Date: 1835 / Genre: landscape - YCBA Collections Search Search Results

1. End of Lake Geneva

Creator:: Francis Danby, 1793–1861
Date:: 1835
Materials & Techniques:: Oil on canvas
Dimensions:: 30 x 45 inches (76.2 x 114.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. A View of Theobald's Park, Hertfordshire

Creator:: John James Chalon, 1778–1854
Date:: ca. 1840
Materials & Techniques:: Oil on canvas
Dimensions:: 24 1/2 x 31 3/4 inches (62.2 x 80.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. Joshua Commanding the Sun to Stand Still

Creator:: John Martin, 1789–1854
Date:: ca. 1840
Materials & Techniques:: Oil on canvas
Dimensions:: 18 7/8 × 24 5/8 inches (47.9 × 62.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. Shepherd Boy on a Hillside

Creator:: William Turner of Oxford, 1789–1862
Date:: ca. 1840
Materials & Techniques:: Oil on panel
Dimensions:: 7 1/4 × 9 1/4 inches (18.4 × 23.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. Portrait of Reformer, Blucher, Tory and Crib, the Property of Rowland Alston, Esq., M.P.

Creator:: James Ward, 1769–1859
Date:: 1835
Materials & Techniques:: Oil on canvas
Dimensions:: 28 x 36 inches (71.1 x 91.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

6. Cleve Toot, near Bristol

Creator:: William James Muller, 1812–1845
Date:: ca. 1840
Materials & Techniques:: Oil on panel
Dimensions:: 6 1/4 x 10 7/8 inches (15.9 x 27.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

7. Landscape with Trees and a Figure

Creator:: Thomas Churchyard, 1798–1865
Date:: ca. 1840
Materials & Techniques:: Oil on panel
Dimensions:: 6 1/2 x 5 inches (16.5 x 12.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

8. A View of Eton and the Fellows Eyot

Creator:: William James Muller, 1812–1845
Date:: ca. 1840
Materials & Techniques:: Oil on paper on panel
Dimensions:: 6 1/2 x 10 1/4 inches (16.5 x 26 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

9. Hanham Lock on the Avon

Creator:: William James Muller, 1812–1845
Date:: ca. 1840
Materials & Techniques:: Oil on canvas
Dimensions:: 8 x 18 1/8 inches (20.3 x 46 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

10. Godstow Bridge near Oxford

Creator:: Edward William Cooke, 1811–1880
Date:: 1835
Materials & Techniques:: Oil on panel
Dimensions:: 9 1/2 x 13 1/2 inches (24.1 x 34.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

11. Stoke Poges Church

Creator:: Thomas Churchyard, 1798–1865
Date:: ca. 1840
Materials & Techniques:: Oil on panel
Dimensions:: 4 3/8 x 5 7/8 inches (11.1 x 14.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

12. Sheep Grazing

Creator:: John Linnell, 1792–1882
Date:: 1835
Materials & Techniques:: Oil on board
Dimensions:: 6 3/4 × 9 3/4 inches (17.1 × 24.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

13. Antique Letter Box Converted into a Humidor

Creator:: unknown artist
Date:: ca. 1840
Materials & Techniques:: Oil on wood
Dimensions:: Overall: 5 1/2 x 12 1/4 x 9 inches (14 x 31.1 x 22.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

14. Hope near Bergen

Creator:: Francis Danby, 1793–1861
Date:: ca. 1840
Materials & Techniques:: Brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/2 × 7 1/4 inches (11.4 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. The Ferry

Creator:: Francis Danby, 1793–1861
Date:: ca. 1840
Materials & Techniques:: Graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 4 1/8 × 7 3/8 inches (10.5 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Tintern Abbey

Creator:: Samuel Palmer, 1805–1881
Date:: 1835
Materials & Techniques:: Watercolor, gouache, pen and brown ink, and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 10 3/8 x 14 3/4 inches (26.4 x 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Pistil Mawddach, North Wales

Creator:: Samuel Palmer, 1805–1881
Date:: between 1835 and 1836
Materials & Techniques:: Watercolor, gouache and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 3/8 x 21 inches (44.1 x 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Llwyngwynedd and Part of Llyn-y-ddina Between Capel Curig and Beddegelert, North Wales

Creator:: Samuel Palmer, 1805–1881
Date:: 1835 or 1836
Materials & Techniques:: Gouache, watercolor, graphite and black chalk on medium, smooth, brown wove paper
Dimensions:: Sheet: 15 x 18 1/8 inches (38.1 x 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. A Pastoral Scene

Creator:: Samuel Palmer, 1805–1881
Date:: 1835
Materials & Techniques:: Brown wash on wove paper
Dimensions:: Sheet: 3 3/4 x 4 1/2 inches (9.5 x 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Mountains by the Traveller's Rest near Dolgelly

Creator:: Samuel Palmer, 1805–1881
Date:: 1835
Materials & Techniques:: Watercolor and gouache over graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 11 3/4 x 18 1/8 inches (29.8 x 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Rocky Landscape in Wales

Creator:: Samuel Palmer, 1805–1881
Date:: 1835 or 1836
Materials & Techniques:: Gouache and watercolor with gum and black chalk on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 18 7/8 inches (38.1 × 47.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Underriver Hills, near Sevenoaks, Kent, from the Grounds of J. Herries, Esq.

Creator:: Samuel Palmer, 1805–1881
Date:: ca. 1840
Materials & Techniques:: Watercolor, gouache, pen and black ink, and graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/8 x 14 1/16 inches (24.4 x 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Mountainous Landscape with Town in Valley

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1840
Materials & Techniques:: Graphite, gray wash and white chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 x 11 1/2 inches (23.2 x 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, The Edwin Austin Abbey Memorial Collection

24. Roundway Park, Wiltshire: Exterior View

Creator:: unknown artist
Date:: ca. 1840
Materials & Techniques:: Graphite and watercolor on moderately thick, slightly textured, white wove paper
Dimensions:: Sheet: 17 15/16 x 28 1/4 inches (45.6 x 71.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Roundway Park, Wiltshire: Exterior View

Creator:: unknown artist
Date:: ca. 1840
Materials & Techniques:: Graphite and watercolor on moderately thick, slightly textured, white wove paper
Dimensions:: Sheet: 18 9/16 x 28 1/2 inches (47.1 x 72.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Confluence of the Seine and Marne

Creator:: Print made by James Charles Armytage, 1802–1897
Date:: 1835
Materials & Techniques:: Etching and line engraving; engraver's proof (b) on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 12 3/4 × 17 1/8 inches (32.4 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Melun

Creator:: Print made by William Miller, 1796–1882
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof (early) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/2 × 13 1/4 inches (21.6 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Field of Waterloo, with Lightning

Creator:: Print made by William Miller, 1796–1882
Date:: 1835
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 5/8 × 13 1/4 inches (21.9 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Château Gaillard, from the East

Creator:: Print made by John Smith, the mezzotinter, 1652–1743
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, beige wove paper with cream chine collé
Dimensions:: Sheet: 11 7/8 × 17 inches (30.2 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. St. Germains

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: 1835
Materials & Techniques:: Etching and line engraving; engraver's proof (c) on moderately thick, slightly textured, crean wove paper with cream chine collé
Dimensions:: Sheet: 11 1/8 × 16 1/8 inches (28.3 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Malmaison

Creator:: Print made by William Miller, 1796–1882
Date:: 1835
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/4 × 8 5/8 inches (33.7 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. The Rhymer's Glen

Creator:: Print made by William Miller, 1796–1882
Date:: 1835
Materials & Techniques:: Etching and engraving; engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 13 1/4 × 8 1/2 inches (33.7 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Pont de l'Arche

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, beige wove paper with cream chine collé
Dimensions:: Sheet: 11 7/8 × 17 1/8 inches (30.2 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Bridges of St. Cloud and Sèvres

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 11 1/8 × 16 1/2 inches (28.3 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. The Lanterne of St. Cloud

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Bridge of St. Cloud from Sévres

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof (early) on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 11 1/8 × 16 1/2 inches (28.3 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Coastal Scene with Shipping

Creator:: James Chisholm Gooden, active 1835–1865
Date:: undated
Materials & Techniques:: Watercolor and graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 11 inches (12.7 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Caernarvon Castle, Wales

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1835
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Caernarvon Castle, Wales

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1835
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Ullswater, Cumberland

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1835
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Powis Castle, Montgomery

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Powis Castle, Montgomery

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1835
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Scene near Shipton on Cherwell, Oxfordshire

Creator:: William Turner of Oxford, 1789–1862
Date:: 1835
Materials & Techniques:: Watercolor, gouache and brown ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 21 1/2 x 29 5/8 inches (54.6 x 75.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

44. Festa di San Antonio, Bay of Naples

Creator:: Thomas Uwins, 1782–1857
Date:: ca. 1840
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/8 × 33 inches (18.1 × 83.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

45. Perspective View: the New Houses of Parliament

Creator:: Sir Charles Barry, 1795–1860
Date:: ca. 1840-1849
Materials & Techniques:: Watercolor over traces of graphite, with gouache, pen and black and brown ink on medium, smooth, weige wove paper
Dimensions:: Sheet: 15 7/8 x 30 1/8 inches (40.3 x 76.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Lebanon from Tripoli

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1835
Materials & Techniques:: Line engraving, first state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Malmaison

Creator:: Print made by William Miller, 1796–1882
Date:: 1835
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 16 1/8 × 10 7/8 inches (41 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Field of Waterloo, with Lightning

Creator:: Print made by William Miller, 1796–1882
Date:: 1835
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 10 7/8 × 16 1/4 inches (27.6 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. The Rhymer's Glen

Creator:: Print made by William Miller, 1796–1882
Date:: 1835
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 16 1/8 × 10 1/2 inches (41 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Paris from Pere-la-Chaise

Creator:: Print made by William Miller, 1796–1882
Date:: 1835
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 10 3/4 × 16 5/8 inches (27.3 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. St. Cloud

Creator:: Print made by William Miller, 1796–1882
Date:: 1835
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 10 5/8 × 16 3/8 inches (27 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Derwent Water, 20 June 1835

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1835
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 12 7/8 inches (22.9 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Skiddaw at Mr. Whiteside's, June 30 1835

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1835
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 13 inches (22.9 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. The Jaws of Borrowdale, Saturday 27 June 1835

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1835
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 12 3/8 inches (22.9 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Derwent Looking towards Borrowdale, July 1835

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1835
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/4 × 12 3/4 inches (22.2 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. River Cocker and Mellbreak, 1 August 1835

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1835
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 13 1/4 inches (23.2 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Bridge near Loweswater Church, 2 August 1835

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1835
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 13 inches (22.9 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Skiddaw from Borrowdale, Saturday 27 June, 1835

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1835
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 12 5/8 inches (22.9 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Looking over Crummock Water, August 1835

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1835
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 × 9 inches (18.4 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Crummock Water, August 1835

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1835
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/8 × 9 inches (18.1 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Crummock Water, 1 August 1835

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1835
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 × 13 inches (22.5 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. The Bowder Stone, Jaws of Borrowdale, Saturday 27 June 1835

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1835
Materials & Techniques:: Graphite and gray wash; verso: graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 24 3/4 inches (22.9 × 62.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Grasmoor, August 1835

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1835
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 12 7/8 inches (22.9 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Pont de l'Arche

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1835
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 × 10 5/8 inches (17.8 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

65. St. Germains

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: 1835
Materials & Techniques:: Etching and line engraving; first published state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 × 10 5/8 inches (17.8 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

66. Bridge of St. Cloud from Sévres

Creator:: Print made by S. Fisher, active 1831–1844
Date:: 1835
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/8 × 10 5/8 inches (17.5 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

67. Bridges of St. Cloud and Sèvres

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1835
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 × 10 5/8 inches (17.8 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

68. The Lanterne of St. Cloud

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1835
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/8 × 10 inches (17.5 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

69. Confluence of the Seine and Marne

Creator:: Print made by James Charles Armytage, 1802–1897
Date:: 1835
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/8 × 10 5/8 inches (17.5 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

70. Craig Crook Castle, near Edinburgh, the Seat of Lord Jeffrey

Creator:: Print made by William Miller, 1796–1882
Date:: 1835
Materials & Techniques:: Etching and line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Ullswater, Cumberland

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1835
Materials & Techniques:: Line engraving, 1st published state on moderately thick, moderately textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 14 1/8 × 16 3/8 inches (35.9 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Powis Castle, Montgomery

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1835
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Malmaison

Creator:: Print made by William Miller, 1796–1882
Date:: 1835
Materials & Techniques:: Etching and line engraving; first published state on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 17 1/8 × 11 3/4 inches (43.5 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Field of Waterloo, with Lightning

Creator:: Print made by William Miller, 1796–1882
Date:: 1835
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 11 1/4 × 17 inches (28.6 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Mount Moriah

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1835-1836
Materials & Techniques:: Etching and engraving; first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. The Red Sea, at Suez

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1835
Materials & Techniques:: Etching and engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. The Dead Sea, Jericho and the Mouth of the Jordan

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1835-1836
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Jericho

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1835-1836
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. The Desert of Sinai

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1835-1836
Materials & Techniques:: Etching and engraving; engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Joppa

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1835-1836
Materials & Techniques:: Line engraving and graphite, touched engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Santa Sabas and the Brook Kidron

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: 1835-1836
Materials & Techniques:: Line engraving, engraver's proof touched
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Ramah and Rachel's Tomb

Creator:: Print made by William Finden, 1787–1852
Date:: 1835-1836
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Babylon

Creator:: Print made by John Cousen, 1804–1880
Date:: 1835-1836
Materials & Techniques:: Etching and line engraving; engraver's proof (a)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Lebanon from Tripoli

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1835-1836
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Valley of the Brook Kedron

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1835-1836
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Mount Lebanon and the Convent of St. Antonio

Creator:: Print made by William Finden, 1787–1852
Date:: 1835-1836
Materials & Techniques:: Line engraving, engraver's proof, touched
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Paris from Pere-la-Chaise

Creator:: Print made by William Miller, 1796–1882
Date:: 1835
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 12 × 17 1/8 inches (30.5 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Solomon's Pools

Creator:: Print made by James Stephenson, 1808–1886
Date:: 1835-1836
Materials & Techniques:: Line engraving, engraver's proof, touched
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Egypt, the Pyramids of Ghizeh

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1835-1836
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Nineveh, Moussul on the Tigris

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1835-1836
Materials & Techniques:: Etching and line engraving; engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Jerusalem from the Mount of Olives

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: 1835
Materials & Techniques:: Etching and line engraving; engraver's proof (b)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Jerusalem, with the Walls

Creator:: Print made by William Finden, 1787–1852
Date:: 1835-1836
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Bethlehem

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1835-1836
Materials & Techniques:: Etching and line engraving; first published state, engraver's proof (b)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Jerusalem, Pool of Bethesda

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1835-1836
Materials & Techniques:: Line engraving, engraver's proof (touched)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. St. Cloud

Creator:: Print made by William Miller, 1796–1882
Date:: 1835
Materials & Techniques:: Etching and line engraving; first published state on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 12 × 17 1/8 inches (30.5 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Assos

Creator:: Print made by William Finden, 1787–1852
Date:: 1835-1836
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Nazareth

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1835-1836
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. The Rhymer's Glen

Creator:: Print made by William Miller, 1796–1882
Date:: 1835
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 17 1/8 × 11 3/4 inches (43.5 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Rusthill Common near Tunbridge Wells, Kent

Creator:: unknown artist
Date:: ca. 1840
Materials & Techniques:: Graphite, blue wash, brown wash, and gray wash on moderately thick, slightly textured, blue wove paper
Dimensions:: Sheet: 9 7/8 × 13 7/8 inches (25.1 × 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Cumberland Terrace, Regent's Park: A View Looking Toward Gloucester Gate, a Troop of Life Guards Exercising to the Right

Creator:: Thomas Shotter Boys, 1803–1874
Date:: ca. 1840
Materials & Techniques:: Watercolor with gouache and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 4 1/2 x 14 inches (11.5 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

Refine your search

Search Constraints

Date 1835

Genre landscape

Search Results

1. End of Lake Geneva

2. A View of Theobald's Park, Hertfordshire

3. Joshua Commanding the Sun to Stand Still

4. Shepherd Boy on a Hillside

5. Portrait of Reformer, Blucher, Tory and Crib, the Property of Rowland Alston, Esq., M.P.

6. Cleve Toot, near Bristol

7. Landscape with Trees and a Figure

8. A View of Eton and the Fellows Eyot

9. Hanham Lock on the Avon

10. Godstow Bridge near Oxford

11. Stoke Poges Church

12. Sheep Grazing

13. Antique Letter Box Converted into a Humidor

14. Hope near Bergen

15. The Ferry

16. Tintern Abbey

17. Pistil Mawddach, North Wales

18. Llwyngwynedd and Part of Llyn-y-ddina Between Capel Curig and Beddegelert, North Wales

19. A Pastoral Scene

20. Mountains by the Traveller's Rest near Dolgelly

21. Rocky Landscape in Wales

22. Underriver Hills, near Sevenoaks, Kent, from the Grounds of J. Herries, Esq.

23. Mountainous Landscape with Town in Valley

24. Roundway Park, Wiltshire: Exterior View

25. Roundway Park, Wiltshire: Exterior View

26. Confluence of the Seine and Marne

27. Melun

28. Field of Waterloo, with Lightning

29. Château Gaillard, from the East

30. St. Germains

31. Malmaison

32. The Rhymer's Glen

33. Pont de l'Arche

34. Bridges of St. Cloud and Sèvres

35. The Lanterne of St. Cloud

36. Bridge of St. Cloud from Sévres

37. Coastal Scene with Shipping

38. Caernarvon Castle, Wales

39. Caernarvon Castle, Wales

40. Ullswater, Cumberland

41. Powis Castle, Montgomery

42. Powis Castle, Montgomery

43. Scene near Shipton on Cherwell, Oxfordshire

44. Festa di San Antonio, Bay of Naples

45. Perspective View: the New Houses of Parliament

46. Lebanon from Tripoli

47. Malmaison

48. Field of Waterloo, with Lightning

49. The Rhymer's Glen

50. Paris from Pere-la-Chaise

51. St. Cloud

52. Derwent Water, 20 June 1835

53. Skiddaw at Mr. Whiteside's, June 30 1835

54. The Jaws of Borrowdale, Saturday 27 June 1835

55. Derwent Looking towards Borrowdale, July 1835

56. River Cocker and Mellbreak, 1 August 1835

57. Bridge near Loweswater Church, 2 August 1835

58. Skiddaw from Borrowdale, Saturday 27 June, 1835

59. Looking over Crummock Water, August 1835

60. Crummock Water, August 1835

61. Crummock Water, 1 August 1835

62. The Bowder Stone, Jaws of Borrowdale, Saturday 27 June 1835

63. Grasmoor, August 1835

64. Pont de l'Arche

65. St. Germains

66. Bridge of St. Cloud from Sévres

67. Bridges of St. Cloud and Sèvres

68. The Lanterne of St. Cloud

69. Confluence of the Seine and Marne

70. Craig Crook Castle, near Edinburgh, the Seat of Lord Jeffrey

71. Ullswater, Cumberland

72. Powis Castle, Montgomery

73. Malmaison

74. Field of Waterloo, with Lightning