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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
15
Creator
Basire, James, 1769–1822
11
Stothard, Charles Alfred, 1786–1821
10
Mackenzie, Frederick, 1788–1854
3
Brandard, Robert, 1805–1862
2
Storm, G.F., active mid–19th century
2
Turner, J. M. W. (Joseph Mallord William), 1775–1851
2
Capon, William, 1757–1827
1
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1842
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1833
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On-site Access
Accessible by appointment in the Study Room
15
Image Use
Free to Use
15
Image Available
Available
15
Classification
Prints
15
Creator Gender
male
15
Collective Title
"Vetusta Monumenta", Society of Antiquaries of London, 1747-1906
10
Vetusta Monumenta
3
Period
19th century
15
Materials & Techniques
wove paper
15
line engraving
12
hand coloring
8
etching (printing process)
4
chine collé
1
engraver's proof
1
engraving (printing process)
1
graphite
1
touched proof
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Work Type
intaglio print
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15
Genre
architectural subject
13
religious and mythological subject
7
genre subject
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landscape
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historical subject
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Subject Terms
architectural subject
13
religious and mythological subject
7
genre subject
2
landscape (representation)
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church
1
coronations
1
exterior view
1
historical subject
1
ruins
1
Associated Places
England
15
United Kingdom
15
City of Westminster
13
London
13
Palace of Westminster
13
Devon
2
House of Commons
2
St. Stephen's Chapel, Palace of Westminster
2
Tamar
2
Exhibition History
Nobleness and Grandeur - Forging Historical Landscape in Britain, 1760 - 1850 (Yale Center for British Art, 2005-01-27 - 2005-04-24)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
14
Yale Center for British Art, Paul Mellon Fund
1
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1842
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1
Print made by Robert Brandard, 1805–1862
Crossing the Brook
1842
2
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults
1842
3
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus
1842
4
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha
1842
5
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus
1842
6
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech
1842
7
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXII: The Story of Hezekiah
1842
8
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews
1842
9
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXIV: The Story of Elijah and Ahaziah. The Miracles of Elisha
1842
10
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City
1842
11
Print made by Robert Brandard, 1805–1862
Crossing the Brook
1842
12
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXVII: The Painted Chamber
1842
13
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults
1842
14
Print made by G.F. Storm, active mid–19th century
Vol. 6, Plate XXVIII
1842
15
Print made by G.F. Storm, active mid–19th century
Vol. 6, Plate XXIX
1842