Date: 1834 / Topic subjectplace ss: England - YCBA Collections Search Search Results

1. Favourites, the Property of H.R.H. Prince George of Cambridge

Creator:: Sir Edwin Henry Landseer, 1802–1873
Date:: 1834 to 1835
Materials & Techniques:: Oil on canvas
Dimensions:: 40 x 49 1/2 inches (101.6 x 125.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Epsom Races: The Betting Post

Creator:: James Pollard, 1792–1867
Date:: 1834 to 1835
Materials & Techniques:: Oil on canvas
Dimensions:: 12 1/8 x 18 5/8 inches (30.8 x 47.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. Epsom Races: The Race Over

Creator:: James Pollard, 1792–1867
Date:: 1834 to 1835
Materials & Techniques:: Oil on canvas
Dimensions:: 12 1/8 x 18 5/8 inches (30.8 x 47.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. Outside the Pike and Anchor Inn at Ponders End, Middlesex

Creator:: James Pollard, 1792–1867
Date:: 1834
Materials & Techniques:: Oil on canvas
Dimensions:: 12 × 18 inches (30.5 × 45.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. Epsom Races: Settling Day at Tattersalls

Creator:: James Pollard, 1792–1867
Date:: 1834 to 1835
Materials & Techniques:: Oil on canvas
Dimensions:: 12 1/8 x 18 5/8 inches (30.8 x 47.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

6. Epsom Races: Preparing to Start

Creator:: James Pollard, 1792–1867
Date:: 1834 to 1835
Materials & Techniques:: Oil on canvas
Dimensions:: 12 1/8 x 18 5/8 inches (30.8 x 47.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

7. Lord Westminster's Cardinal Puff, with Sam Darling Up, Winning the Tradesman's Plate, Chester

Creator:: William Tasker, 1808–1852
Date:: ca. 1839
Materials & Techniques:: Oil on canvas
Dimensions:: 19 1/2 x 29 5/8 inches (49.5 x 75.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

8. View near Arundel

Creator:: John Constable, 1776–1837
Date:: between 1834 and 1835
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 x 8 1/4 inches (12.7 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Stoke Poges Church

Creator:: John Constable, 1776–1837
Date:: 1834
Materials & Techniques:: Watercolor with pen and dark brown ink and scratching out on medium, smooth, cream wove paper
Dimensions:: Sheet: 8 1/2 x 7 1/8 inches (21.6 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Peppering, Oct. 3. 1834

Creator:: Edward Lear, 1812–1888
Date:: 1834
Materials & Techniques:: Graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 4 3/8 x 6 1/2 inches (11.1 x 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

11. Peppering, Oct. 3-1834

Creator:: Edward Lear, 1812–1888
Date:: 1834
Materials & Techniques:: Graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 4 3/8 x 6 1/2 inches (11.1 x 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

12. Burpham Oct.4.1834

Creator:: Edward Lear, 1812–1888
Date:: 1834
Materials & Techniques:: Graphite and white gouache on moderately thick, slightly textured, gray wove paper
Dimensions:: Sheet: 10 3/8 x 6 7/8 inches (26.4 x 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

13. Parham, October.13.1834

Creator:: Edward Lear, 1812–1888
Date:: 1834
Materials & Techniques:: Graphite and white gouache on moderately thick, slightly textured, gray wove paper
Dimensions:: Sheet: 10 5/16 x 6 13/16 inches (26.2 x 17.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

14. Peppering. 20 October. 1834

Creator:: Edward Lear, 1812–1888
Date:: 1834
Materials & Techniques:: Graphite and white gouache on moderately thick, slightly textured, gray wove paper
Dimensions:: Sheet: 5 13/16 x 10 1/4 inches (14.8 x 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

15. North Stoke. Oct. 21.1834.

Creator:: Edward Lear, 1812–1888
Date:: 1834
Materials & Techniques:: Graphite and white gouache on moderately thick, moderately textured, gray wove paper
Dimensions:: Sheet: 10 x 13 15/16 inches (25.4 x 35.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

16. Parham, Sept. 30, 1834

Creator:: Edward Lear, 1812–1888
Date:: 1834
Materials & Techniques:: Graphite and white gouache on moderately thick, moderately textured, gray wove paper
Dimensions:: Sheet: 12 3/8 x 10 inches (31.4 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

17. At Knowsley?

Creator:: Edward Lear, 1812–1888
Date:: 1834
Materials & Techniques:: Graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 3/8 x 14 15/16 inches (13.7 x 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

18. Rievaulx Abbey

Creator:: Print made by Joseph C. Bentley, 1809–1851
Date:: 1834-1836
Materials & Techniques:: Line engraving, Engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. St. Herbert's Chapel

Creator:: Print made by Henry Le Keux, 1787–1868
Date:: 1834
Materials & Techniques:: Line engraving, open etching on moderately thick, slightly textured, creame wove paper, with cream chine collé
Dimensions:: Sheet: 14 1/4 × 9 3/8 inches (36.2 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Rievaulx Abbey

Creator:: Print made by Joseph C. Bentley, 1809–1851
Date:: 1834-1856
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Carlisle

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Etching and line engraving, with graphite and scraping out; touched engraver's proof (b) on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 7 1/4 × 10 inches (18.4 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Berwick-upon-Tweed

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and line engraving, with graphite; touched engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 7 5/8 × 10 3/4 inches (19.4 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Junction of the Greta and the Tees

Creator:: Print made by John Pye, 1782–1874
Date:: 1834
Materials & Techniques:: Line engraving, second state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 3/8 × 14 1/2 inches (26.4 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Carlisle

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Etching and line engraving; second state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 3/8 × 14 1/2 inches (26.4 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Berwick-upon-Tweed

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and line engraving with scraping out; touched engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 8 × 10 inches (20.3 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Junction of the Greta and the Tees

Creator:: Print made by John Pye, 1782–1874
Date:: 1834
Materials & Techniques:: Etching and line engraving, with graphite; early touched engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/2 × 6 3/4 inches (11.4 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Junction of the Greta and the Tees

Creator:: Print made by John Pye, 1782–1874
Date:: 1834
Materials & Techniques:: Etching; open etching on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 × 16 3/4 inches (27.9 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Christ Church College, Oxford

Creator:: Print made by James Redway, active 1827–1838
Date:: 1834
Materials & Techniques:: Etching and engraving; third state on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 11 × 14 11/16 inches (27.9 × 37.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Arundel Castle and Town, Sussex

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1834
Materials & Techniques:: Etching and engraving; second state on thick, smooth, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 3/4 × 15 1/16 inches (27.3 × 38.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Junction of the Greta and the Tees

Creator:: Print made by John Pye, 1782–1874
Date:: 1834
Materials & Techniques:: Line engraving, before title on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 6 1/4 × 8 1/2 inches (15.9 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Stratford Mill, The Young Waltonians

Creator:: Print made by David Lucas, 1802–1881
Date:: 1834 to 1840
Materials & Techniques:: Mezzotint and drypoint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/8 x 19 1/2 inches (38.4 x 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Window in St. Dunstan's in the West, London

Creator:: Print made by J. Blore
Date:: 1834
Materials & Techniques:: Lithograph with hand-coloring on medium, smooth, beige wove paper
Dimensions:: Sheet: 8 5/8 x 5 1/2 inches (21.9 x 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Rievaulx Abbey

Creator:: Print made by Joseph C. Bentley, 1809–1851
Date:: 1834-1836
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Leicester Abbey, Leicestershire

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1834
Materials & Techniques:: Line engraving and etching, 2nd state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 3/4 × 15 inches (27.3 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Leicester Abbey, Leicestershire

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1834
Materials & Techniques:: Line engraving and etching, 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 15 inches (27.9 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Berwick-upon-Tweed

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 3/8 × 14 1/2 inches (26.4 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. St. Herbert's Chapel

Creator:: Print made by Henry Le Keux, 1787–1868
Date:: 1834
Materials & Techniques:: Line engraving, 1st state on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 11 5/8 × 6 7/8 inches (29.5 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Carlisle

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 8 5/8 × 11 3/4 inches (21.9 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Rievaulx Abbey

Creator:: Print made by Joseph C. Bentley, 1809–1851
Date:: 1834-1836
Materials & Techniques:: Etching and engraving; engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Ruins of Westminster Palace

Creator:: George Harley, 1791–1871
Date:: 1834
Materials & Techniques:: Graphite and brown wash on slightly textured, medium, white wove paper
Dimensions:: Sheet: 9 9/16 × 6 1/4 inches (24.3 × 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Chance. The London Firemen's Dog

Creator:: Print made by unknown artist
Date:: 1834
Materials & Techniques:: Lithograph on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 10 3/4 × 11 1/4 inches (27.3 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Ruins of the Houses of Parliament as they Appeared on the Morning after the Conflagration

Creator:: Print made by unknown artist
Date:: 1834
Materials & Techniques:: Lithograph on smooth, moderately thick, brown wove paper
Dimensions:: Sheet: 17 × 19 3/4 inches (43.2 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Destruction of the Houses of Parliament, Oct 16th, 1834, as Seen from Henry VIIth's Chapel

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Lithograph on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 12 3/4 × 17 3/4 inches (32.4 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Mr. Lee's House After the Fire, House of Lords

Creator:: unknown artist
Date:: ca. 1835
Materials & Techniques:: Pen and black ink and brown wash on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 7 7/8 × 9 15/16 inches (20 × 25.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. The House of Commons

Creator:: Print made by Henry Melville, active 1826–1841
Date:: 1834
Materials & Techniques:: Line engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 7 1/2 × 11 inches (19.1 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. The Kind Proroguing Parliament

Creator:: Print made by Henry Melville, active 1826–1841
Date:: 1834
Materials & Techniques:: Line engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 7 3/8 × 10 7/8 inches (18.7 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. St. Stephen's Chapel, Speaker's House, &c. from the River

Creator:: unknown artist
Date:: ca. 1835
Materials & Techniques:: Line engraving, proof before letters on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 5 13/16 × 7 7/16 inches (14.8 × 18.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. The Destruction by Fire of the Houses of Parliament

Creator:: Print made by M. Gauci, 1810–1846
Date:: after 1834
Materials & Techniques:: Lithograph on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 11 × 15 1/8 inches (27.9 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Arundel Castle and Town, Sussex

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1834
Materials & Techniques:: Etching and engraving; third state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/8 × 14 7/8 inches (27.6 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. St. Stephen's Chapel, Speaker's House, & c. From the River as Before the Fire on Oct. 16th 1834

Creator:: Print made by Andrew Picken, 1815–1845
Date:: ca. 1835
Materials & Techniques:: Lithograph on smooth, thin, cream wove paper
Dimensions:: Sheet: 6 5/16 × 8 5/8 inches (16 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Design for Grosvenor House, London

Creator:: Thomas Cundy, 1790–1867
Date:: 1834
Materials & Techniques:: Graphite on smooth, medium, cream wove paper
Dimensions:: Sheet: 9 × 14 5/8 inches (22.9 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Bolton Abbey

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1834
Materials & Techniques:: Etching and line engraving on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 17 1/8 × 11 3/4 inches (43.5 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. The Boy of Egremond

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Etching and line engraving on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 17 3/8 × 12 inches (44.1 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. St. Herbert's Chapel

Creator:: Print made by Henry Le Keux, 1787–1868
Date:: 1834
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, creame wove paper, with cream chine collé
Dimensions:: Sheet: 17 1/2 × 12 inches (44.5 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. The Boy of Egremond

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Etching and line engraving; engraver's proof (a) on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/4 × 6 1/4 inches (29.8 × 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Carlisle

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 7/8 inches (30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Junction of the Greta and the Tees

Creator:: Print made by John Pye, 1782–1874
Date:: 1834
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/4 × 17 1/4 inches (29.8 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. St. Herbert's Chapel

Creator:: Print made by Henry Le Keux, 1787–1868
Date:: 1834
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 17 5/16 × 11 13/16 inches (44 × 30 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Rievaulx Abbey

Creator:: Print made by Joseph C. Bentley, 1809–1851
Date:: 1834-1856
Materials & Techniques:: Line engraving, engraver's proof touched
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Berwick-upon-Tweed

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/4 × 17 1/4 inches (29.8 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Norham Castle - Moonrise

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and engraving; touched engraver's proof on medium, slightly textured, cream laid paper with cream chine-collé
Dimensions:: Sheet: 8 5/8 × 13 3/8 inches (21.9 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Junction of the Greta and the Tees

Creator:: Print made by John Pye, 1782–1874
Date:: 1834
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 × 17 1/2 inches (30.5 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Berwick-upon-Tweed

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 8 7/8 × 12 1/8 inches (22.5 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Carlisle

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 14 3/4 inches (26.7 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Arundel Castle and Town, Sussex

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1834
Materials & Techniques:: Etching and line engraving, with graphite and scraping out; engraver's proof (a)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Arundel Castle and Town, Sussex

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1834
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Arundel Castle and Town, Sussex

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1834
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. The Lock

Creator:: Print made by David Lucas, 1802–1881
Date:: 1834
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 26 7/8 × 21 1/4 inches (68.3 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Doncaster Racecourse

Creator:: James Pollard, 1792–1867
Date:: ca. 1839
Materials & Techniques:: Watercolor and pen and brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 3/8 x 24 inches (34 x 61 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. The Lock

Creator:: Print made by David Lucas, 1802–1881
Date:: 1834
Materials & Techniques:: Mezzotint on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 29 x 23 inches (73.7 x 58.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. St Stephen's Chapel

Creator:: unknown artist
Date:: 1834
Materials & Techniques:: Graphite and blue watercolor on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 12 × 8 5/8 inches (30.5 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. St Stephen's Cloisters

Creator:: unknown artist
Date:: 1834
Materials & Techniques:: Graphite, brown and blue watercolor on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 9 5/8 × 6 3/4 inches (24.4 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Ruins at Westminster

Creator:: unknown artist
Date:: 1834
Materials & Techniques:: Graphite and blue watercolor on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 11 1/8 × 8 5/8 inches (28.3 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. View Leading from St Stephen's Chapel to Speaker's Room &c.

Creator:: unknown artist
Date:: 1834
Materials & Techniques:: Graphite, brown and blue watercolor on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 11 7/8 × 8 inches (30.2 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Design for Grosvenor House, London: Plan for Rebuilding the South Front

Creator:: Thomas Cundy, 1790–1867
Date:: 1834
Materials & Techniques:: Graphite, pen and black ink and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 20 7/16 × 30 3/4 inches (51.9 × 78.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Date 1834

Topic subjectplace ss England

Search Results

1. Favourites, the Property of H.R.H. Prince George of Cambridge

2. Epsom Races: The Betting Post

3. Epsom Races: The Race Over

4. Outside the Pike and Anchor Inn at Ponders End, Middlesex

5. Epsom Races: Settling Day at Tattersalls

6. Epsom Races: Preparing to Start

7. Lord Westminster's Cardinal Puff, with Sam Darling Up, Winning the Tradesman's Plate, Chester

8. View near Arundel

9. Stoke Poges Church

10. Peppering, Oct. 3. 1834

11. Peppering, Oct. 3-1834

12. Burpham Oct.4.1834

13. Parham, October.13.1834

14. Peppering. 20 October. 1834

15. North Stoke. Oct. 21.1834.

16. Parham, Sept. 30, 1834

17. At Knowsley?

18. Rievaulx Abbey

19. St. Herbert's Chapel

20. Rievaulx Abbey

21. Carlisle

22. Berwick-upon-Tweed

23. Junction of the Greta and the Tees

24. Carlisle

25. Berwick-upon-Tweed

26. Junction of the Greta and the Tees

27. Junction of the Greta and the Tees

28. Christ Church College, Oxford

29. Arundel Castle and Town, Sussex

30. Junction of the Greta and the Tees

31. Stratford Mill, The Young Waltonians

32. Window in St. Dunstan's in the West, London

33. Rievaulx Abbey

34. Leicester Abbey, Leicestershire

35. Leicester Abbey, Leicestershire

36. Berwick-upon-Tweed

37. St. Herbert's Chapel

38. Carlisle

39. Rievaulx Abbey

40. Ruins of Westminster Palace

41. Chance. The London Firemen's Dog

42. Ruins of the Houses of Parliament as they Appeared on the Morning after the Conflagration

43. Destruction of the Houses of Parliament, Oct 16th, 1834, as Seen from Henry VIIth's Chapel

44. Mr. Lee's House After the Fire, House of Lords

45. The House of Commons

46. The Kind Proroguing Parliament

47. St. Stephen's Chapel, Speaker's House, &c. from the River

48. The Destruction by Fire of the Houses of Parliament

49. Arundel Castle and Town, Sussex

50. St. Stephen's Chapel, Speaker's House, & c. From the River as Before the Fire on Oct. 16th 1834

51. Design for Grosvenor House, London

52. Bolton Abbey

53. The Boy of Egremond

54. St. Herbert's Chapel

55. The Boy of Egremond

56. Carlisle

57. Junction of the Greta and the Tees

58. St. Herbert's Chapel

59. Rievaulx Abbey

60. Berwick-upon-Tweed

61. Norham Castle - Moonrise

62. Junction of the Greta and the Tees

63. Berwick-upon-Tweed

64. Carlisle

65. Arundel Castle and Town, Sussex

66. Arundel Castle and Town, Sussex

67. Arundel Castle and Town, Sussex

68. The Lock

69. Doncaster Racecourse

70. The Lock

71. St Stephen's Chapel

72. St Stephen's Cloisters

73. Ruins at Westminster

74. View Leading from St Stephen's Chapel to Speaker's Room &c.