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Welcome to YCBA Collections Online
The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
27
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
27
Miller, William, 1796–1882
13
Pye, John, 1782–1874
4
Brandard, Robert, 1805–1862
3
Wallis, Robert, 1794–1878
3
Goodall, Edward, 1795–1870
2
Le, Keux Henry, 1787–1868
2
Date
1834
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27
1788
25
1749
12
1783
11
0
7
1825
6
1808
4
1792
3
1793
3
1835
3
1839
3
1745
2
1768
2
1789
2
1797
2
1809
2
1821
2
1710
1
1723
1
1773
1
1778
1
1784
1
1794
1
1820
1
1822
1
1833
1
1843
1
1858
1
1897
1
1921
1
On-site Access
Accessible by appointment in the Study Room
27
Image Use
Free to Use
27
Image Available
Available
27
Classification
Prints
27
Creator Gender
male
27
Collective Title
Scott's Poetical Works
27
Period
19th century
27
Materials & Techniques
wove paper
27
line engraving
24
etching (printing process)
4
Height [cm]
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31
Width [cm]
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Current results range from
13
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44
Work Type
intaglio print
27
Genre
literary theme
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27
landscape
26
architectural subject
6
cityscape
2
Subject Terms
literary theme
8
landscape (representation)
7
manor house
4
rivers
4
tower (building division)
4
lake
3
landscape (environment)
3
abbey
2
hill
2
bridge
1
castle
1
mountain
1
river
1
Associated Places
England
5
Scotland
5
Durham
4
Greta
4
Mortham Tower
4
Rokeby
4
Tees
4
Stirling
3
Tweed
3
Berwickshire
2
Dryburgh Abbey
2
Eildon Hills
2
Loch Katrine
2
Scottish Borders
2
Trossachs
2
Achray, Loch
1
Berwick Bridge
1
Berwick Castle
1
Berwick-upon-Tweed
1
Northumberland
1
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Associated Places
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Exhibition History
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
2
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
27
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Date
1834
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Genre
literary theme
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Height [cm]
14
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1
Print made by Robert Brandard, 1805–1862
Jedburgh Abbey
1834
2
Print made by Edward Goodall, 1795–1870
Caerlaverock Castle
1834
3
Print made by William Miller, 1796–1882
Loch Katrine
1834
4
Print made by Robert Wallis, 1794–1878
Kelso
1834
5
Print made by William Miller, 1796–1882
Melrose
1834
6
Print made by John Pye, 1782–1874
Junction of the Greta and the Tees
1834
7
Print made by Henry Le Keux, 1787–1868
Loch Coriskin
1834
8
Print made by William Miller, 1796–1882
Skiddaw
1834
9
Print made by Robert Brandard, 1805–1862
Jedburgh Abbey
1834
10
Print made by Robert Wallis, 1794–1878
Kelso
1834
11
Print made by William Miller, 1796–1882
Dryburgh Abbey
1834
12
Print made by William Miller, 1796–1882
Loch Katrine
1834
13
Print made by John Pye, 1782–1874
Junction of the Greta and the Tees
1834
14
Print made by William Miller, 1796–1882
Skiddaw
1834
15
Print made by William Miller, 1796–1882
Edinburgh from Blackford Hill
1834
16
Print made by Robert Brandard, 1805–1862
Jedburgh Abbey
1834
17
Print made by William Miller, 1796–1882
Edinburgh from Blackford Hill
1834
18
Print made by Henry Le Keux, 1787–1868
Loch Coriskin
1834
19
Print made by William Miller, 1796–1882
Melrose
1834
20
Print made by William Miller, 1796–1882
Loch Achray
1834
21
Print made by William Miller, 1796–1882
Berwick-upon-Tweed
1834
22
Print made by William Miller, 1796–1882
Dryburgh Abbey
1834
23
Print made by William Miller, 1796–1882
Edinburgh from Blackford Hill
1834
24
Print made by John Pye, 1782–1874
Junction of the Greta and the Tees
1834
25
Print made by Robert Wallis, 1794–1878
Kelso
1834
26
Print made by John Pye, 1782–1874
Junction of the Greta and the Tees
1834
27
Print made by Edward Goodall, 1795–1870
Caerlaverock Castle
1834