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1. The Bellerophon, Plymouth Sound

The Bellerophon, Plymouth Sound
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1835
Materials & Techniques:
Etching and line engraving; first published state on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 17 1/4 × 11 7/8 inches (43.8 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Dudley, Worcestershire

Dudley, Worcestershire
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1835
Materials & Techniques:
Etching; open etched state
Dimensions:
Sheet: 6 3/8 x 9 3/8in. (16.2 x 23.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Chiefswood Cottage

Chiefswood Cottage
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 17 1/8 × 11 3/4 inches (43.5 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. The Rhymer's Glen

The Rhymer's Glen
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 17 1/8 × 11 3/4 inches (43.5 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Ullswater, Cumberland

Ullswater, Cumberland
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Etching and line engraving; 1st published state on moderately thick, moderately textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 14 1/8 × 16 3/8 inches (35.9 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Fire at Sea

Fire at Sea
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Etching and line engraving; engraver's proof (a) on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 17 5/16 × 11 7/8 inches (44 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. HMS Bellerophon, Plymouth Sound

HMS Bellerophon, Plymouth Sound
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1835
Materials & Techniques:
Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 17 × 11 7/8 inches (43.2 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Vincennes

Vincennes
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 17 1/4 × 11 7/8 inches (43.8 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Malmaison

Malmaison
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and line engraving; first published state on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 17 1/8 × 11 3/4 inches (43.5 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Mustering of the Warrior Angels

Mustering of the Warrior Angels
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1835
Materials & Techniques:
Etching and line engraving; 1st published state
Dimensions:
Sheet: 17 3/16 × 11 3/4 inches (43.7 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Château Gaillard, from the South

Château Gaillard, from the South
Creator:
Print made by John Cousen, 1804–1880
Date:
1835
Materials & Techniques:
Etching and line engraving; engraver's proof (c) on moderately thick, slightly textured, beige wove paper with creme chine collé
Dimensions:
Sheet: 17 3/8 × 11 5/8 inches (44.1 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. St. Germains

St. Germains
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1835
Materials & Techniques:
Etching and line engraving; engraver's proof (b) on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 8 5/8 × 11 5/8 inches (21.9 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Saint Denis

Saint Denis
Creator:
Print made by S. Fisher, active 1831–1844
Date:
1835
Materials & Techniques:
Etching and line engraving; engraver's proof on moderately thick, slightly textured, crem wove paper with cream chine collé
Dimensions:
Sheet: 8 1/4 × 11 5/8 inches (21 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Little Red-Riding Hood's Meeting with the Wolf

Little Red-Riding Hood's Meeting with the Wolf
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1835
Materials & Techniques:
Lithograph, hand-colored on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 17 5/8 x 11 15/16 inches (44.7 x 30.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Brian and Linda Gracie

15. An Extraordinary Animal, Neither an Opossum nor a Kangaroo but Having Something of Both

An Extraordinary Animal, Neither an Opossum nor a Kangaroo but Having Something of Both
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1835
Materials & Techniques:
Lithograph, hand-colored on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 17 5/8 x 11 13/16 inches (44.8 x 30 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Brian and Linda Gracie