
4
Peter DeWint, 1784–1849
Harvesting Scene, Cheddington
1847