Date: 1836 - YCBA Collections Search Search Results

101. Stirling

Creator:: Print made by William Miller, 1796–1882
Date:: 1836
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 10 3/4 × 16 1/2 inches (27.3 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

102. Rydal Cottage from the Bridge, 8 February 1836

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1836
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 12 5/8 inches (22.9 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

103. Ennerdale Lake, 10 May 1836

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1836
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 12 3/4 inches (22.9 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

104. From under the Screes at Wast Water, May 1836

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1836
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 12 5/8 inches (22.9 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

105. Near Rydal Lake, 10 February 1836

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1836
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 12 5/8 inches (22.9 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

106. Barn Interior

Creator:: William Henry Hunt, 1790–1864
Date:: 1836
Materials & Techniques:: Watercolor and gouache, with scraping on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 5/8 inches (34.6 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

107. Teignmouth

Creator:: Print made by unknown artist
Date:: 1836
Materials & Techniques:: aquatint, Late state, plain
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

108. Teignmouth

Creator:: Print made by unknown artist
Date:: 1836
Materials & Techniques:: Aquatint, Late state, colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

109. Cawdor Castle, Narnshire (published by G. Virtue); page 59 (Volume One)

Creator:: Thomas Barber, ca. 1768–1843
Date:: 1836
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

110. Grims Thorpe Castle, Linolnshire (published by Fisher Son & Company)(Volume Two)

Creator:: unknown artist
Date:: 1836
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

111. The Thames at Mortlake

Creator:: Print made by William John Cooke, 1797–1865
Date:: 1836 to 1838
Materials & Techniques:: Etching and line engraving; engraver's proof (b) on medium, slightly textured, cream wove paper, with cream chine collé
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

112. Admiral Sir George Martin

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: 1836
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 12 x 15in. (30.5 x 38.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

113. Age of Innocence

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1836
Materials & Techniques:: Mezzotint and etching (proof) on moderately thick, moderately textured, beige wove paper, with beige chine collé
Dimensions:: Sheet: 13 7/8 × 10 3/8 inches (35.2 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

114. Mauritius - a child watching her mother walking near the sea, presumably Mrs. Chamberlayne and one of her children

Creator:: William John Chamberlayne, 1821–1910
Date:: undated
Materials & Techniques:: Graphite, watercolor, scratching out on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 10 5/16 × 14 3/16 inches (26.2 × 36 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

115. Gambia - a sandy bay with figures walking and riding at Cape St. Mary

Creator:: William John Chamberlayne, 1821–1910
Date:: undated
Materials & Techniques:: Graphite, watercolor, gouache on textured, thick, brown wove paper
Dimensions:: Sheet: 9 3/4 × 13 5/8 inches (24.8 × 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

116. The Thames at Mortlake

Creator:: Print made by William John Cooke, 1797–1865
Date:: 1836-1838
Materials & Techniques:: Etching and line engraving, with scraping out; touched engraver's proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

117. The Thames at Mortlake

Creator:: Print made by William John Cooke, 1797–1865
Date:: 1836-1838
Materials & Techniques:: Etching and line engraving; engraver's proof (b) on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

118. The Thames at Mortlake

Creator:: Print made by William John Cooke, 1797–1865
Date:: 1836-1838
Materials & Techniques:: Etching and line engraving; engraver's proof (c) on medium, slightly textured, cream wove paper, with cream chine collé
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

119. Santa Maria della Salute, Venice

Creator:: Hercules Brabazon Brabazon, 1821–1906
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 4 3/4 × 7 5/8 inches (12 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Elizabeth S. Tower

120. The Licensed Victualler's Annual Dinner, held at the Highbury Barn Tavern

Creator:: unknown artist
Date:: 1836
Materials & Techniques:: Lithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

121. The Residence of George Stevens, F.R.S.

Creator:: John Thomas Smith, 1766–1833
Date:: 1836
Materials & Techniques:: Wash
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

122. Death of the First Born

Creator:: John Martin, 1789–1854
Date:: 1836
Materials & Techniques:: Mezzotint on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 7/8 × 30 inches (55.6 × 76.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

123. The Destroying Angel

Creator:: John Martin, 1789–1854
Date:: 1836
Materials & Techniques:: Engraving
Dimensions:: Sheet: 21 7/16 x 30 7/16 inches (54.5 x 77.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

124. View of the Port of Liverpool

Creator:: Richard Gilson Reeve, 1803–1889
Date:: 1836
Materials & Techniques:: Colored aquatint on thick, slightly textured, cream laid paper
Dimensions:: Sheet: 21 × 26 5/16 inches (53.3 × 66.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

125. Inverlochy Castle, Invernesshire

Creator:: Henry Griffiths, 1835–1849
Date:: 1836
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/2 × 11 3/16 inches (21.6 × 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

126. Front of Wrapper for The Prose Works of Sir Walter Scott, Part Two (two copies)

Creator:: Print made by William Miller, 1796–1882
Date:: 1836
Materials & Techniques:: Letterpress
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

127. Beaumaris, Isle of Anglesea

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1836
Materials & Techniques:: Line engraving, engraver's proof
Dimensions:: Sheet: 6 1/2 x 10in. (16.5 x 25.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

128. Beaumaris, Isle of Anglesea

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1836
Materials & Techniques:: Line engraving, open etching
Dimensions:: Sheet: 6 1/2 x 10in. (16.5 x 25.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

129. Longships Lighthouse, Lands End

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1836
Materials & Techniques:: Line engraving, open etching negative
Dimensions:: Sheet: 10 x 13in. (25.4 x 33cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

130. Beaumaris, Isle of Anglesea

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1836
Materials & Techniques:: Line engraving, first published state
Dimensions:: Sheet: 6 1/2 x 10in. (16.5 x 25.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

131. Lyme Regis, Norfolk

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1836
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

132. Harlech Castle, North Wales

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1836
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

133. The Sea! The Sea!

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1836
Materials & Techniques:: Line engraving, first published state on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 17 × 11 5/16 inches (43.2 × 28.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

134. The Sea! The Sea!

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1836
Materials & Techniques:: Line engraving, engraver's proof on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 17 5/16 × 11 13/16 inches (44 × 30 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

135. Longships Lighthouse, Land's End

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1836
Materials & Techniques:: Line engraving, engraver's proof (negative)
Dimensions:: Sheet: 6 1/2 x 10in. (16.5 x 25.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

136. Gloucestershire - a woman and child on a road bordering fields of ripe corn at Moreton-in-Marsh

Creator:: William John Chamberlayne, 1821–1910
Date:: undated
Materials & Techniques:: Graphite and watercolor with scratching out on moderately thick, rough, cream wove paper
Dimensions:: Sheet: 7 × 10 inches (17.8 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

137. Frontispiece to Pilgrim's Progress

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1836
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

138. View near Jubbera

Creator:: Print made by John Cousen, 1804–1880
Date:: 1836
Materials & Techniques:: Etching and line engraving; engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

139. Rocks at Colgong on the Ganges

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1836
Materials & Techniques:: Etching and line engraving; engraver's proof (a)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

140. Linlithgow

Creator:: Print made by William Miller, 1796–1882
Date:: 1836
Materials & Techniques:: Etching and line engraving; first published state on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 17 1/4 × 11 7/8 inches (43.8 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

141. Glencoe

Creator:: Print made by William Miller, 1796–1882
Date:: 1836
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 11 3/4 × 17 1/8 inches (29.8 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

142. Craigmillar Castle

Creator:: Print made by William Miller, 1796–1882
Date:: 1836
Materials & Techniques:: Etching and engraving, first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 17 1/4 × 11 3/4 inches (43.8 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

143. Inverness

Creator:: Print made by William Miller, 1796–1882
Date:: 1836
Materials & Techniques:: Etching and line engraving; first published state on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 10 1/2 × 15 inches (26.7 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

144. Rouen - Distant View

Creator:: Print made by William Richardson, active 1842–1877
Date:: 1836
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 12 × 17 1/8 inches (30.5 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

145. Fort Augustus

Creator:: Print made by William Miller, 1796–1882
Date:: 1836
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 17 1/8 × 11 7/8 inches (43.5 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

146. Château d'Arc, near Dieppe

Creator:: Print made by William Forrest, 1802–1889
Date:: 1836
Materials & Techniques:: Etching and line engraving; first published state on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 10 5/8 × 17 inches (27 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

147. Dunstaffnage

Creator:: Print made by William Miller, 1796–1882
Date:: 1836
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

148. Abbeville

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1836
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 17 1/4 × 11 7/8 inches (43.8 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

149. Calais

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1836
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 17 1/4 × 11 7/8 inches (43.8 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

150. Bally-Burgh Ness

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1836
Materials & Techniques:: Line engraving, Engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

151. Col. Mannering, Hazlewood, and Smugglers

Creator:: Print made by William Finden, 1787–1852
Date:: 1836
Materials & Techniques:: Etching; open etched state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

152. "It's Auld Ailie Hersell"

Creator:: Print made by James Charles Armytage, 1802–1897
Date:: 1836
Materials & Techniques:: Etching and line engraving; engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

153. Wolf's Hope

Creator:: Print made by James H. Kernot, 1802–1858
Date:: 1836
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

154. Edinburgh - March of the Highlanders

Creator:: Print made by Thomas Higham, 1796–1844
Date:: 1836-1837
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

155. Loch Leven Castle

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: 1836-1837
Materials & Techniques:: Etching and line engraving, with graphite and scraping out; touched engraver's proof (a)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

156. Killiecrankie

Creator:: Print made by William Miller, 1796–1882
Date:: 1836
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 17 1/8 × 11 3/4 inches (43.5 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

157. Col. Mannering, Hazlewood, and Smugglers

Creator:: Print made by William Finden, 1787–1852
Date:: 1836
Materials & Techniques:: Etching and line engraving; engraver's proof (b)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

158. Part of the Ghaut at Hurdwar

Creator:: Print made by Thomas Higham, 1796–1844
Date:: 1836
Materials & Techniques:: Etching and line engraving; engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

159. Snowy Range, from Tyne or Marma

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1836
Materials & Techniques:: Etching and line engraving; engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

160. Falls near the Source of the Jumna

Creator:: Print made by John Cousen, 1804–1880
Date:: 1836-1837
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

161. Mussooree and the Dhoon from Landour

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: 1836
Materials & Techniques:: Etching and line engraving; engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

162. Valley of the Dhoon

Creator:: Print made by W. Floyd, active 1845
Date:: 1836
Materials & Techniques:: Etching and line engraving; engraver's proof (a)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

163. Dunfermline

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1836
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 17 1/4 × 11 7/8 inches (43.8 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

164. Edinburgh from St. Anthony's Chapel

Creator:: Print made by William Miller, 1796–1882
Date:: 1836
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 12 × 17 1/8 inches (30.5 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

165. Stirling

Creator:: Print made by William Miller, 1796–1882
Date:: 1836
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 11 3/8 × 17 inches (28.9 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

166. Llanthony, Monmouthshire

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1836
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

167. Julian Hayter, the Artist's Daughter

Creator:: John Hayter, 1800–1895
Date:: 1836
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 11 1/4 inches (22.9 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

168. Vice Admiral Sir Pulteney Malcolm

Creator:: William James Ward, ca. 1800–1840
Date:: 1836
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 10 1/2 x 14in. (26.7 x 35.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

169. Admiral Sir Philip Charles Henderson Calderwood Durham

Creator:: Print made by unknown artist
Date:: c.1836
Materials & Techniques:: Mezzotint (proof)
Dimensions:: Sheet: 11 1/4 x 14 7/8in. (28.6 x 37.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

170. Part of Becket's Castle, Otford

Creator:: unknown artist
Date:: 1836
Materials & Techniques:: Brown wash heightened with white gouache over graphite
Dimensions:: Sheet: 10 1/2 x 7 1/16in. (26.7 x 17.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

171. Entrance to Walmer Castle; sketches of doors

Creator:: unknown artist
Date:: 1836
Materials & Techniques:: Brown wash heighetened with white gouache over graphite
Dimensions:: Sheet: 7 1/16 x 10 1/4in. (17.9 x 26cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

172. The Maison Dieu, Dover

Creator:: unknown artist
Date:: 1836
Materials & Techniques:: graphite
Dimensions:: Sheet: 4 7/8 x 9 3/4in. (12.4 x 24.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

173. Age of Innocence

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1836
Materials & Techniques:: Mezzotint (first state) on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 20 13/16 × 16 inches (52.9 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

174. Master Henry Thomas Hope

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: 1836
Materials & Techniques:: Mezzotint, line engraving, and stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 x 12 15/16 inches (40 x 32.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

175. A View of the remains of St. Stephen's Chapel, Houses of Parliament on the morning after the Fire of the 16th October 1834

Creator:: John Taylor Jr., 1819–1884
Date:: 1836
Materials & Techniques:: Pen and black ink and watercolor on moderately thick, slightly textured, creram wove paper
Dimensions:: Sheet: 14 1/8 × 21 1/2 inches (35.9 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

176. Lady Lyndhurst

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: 1836
Materials & Techniques:: Mezzotint (first published state) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 19 1/2 × 15 3/4 inches (49.5 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

177. "Nonpareil" / The Property of Mr. John Dixon of Knightsbridge / This Wonderful Creature, Performed the unprecedented Match, of Trotting 100 Miles in harness on Sunbury Common, on Wednesday the 27th April, 1836. ...

"Nonpareil" / The Property of Mr. John Dixon of Knightsbridge / This Wonderful Creature, Performed the unprecedented Match, of Trotting 100 Miles in harness on Sunbury Common, on Wednesday the 27th April, 1836. ...

Creator:: George Hunt, active 1820–1840
Date:: 1836
Materials & Techniques:: Color printed aquatint
Dimensions:: Sheet: 12 7/8 x 21 7/8in. (32.7 x 55.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

178. William Long, Huntsmen to his Grace the duke of Beaufort, on his Favorite Horse (Milkman)

Creator:: after Charles Hunt, 1803–1877
Date:: 1836
Materials & Techniques:: Hand-colored aquatint
Dimensions:: Sheet: 22 x 28 7/8in. (55.9 x 73.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

179. One Mile from Gretna, Our Governor in Sight, --with a screw loose!

Creator:: Richard Gilson Reeve, 1803–1889
Date:: 1836
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 1/8 x 17 3/4in. (33.3 x 45.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

180. Vestiges of Sculpture and Painting in St Stephen's Chapel, Westminster

Creator:: Print made by Robert William Billings, 1813–1874
Date:: 1836
Materials & Techniques:: Line engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 7 3/4 × 4 3/8 inches (19.7 × 11.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

181. The Stone Bow, Lincoln

Creator:: Frederick James Havell, 1801–1840
Date:: 1836
Materials & Techniques:: Etching with stipple engraving on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 13/16 × 8 3/4 inches (14.7 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

182. Johnny and His Pony

Creator:: Sir David Wilkie, 1785–1841
Date:: 1836
Materials & Techniques:: Brown wash and gray wash, with black chalk, and gouache over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 4 1/2 x 6 5/8 inches (11.4 x 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

183. Fingal's Cave, Staffa

Creator:: Print made by William Forrest, 1802–1889
Date:: 1836
Materials & Techniques:: Etching and line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

184. William Mulready, R. A.

Creator:: Print made by Vincent Robert Alfred Brooks, 1814–1885
Date:: after 1836
Materials & Techniques:: Lithograph on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 10 11/16 x 7 1/16 inches (27.1 x 18 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

185. Abbotsford

Creator:: Print made by William Forrest, 1802–1889
Date:: 1836
Materials & Techniques:: Etching and line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

186. Mount Moriah

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1836
Materials & Techniques:: Line engraving, Engraving, proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

187. Jerusalem, with the Walls

Creator:: Print made by William Finden, 1787–1852
Date:: 1836
Materials & Techniques:: Etching and line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

188. Jerusalem from the Mount of Olives

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: 1836
Materials & Techniques:: Etching and line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

189. Jerusalem, Pool of Bethesda

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1836
Materials & Techniques:: Etching and line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

190. Sidon

Creator:: Print made by William Finden, 1787–1852
Date:: 1836
Materials & Techniques:: Etching and line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

191. Front of Wrapper for The Prose Works of Sir Walter Scott, Part Two (two copies)

Creator:: Print made by William Miller, 1796–1882
Date:: 1836
Materials & Techniques:: Letterpress
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

192. Hackney Grammar School

Creator:: unknown artist
Date:: 1836
Materials & Techniques:: Lithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

193. Plate XXXVIII: House of Lords, as Fitted up in 1835

Creator:: Print made by T. Clarke, 1799–1839
Date:: 1836
Materials & Techniques:: Line engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 7 7/8 × 5 7/16 inches (20 × 13.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

194. Set of six with printed wrapper, Plate 4: The Fox Escapes with Best Goose

Creator:: Thomas Mann Baynes, 1794–1854
Date:: 1836
Materials & Techniques:: Hand colored lithograph
Dimensions:: Sheet: 5 7/8 x 8 3/4in. (14.9 x 22.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

195. Set of six with printed wrapper, Plate 3: The Fox Silently Entering the Poultry Yard

Creator:: Thomas Mann Baynes, 1794–1854
Date:: 1836
Materials & Techniques:: Hand colored lithograph
Dimensions:: Sheet: 5 7/8 x 8 3/4in. (14.9 x 22.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

196. View of the Port of Liverpool

Creator:: Richard Gilson Reeve, 1803–1889
Date:: 1836
Materials & Techniques:: Color printed etching and aquatint with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/4 × 27 1/8 inches (54 × 68.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

197. Meeting in Copenhagen Fields of the Trades Union

Creator:: W. Summers, active 1833
Date:: 1836
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 14 1/2 x 19 3/4in. (36.8 x 50.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

198. Sketch of Izaak Walton's Cottage for the "Complete Angler," London, 1836

Creator:: Thomas Stothard, 1755–1834
Date:: 1836
Materials & Techniques:: Pen and brown ink, brown wash, and graphite on medium, slightly textured, cream wove paper mounted on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/2 × 6 inches (24.1 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

199. Austin's Farm at Sapiston Suffolk the Early Residence of Robert Bloomfield

Creator:: Charles John Smith, 1803–1838
Date:: 1836
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

200. A Hunting Accident

Creator:: Sir Edwin Henry Landseer, 1802–1873
Date:: 1836
Materials & Techniques:: Brown and red ink with brown wash on medium, smooth, cream laid paper
Dimensions:: Sheet: 7 1/4 x 9 inches (18.4 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Date 1836

Search Results

101. Stirling

102. Rydal Cottage from the Bridge, 8 February 1836

103. Ennerdale Lake, 10 May 1836

104. From under the Screes at Wast Water, May 1836

105. Near Rydal Lake, 10 February 1836

106. Barn Interior

107. Teignmouth

108. Teignmouth

109. Cawdor Castle, Narnshire (published by G. Virtue); page 59 (Volume One)

110. Grims Thorpe Castle, Linolnshire (published by Fisher Son & Company)(Volume Two)

111. The Thames at Mortlake

112. Admiral Sir George Martin

113. Age of Innocence

114. Mauritius - a child watching her mother walking near the sea, presumably Mrs. Chamberlayne and one of her children

115. Gambia - a sandy bay with figures walking and riding at Cape St. Mary

116. The Thames at Mortlake

117. The Thames at Mortlake

118. The Thames at Mortlake

119. Santa Maria della Salute, Venice

120. The Licensed Victualler's Annual Dinner, held at the Highbury Barn Tavern

121. The Residence of George Stevens, F.R.S.

122. Death of the First Born

123. The Destroying Angel

124. View of the Port of Liverpool

125. Inverlochy Castle, Invernesshire

126. Front of Wrapper for The Prose Works of Sir Walter Scott, Part Two (two copies)

127. Beaumaris, Isle of Anglesea

128. Beaumaris, Isle of Anglesea

129. Longships Lighthouse, Lands End

130. Beaumaris, Isle of Anglesea

131. Lyme Regis, Norfolk

132. Harlech Castle, North Wales

133. The Sea! The Sea!

134. The Sea! The Sea!

135. Longships Lighthouse, Land's End

136. Gloucestershire - a woman and child on a road bordering fields of ripe corn at Moreton-in-Marsh

137. Frontispiece to Pilgrim's Progress

138. View near Jubbera

139. Rocks at Colgong on the Ganges

140. Linlithgow

141. Glencoe

142. Craigmillar Castle

143. Inverness

144. Rouen - Distant View

145. Fort Augustus

146. Château d'Arc, near Dieppe

147. Dunstaffnage

148. Abbeville

149. Calais

150. Bally-Burgh Ness

151. Col. Mannering, Hazlewood, and Smugglers

152. "It's Auld Ailie Hersell"

153. Wolf's Hope

154. Edinburgh - March of the Highlanders

155. Loch Leven Castle

156. Killiecrankie

157. Col. Mannering, Hazlewood, and Smugglers

158. Part of the Ghaut at Hurdwar

159. Snowy Range, from Tyne or Marma

160. Falls near the Source of the Jumna

161. Mussooree and the Dhoon from Landour

162. Valley of the Dhoon

163. Dunfermline

164. Edinburgh from St. Anthony's Chapel

165. Stirling

166. Llanthony, Monmouthshire

167. Julian Hayter, the Artist's Daughter

168. Vice Admiral Sir Pulteney Malcolm

169. Admiral Sir Philip Charles Henderson Calderwood Durham

170. Part of Becket's Castle, Otford

171. Entrance to Walmer Castle; sketches of doors

172. The Maison Dieu, Dover

173. Age of Innocence

174. Master Henry Thomas Hope

175. A View of the remains of St. Stephen's Chapel, Houses of Parliament on the morning after the Fire of the 16th October 1834