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Collection
Prints and Drawings
132
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
97
Goodall, Edward, 1795–1870
59
Cruikshank, George, 1792–1878
12
Wallis, Robert, 1794–1878
10
Willmore, James Tibbits, 1800–1863
8
Smith, William R., active 1819–1851
6
Fisher, S., active 1831–1844
4
Fisher,, Son & Co., active 1821–1848
4
Jeavons, Thomas, ca. 1800–1867
3
Miller, William, 1796–1882
3
Radclyffe, William, 1780–1855
3
Cousins, Samuel, 1801–1887
2
Henry, Graves & Co., ca. 1812–1892
2
Lucas, David, 1802–1881
2
White, George Francis Major, active 1845–1848
2
Allom, Thomas, 1804–1872
1
Armytage, James Charles, -1897
1
Arnout, Jules, 1814–1868
1
Boys, Thomas Shotter, 1803–1874
1
Browne, Hablot Knight, 1815–1882
1
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Date
1834
506
1835
277
1833
259
1827
228
1830
207
1836
203
1800
170
1808
145
1802
139
1837
[remove]
132
1832
123
1803
114
1828
114
1812
112
1818
111
1859
109
1811
107
1814
106
1820
104
1807
103
1816
99
1831
90
1825
89
1810
88
1826
83
1823
81
1838
81
1850
81
1809
80
1819
74
1813
70
1824
68
1801
67
1821
65
1896
65
1806
64
0
62
1822
62
1839
57
1829
53
1804
52
1805
46
1815
40
1842
40
1817
39
1851
38
1855
33
1844
32
1845
30
1891
26
1864
25
1841
24
1860
24
1900
24
1858
23
1863
23
1887
23
1857
21
1897
21
1893
20
1840
18
1846
17
1865
17
1877
17
1889
17
1892
17
1875
16
1852
15
1856
14
1880
14
1881
14
1894
14
1843
13
1853
13
1879
13
1854
12
1888
12
1890
12
1898
12
1870
11
1871
11
1882
11
1895
11
1899
10
1847
9
1861
9
1866
9
1868
9
1873
9
1885
9
1848
8
1884
8
1883
7
1886
7
1795
6
1849
6
1876
6
1878
6
1797
5
1799
5
On-site Access
Accessible by appointment in the Study Room
132
Image Use
Free to Use
132
Image Available
Available
130
Unavailable
2
Classification
Prints
132
Creator Gender
male
126
unknown
1
Collective Title
Campbell's Poetical Works
72
Picturesque Views in England and Wales
21
Etchings
1
Pickwick Papers
1
The Keepsake
1
White's Views in India
1
Period
19th century
[remove]
132
Materials & Techniques
line engraving
102
wove paper
43
etching (printing process)
15
mezzotint
5
stipple engraving
3
chine collé
2
engraving (printing process)
2
graphite
2
aquatint
1
brown ink
1
engraver's proof
1
hand coloring
1
photography
1
scraping
1
watercolor
1
Height [cm]
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68
Unknown
86
Width [cm]
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286
Unknown
86
Work Type
intaglio print
[remove]
132
Genre
literary theme
70
landscape
57
marine art
32
military art
30
historical subject
26
cityscape
19
architectural subject
16
religious and mythological subject
9
genre subject
7
sporting art
6
portrait
3
Subject Terms
castle
7
architectural subject
6
church
5
cityscape
5
landscape
5
river
5
genre subject
4
landscape (representation)
4
marine art
4
bay (body of water)
3
portrait
3
cathedral
2
costume
2
dress
2
gown
2
horses (animals)
2
jewelry
2
pearls
2
woman
2
workers
2
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Subject Terms
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Associated Places
United Kingdom
8
England
5
Basilica of St. Castor
4
Ehrenbreitstein, Feste
4
Germany
4
Koblenz
4
Mosel
4
Philippsburg Castle
4
Rheinland-Pfalz
4
Criccieth
3
Criccieth Castle
3
Europe
3
Gwynedd
3
India
3
Tremadog Bay
3
Wales
3
City of Westminster
1
Hyderabad
1
Jagannath Temple
1
Kent
1
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Associated Places
»
Associated People
Duke of Kent and Strathearn
1
Gardiner, Marguerite, countess of Blessington (1789–1849), author
1
Queen Victoria
1
Exhibition History
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
3
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
2
Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04)
2
Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20)
2
Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19)
2
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
1
The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
106
Yale Center for British Art; Yale University Art Gallery Collection
19
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan
3
Yale Center for British Art, Paul Mellon Fund
3
Yale Center for British Art, Hohenzollern-Schlaberg-Hughes Collection, Gift Thomas Lowe Hughes, Yale JD 1952
1
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Date
1837
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Period
19th century
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Work Type
intaglio print
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1
John Graham, 1754–1817
Knowle Park, the Seat of the Earl of Plymouth
1837
2
Print made by David Lucas, 1802–1881
Salisbury Cathedral
1837
3
Print made by Charles Rosenberg, active 1828–1848
The Boats of His Majesty's Sloop 'Procris' Attacking and Capturing off the Coast of Java on 31st of July 1837
1837
4
Print made by James Tibbits Willmore, 1800–1863
Llangollen, North Wales
1837
5
Print made by W. R. Smith, active 1819–1851
Lowestoffe, Suffolk
1837
6
Print made by Edward Goodall, 1795–1870
Prague - Kosciusko
1837
7
Print made by Edward Goodall, 1795–1870
Summer Eve, the Rainbow
1837
8
Print made by Edward Goodall, 1795–1870
The Andes Coast
1837
9
Print made by Robert Wallis, 1794–1878
Sinai's Thunder
1837
10
Print made by Edward Goodall, 1795–1870
A Swiss Valley
1837
11
Print made by Edward Goodall, 1795–1870
The Last Man
1837
12
Print made by Edward Goodall, 1795–1870
O'Connor's Child
1837
13
Print made by Edward Goodall, 1795–1870
The Soldier's Dream
1837
14
Print made by Edward Goodall, 1795–1870
Gertrude of Wyoming - The Valley
1837
15
Print made by Edward Goodall, 1795–1870
Gertrude of Wyoming - The Waterfall
1837
16
Print made by Edward Goodall, 1795–1870
Rolandseck
1837
17
Print made by Edward Goodall, 1795–1870
Camp Hill, Hastings
1837
18
Print made by Edward Goodall, 1795–1870
The Death Boat of Heligoland
1837
19
Print made by Edward Goodall, 1795–1870
Ehrenbreitstein
1837
20
Print made by Edward Goodall, 1795–1870
The Beech Tree's Petition
1837
21
Print made by William Miller, 1796–1882
The Dead Eagle, Oran
1837
22
Print made by Edward Goodall, 1795–1870
Lochiel's Warning
1837
23
Print made by Robert Wallis, 1794–1878
Hohenlinden
1837
24
Print made by Edward Goodall, 1795–1870
Battle of the Baltic
1837
25
Print made by Robert Wallis, 1794–1878
Lord Ullin's Daughter
1837
26
Print made by David Lucas, 1802–1881
The Plough
1837
27
Print made by Robert Wallis, 1794–1878
Sinai's Thunder
1837
28
Print made by Edward Goodall, 1795–1870
Rolandseck
1837
29
Print made by Edward Goodall, 1795–1870
The Beech Tree's Petition
1837
30
Print made by Edward Goodall, 1795–1870
The Death-Boat of Heligoland
1837
31
Print made by Edward Goodall, 1795–1870
Ehrenbreitstein
1837
32
Print made by Edward Goodall, 1795–1870
Summer Eve, the Rainbow
1837
33
Print made by Edward Goodall, 1795–1870
Prague - Kosciusko
1837
34
Print made by Edward Goodall, 1795–1870
Battle of the Baltic
1837
35
Print made by Edward Goodall, 1795–1870
Camp Hill, Hastings
1837
36
Print made by Edward Goodall, 1795–1870
O'Connor's Child
1837
37
Print made by Edward Goodall, 1795–1870
The Andes Coast
1837
38
Print made by Edward Goodall, 1795–1870
A Swiss Valley
1837
39
Print made by Edward Goodall, 1795–1870
Lochiel's Warning
1837
40
Print made by Robert Wallis, 1794–1878
Hohenlinden
1837
41
Print made by Edward Goodall, 1795–1870
Gertrude of Wyoming - The Valley
1837
42
Print made by Edward Goodall, 1795–1870
The Last Man
1837
43
Print made by Edward Goodall, 1795–1870
The Soldier's Dream
1837
44
Print made by William Miller, 1796–1882
The Dead Eagle, Oran
1837
45
Print made by Ebenezer Challis, active 1837–1859
Entrance to Lincoln Cathedral
1837
46
Print made by W. R. Smith, active 1819–1851
Whitehaven, Cumberland
1837
47
Print made by S. Fisher, active 1831–1844
Crickieth Castle, North Wales
1837
48
Print made by Thomas Jeavons, ca. 1800–1867
Kidwelly Castle, South Wales
1837
49
Print made by W. R. Smith, active 1819–1851
Whitehaven, Cumberland
1837
50
Print made by W. R. Smith, active 1819–1851
Lowestoffe, Suffolk
1837
51
Print made by James Tibbits Willmore, 1800–1863
Llangollen, North Wales
1837
52
Print made by James Tibbits Willmore, 1800–1863
Winander-Mere, Westmoreland
1837
53
Print made by William Radclyffe, 1780–1855
Keswick Lake, Cumberland
1837
54
Print made by Thomas Jeavons, ca. 1800–1867
Kidwelly Castle, South Wales
1837
55
Print made by William Radclyffe, 1780–1855
Keswick Lake, Cumberland
1837
56
Print made by William Radclyffe, 1780–1855
Keswick Lake, Cumberland
1837
57
Print made by James Tibbits Willmore, 1800–1863
Winander-Mere, Westmoreland
1837
58
Print made by James Tibbits Willmore, 1800–1863
Winander-Mere, Westmoreland
1837
59
Print made by Thomas Jeavons, ca. 1800–1867
Kidwelly Castle, South Wales
1837
60
Print made by James Tibbits Willmore, 1800–1863
Winander-Mere, Westmoreland
1837
61
Print made by James Tibbits Willmore, 1800–1863
Winander-Mere, Westmoreland
1837
62
Print made by W. R. Smith, active 1819–1851
Whitehaven, Cumberland
1837
63
Print made by S. Fisher, active 1831–1844
Crickieth Castle, North Wales
1837
64
Print made by W. R. Smith, active 1819–1851
Whitehaven, Cumberland
1837
65
Print made by S. Fisher, active 1831–1844
Crickieth Castle, North Wales
1837
66
Print made by S. Fisher, active 1831–1844
Crickieth Castle, North Wales
1837
67
Print made by Samuel Cousins, 1801–1887
Sunshine of Love
1837
68
Print made by Samuel Cousins, 1801–1887
The Countess of Blessington
1837
69
Print made by Robert Wallis, 1794–1878
Lord Ullin's Daughter
1837
70
Edward Francis Finden, 1791–1857
Yarmouth, Norfolk
1837
71
Rev. James Bulwer, 1794–1879
[One from] A Volume of Drawings and Prints
1837
72
Print made by James Tibbits Willmore, 1800–1863
The Sea! The Sea!
1837
73
Print made by Edward Goodall, 1795–1870
Ehrenbreitstein
1837
74
Print made by Edward Goodall, 1795–1870
Camp Hill, Hastings
1837
75
Print made by Edward Goodall, 1795–1870
Ehrenbreitstein
1837
76
Print made by Henry Melville, active 1826–1841
House of Lords, Her Majesty Opening the Session of Parliament
ca. 1837
77
Print made by George Cruikshank, 1792–1878
Oliver plucks up a spirit
1837
78
Print made by George Cruikshank, 1792–1878
Athelstane's Escape from the Dungeon
1837
79
Print made by George Cruikshank, 1792–1878
The Black Knight & the Clerk of Copmanhurst
1837
80
Print made by George Cruikshank, 1792–1878
Master Bates Explains a Professional Technicality
1837
81
Print made by George Cruikshank, 1792–1878
Oliver Amazed at the Dodger's Mode of 'going to work'
1837
82
Print made by George Cruikshank, 1792–1878
Oliver's Reception by Fagin and the Boys
1837
83
Print made by George Cruikshank, 1792–1878
Oliver Claimed by his Affectionate Friends
1837
84
Print made by George Cruikshank, 1792–1878
Oliver Introduced to the Respectable Old Gentleman
1837
85
Print made by George Cruikshank, 1792–1878
Oliver Asking for More
1837
86
Print made by George Cruikshank, 1792–1878
Oliver being Introduced to the Respectable Old Gentleman
1837
87
Print made by George Cruikshank, 1792–1878
Oliver Escapes being Bound Apprentice to the Sweep
1837
88
Print made by George Cruikshank, 1792–1878
Oliver Recovering from the Fever
1837
89
Print made by T. Kelly, active ca. 1837
Devotees in India Sacrificing Themselves to the Idol Juggernaut
1837
90
Print made by Edward Goodall, 1795–1870
Summer Eve, the Rainbow
1837
91
Print made by Edward Goodall, 1795–1870
The Andes Coast
1837
92
Print made by Edward Goodall, 1795–1870
Battle of the Baltic
1837
93
Print made by Robert Wallis, 1794–1878
Sinai's Thunder
1837
94
Print made by Edward Goodall, 1795–1870
Lochiel's Warning
1837
95
Print made by Edward Goodall, 1795–1870
Lochiel's Warning
1837
96
Print made by Edward Goodall, 1795–1870
Gertrude of Wyoming - The Valley
1837
97
Print made by Edward Goodall, 1795–1870
Gertrude of Wyoming - The Waterfall
1837
98
Print made by Edward Goodall, 1795–1870
The Beech Tree's Petition
1837
99
Print made by Robert Wallis, 1794–1878
Hohenlinden
1837
100
Print made by Edward Goodall, 1795–1870
Summer Eve, the Rainbow
1837
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