Date: 1828 / Classification: Prints - YCBA Collections Search Search Results

1. Rome, Castle of St. Angelo

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828 to 1830
Materials & Techniques:: Etching and line engraving; engraver's proof (a) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/4 × 11 7/8 inches (43.8 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Ehrenbreitstein, During the Demolition of the Fortress in 1817

Creator:: Print made by John Pye, 1782–1874
Date:: 1828
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 3/8 × 16 15/16 inches (28.9 × 43 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Lake Albano

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828
Materials & Techniques:: Etching and line engraving; engraver's proof, open etched state on moderately thick, slightly textured, cream wove paper, with beige chine collé
Dimensions:: Sheet: 12 × 17 3/8 inches (30.5 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Lake Albano

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828
Materials & Techniques:: Line engraving, Early proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 9 × 11 1/2 inches (22.9 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Virginia Water, No. 2

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828-1837
Materials & Techniques:: Etching and line engraving; engraver's proof on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 1/16 × 17 1/2 inches (30.6 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. St. Germain-en-Laye

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828-1837
Materials & Techniques:: Etching and line engraving, with graphite and scraping out; touched engraver's proof on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 8 3/4 × 11 1/16 inches (22.2 × 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Nantes

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1828-1837
Materials & Techniques:: Etching and line engraving; engraver's proof (c)
Dimensions:: Sheet: 12 × 17 3/8 inches (30.5 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Temple of Jupiter Panhellenius

Creator:: Etched by Samuel Middiman, ca. 1750–1831
Date:: 1828
Materials & Techniques:: Etching and line engraving; engraver's proof (c) on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 24 1/8 × 31 inches (61.3 × 78.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Nantes

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1828-1837
Materials & Techniques:: Etching and line engraving; engraver's proof (d) on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 3/8 × 16 7/8 inches (31.4 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. The Temple of Jupiter in the Island of Aegina

Creator:: Etched by Samuel Middiman, ca. 1750–1831
Date:: 1828
Materials & Techniques:: Etching and line engraving; engraver's proof (b) on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 22 1/8 × 31 3/8 inches (56.2 × 79.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Ehrenbreitstein, During the Demolition of the Fortress in 1817

Creator:: Print made by John Pye, 1782–1874
Date:: 1828
Materials & Techniques:: Etching and line engraving; engraver's proof (c) on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 × 16 13/16 inches (30.5 × 42.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Ehrenbreitstein, During the Demolition of the Fortress in 1817

Creator:: Print made by John Pye, 1782–1874
Date:: 1828
Materials & Techniques:: Etching and line engraving; engraver's proof (a) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 9/16 × 12 1/8 inches (44.6 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Lake Albano

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828
Materials & Techniques:: Etching and line engraving; engraver's proof (b) on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Lake Albano

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828
Materials & Techniques:: Line engraving, first published state on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/4 × 15 3/16 inches (29.8 × 38.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Lake Albano

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828
Materials & Techniques:: Etching and line engraving; engraver's proof (aa) on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 5 1/2 × 7 15/16 inches (14 × 20.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Lago Maggiore

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1828 to 1837
Materials & Techniques:: Etching and line engraving; engraver's proof (c) on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Lago Maggiore

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1828
Materials & Techniques:: Etching; open etched state on moderately thick, slightly textured, beige wove paper, with beige chine collé
Dimensions:: Sheet: 11 15/16 × 17 1/2 inches (30.3 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Virginia Water, No. 1

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828-1832
Materials & Techniques:: Etching and line engraving; engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 7/8 × 17 1/4 inches (30.2 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Lago Maggiore

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1828-1837
Materials & Techniques:: Line engraving, first published state on medium, smooth, cream wove paper, with cream chine collé
Dimensions:: Sheet: 8 15/16 × 11 7/8 inches (22.7 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Virginia Water, No. 1

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828
Materials & Techniques:: Etching; open etched state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/4 × 17 1/8 inches (29.8 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Virginia Water, No. 1

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828-1832
Materials & Techniques:: Etching and line engraving; first published state on medium, smooth, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Virginia Water, No. 2

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828
Materials & Techniques:: Etching and line engraving; first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/8 × 16 15/16 inches (28.9 × 43 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Nantes

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1828-1837
Materials & Techniques:: Etching and line engraving; engraver's proof on moderateny thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 9 1/4 × 13 inches (23.5 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. St. Germain-en-Laye

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828-1837
Materials & Techniques:: Etching and line engraving; engraver's proof (b) on thick, moderately textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 11 7/8 × 17 1/8 inches (30.2 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Nantes

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1828-1832
Materials & Techniques:: Line engraving, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Palace of La Belle Gabrielle

Creator:: Print made by William Miller, 1796–1882
Date:: 1828-1837
Materials & Techniques:: Etching; open etched state on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 8 5/8 × 13 1/2 inches (21.9 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Palace of La Belle Gabrielle

Creator:: Print made by William Miller, 1796–1882
Date:: 1828-1837
Materials & Techniques:: Line engraving, engraver's proof on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/8 × 17 inches (28.9 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Fonthill

Creator:: Print made by Thomas Crostick, active ca. 1828
Date:: 1828
Materials & Techniques:: Line engraving, first published state on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 11 5/8 × 17 3/8 inches (29.5 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Set of Four: Much Ado About Nothing or Illustrations of Sayings

Creator:: John Phillips, active 1840–1852
Date:: 1828
Materials & Techniques:: Hand colored soft-ground etching
Dimensions:: Sheet: 11 5/8 x 9 1/2in. (29.5 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. One of a Set of Four: Much Ado About Nothing or Illustrations of Old Sayings

Creator:: John Phillips, active 1840–1852
Date:: 1828
Materials & Techniques:: Soft-ground etching, colored by hand
Dimensions:: Sheet: 11 5/8 x 9 1/2in. (29.5 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Set of Four: Much Ado About Nothing or Illustrations of Old Sayings

Creator:: John Phillips, active 1840–1852
Date:: 1828
Materials & Techniques:: Soft-ground etching, colored by hand
Dimensions:: Sheet: 11 5/8 x 9 1/2in. (29.5 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Set of Four: Much Ado About Nothing or Illustrations of Old Sayings

Creator:: John Phillips, active 1840–1852
Date:: 1828
Materials & Techniques:: Soft-ground etching, colored by hand
Dimensions:: Sheet: 11 5/8 x 9 1/2in. (29.5 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. [Fox-hunting] Set of twelve "Turner's / Illustrations / to Nimrod / on the Condition / of Hunters," supplementary to C. J. Apperley's edition of 1834.

Creator:: Francis Calcraft Turner, active 1782–1846
Date:: ca. 1833
Materials & Techniques:: Hand colored lithograph
Dimensions:: Sheet: 5 x 8 1/2in. (12.7 x 21.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. One of a set of four: Much Ado About Nothing or Illustrations of Old Savings

Creator:: John Phillips, active 1840–1852
Date:: 1828
Materials & Techniques:: Soft-ground etching, colored by hand
Dimensions:: Sheet: 11 5/8 x 9 1/2in. (29.5 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Corner of the Palais de Justice, Paris

Creator:: Print made by Thomas Shotter Boys, 1803–1874
Date:: ca. 1833
Materials & Techniques:: Soft-ground etching on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 5/16 x 9 3/4 inches (33.8 x 24.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Château des Comtes de Flandre, Ghent

Creator:: Print made by Thomas Shotter Boys, 1803–1874
Date:: ca. 1833
Materials & Techniques:: Soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 7/8 x 9 15/16 inches (35.3 x 25.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Sheerness, as Seen from the Nore

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1828
Materials & Techniques:: Mezzotint; engraver's proof (before a) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 14 5/8 inches (29.2 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Portsmouth

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1828
Materials & Techniques:: Mezzotint; engraver's proof (c) on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 13 3/8 × 20 inches (34 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Portsmouth

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1828
Materials & Techniques:: Mezzotint; engraver's proof (d) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/8 × 19 3/8 inches (34 × 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Margate

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1828 to 1856
Materials & Techniques:: Mezzotint; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/8 × 11 inches (21.3 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Sidmouth

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: ca. 1828, published 1856
Materials & Techniques:: Mezzotint; engraver's proof (c) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/8 × 15 1/4 inches (27.6 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Sidmouth

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: ca. 1828, published 1856
Materials & Techniques:: Mezzotint; engraver's proof (b) on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 × 13 5/8 inches (25.4 × 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Sidmouth

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: ca. 1828, published 1856
Materials & Techniques:: Mezzotint, with graphite and scratching out; touched engraver's proof (a) on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 11 3/8 × 17 inches (28.9 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Plymouth

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1828 to 1856
Materials & Techniques:: Mezzotint; engraver's proof (b) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/8 × 16 1/2 inches (30.8 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Plymouth

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1828 to 1856
Materials & Techniques:: Mezzotint; artist's proof on moderately thick, slightly textured, cream wove paper with beige chine-collé
Dimensions:: Sheet: 15 × 22 inches (38.1 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Catwater, Entrance to Plymouth Sound

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1828 to 1856
Materials & Techniques:: Mezzotint; engraver's proof on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/8 × 14 7/8 inches (25.7 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Catwater, Entrance to Plymouth Sound

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1828 to 1856
Materials & Techniques:: Mezzotint; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 15 1/4 inches (27.3 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. The Deluge

Creator:: Print made by J. P. Quilley, active 1828
Date:: 1828
Materials & Techniques:: Mezzotint; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Suspension Bridge, Hammersmith

Creator:: James Baily, active 1815–1834
Date:: 1828
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 9 11/16 x 12 5/8in. (24.6 x 32.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Ticket for Mr. George Hayter's Raffle for his Pictures of the Enlevement of Circassians, a Kurdish Bandit Chief, and an Historical Landscape

Creator:: Sir George Hayter, 1792–1871
Date:: 1828
Materials & Techniques:: Etching and stipple engraving on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 3/4 x 13 15/16 inches (37.4 x 35.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. [Advertisement] Eclipse Sporting Gallery

Creator:: Rudolf Ackermann, 1764–1834
Date:: ca. 1833
Materials & Techniques:: Letterpress
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Fox Hunting: Going to Cover

Creator:: Charles Bentley, 1806–1854
Date:: 1828
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 10 1/2 x 16 5/8in. (26.7 x 42.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Fox Hunting: Full Cry

Creator:: Charles Bentley, 1806–1854
Date:: 1828
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 10 1/2 x 16 5/8in. (26.7 x 42.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Fox Hunting: The Leap

Creator:: Charles Bentley, 1806–1854
Date:: 1828
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 10 1/2 x 16 5/8in. (26.7 x 42.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Fox Hunters - Throwing Off

Creator:: Richard Gilson Reeve, 1803–1889
Date:: 1828
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 10 1/2 x 13 3/4in. (26.7 x 34.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Fox Hunting: The Death

Creator:: Charles Bentley, 1806–1854
Date:: 1828
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 10 1/2 x 16 5/8in. (26.7 x 42.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Fox Hunters - In Full Cry

Creator:: Richard Gilson Reeve, 1803–1889
Date:: 1828
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 10 1/2 x 13 3/4in. (26.7 x 34.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Fox Hunters - Gone Away

Creator:: Richard Gilson Reeve, 1803–1889
Date:: 1828
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 10 1/2 x 13 3/4in. (26.7 x 34.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Fox Hunters - The Death

Creator:: Richard Gilson Reeve, 1803–1889
Date:: 1828
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 10 1/2 x 13 3/4in. (26.7 x 34.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Racing: Fleur-de-Lis

Creator:: Thomas Goff Lupton, 1791–1873
Date:: 1828
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 15 x 18 7/8in. (38.1 x 47.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Velocipede. Winner of the St. Leger at the York Spring Meeting. 1828

Creator:: Edward Duncan, 1803–1882
Date:: 1828
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 12 1/4 x 16 1/2in. (31.1 x 41.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. West Country Mails at the Gloucester Coffee House, Piccadilly

Creator:: Charles Rosenberg, active 1828–1848
Date:: 1828
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 24 5/8 x 31 1/4in. (62.5 x 79.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Coaching: Stage Coach Travelling

Creator:: Richard Rosenberg, active 1828–1848
Date:: 1828
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 1/4 x 18 1/4in. (33.7 x 46.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Coaching: The Birmingham Tally-Ho! Coaches Passing the Crown at Holloway

Creator:: Charles Bentley, 1806–1854
Date:: 1828
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 20 x 30in. (50.8 x 76.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. The Royal Mails at the Angel Inn, Islington on the Night of His Majesty's Birthday

Creator:: Richard Gilson Reeve, 1803–1889
Date:: 1828
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 20 1/2 x 28 3/4in. (52.1 x 73cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Cadland, the Winner of the Derby Stakes at Epsom, 1828

Creator:: Richard Gilson Reeve, 1803–1889
Date:: 1828
Materials & Techniques:: Hand colored aquatint
Dimensions:: Sheet: 15 1/2 x 19 3/4in. (39.4 x 50.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. View at Trowse - Cattle Watering

Creator:: Alfred Stannard, 1806–1889
Date:: 1828
Materials & Techniques:: Etching
Dimensions:: Sheet: 8 x 4in. (20.3 x 10.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. The City of London from London Bridge, S.E.

Creator:: James Redway, active 1827–1838
Date:: 1828
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Sion House

Creator:: James Baily, active 1815–1834
Date:: 1828
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. 1. St. Katherine's Hospital, Regents Park. 2. The Master's House

Creator:: Charles John Smith, 1803–1838
Date:: 1828
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Falmouth

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1828 to 1856
Materials & Techniques:: Mezzotint; engraver's proof (b) on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 13 1/4 × 17 1/4 inches (33.7 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Deal

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: ca. 1828, published 1854
Materials & Techniques:: Mezzotint; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 15 1/4 inches (27.3 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Falmouth

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1828 to 1856
Materials & Techniques:: Mezzotint; engraver's proof on moderately thick, slightly textured, cream wove paper with beige chine-collé
Dimensions:: Sheet: 14 × 22 inches (35.6 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. The Bride

Creator:: Print made by Edward Calvert, 1799–1883
Date:: 1828
Materials & Techniques:: Engraving and drypoint on thin, slightly textured, cream Asian paper
Dimensions:: Sheet: 4 5/16 x 7 inches (10.9 x 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. The Cyder Feast

Creator:: Print made by Edward Calvert, 1799–1883
Date:: 1828
Materials & Techniques:: Wood-engraving on thin, smooth, cream Asian paper
Dimensions:: Sheet: 3 7/16 x 5 1/2 inches (8.8 x 13.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Mount Blanc

Creator:: Print made by unknown artist
Date:: 1828
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 2 7/8 × 3 7/8 inches (7.3 × 9.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. The High Street, Southampton

Creator:: Print made by William Day, 1764–1807
Date:: 1828
Materials & Techniques:: Lithograph with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 15/16 x 18 11/16 inches (38 x 47.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Mount Blanc

Creator:: Print made by unknown artist
Date:: 1828
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 15/16 × 6 3/8 inches (10 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Virginia Water, No. 1

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828
Materials & Techniques:: Etching and line engraving; first state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 1/8 × 16 1/2 inches (28.3 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Fonthill

Creator:: Print made by Thomas Crostick, active ca. 1828
Date:: 1828
Materials & Techniques:: Etching and line engraving on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 4 7/8 × 7 3/4 inches (12.4 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Ehrenbreitstein, During the Demolition of the Fortress in 1817

Creator:: Print made by John Pye, 1782–1874
Date:: 1828
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, moderately textured, cream wove paper, with beige chine collé
Dimensions:: Sheet: 11 1/16 × 16 1/2 inches (28.1 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Lago Maggiore

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1828
Materials & Techniques:: Etching and line engraving; 2nd state on medium, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 11 1/4 × 16 3/8 inches (28.6 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Condemned Criminals Receiving the Sacrament

Creator:: unknown artist
Date:: 1828
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Sheerness, as Seen from the Nore

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1828
Materials & Techniques:: Mezzotint on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 10 5/8 × 16 5/8 inches (27 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Deal

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: ca. 1828, published 1856
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 × 14 5/8 inches (27 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Falmouth

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: ca. 1828, published 1856
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 × 14 5/8 inches (27 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Catwater, Entrance to Plymouth Sound

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1828 to 1856
Materials & Techniques:: Mezzotint, proof before letters on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 11 1/2 × 14 3/8 inches (29.2 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Portsmouth

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1828
Materials & Techniques:: Mezzotint on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 11 1/2 × 16 7/8 inches (29.2 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Plymouth

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: ca. 1828, published 1856
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 14 5/8 inches (26.7 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Sheerness, as Seen from the Nore

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1828, republished 1856
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/8 × 14 5/8 inches (27.6 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Hyde Park Corner

Creator:: unknown artist
Date:: 1828
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Fishmonger's Hall

Creator:: James Sands, active 1813–1846
Date:: undated
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Hampton House, the Seat of T. Carr, Esquire

Creator:: Richard Gilson Reeve, 1803–1889
Date:: 1828
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Regent Street from the Circus Piccadilly

Creator:: Robert Wallis, 1794–1878
Date:: 1828
Materials & Techniques:: Hand colored engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. The Quadrant and Part of Regent Street

Creator:: William Wallis, 1794– active 1830
Date:: 1828
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Buildings on the East Side of Regent's Street

Creator:: Robert Acon, 1792-1880
Date:: 1828
Materials & Techniques:: Hand colored engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Okehampton, Devonshire

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1828
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Distraining for Rent

Creator:: Abraham Raimbach, 1784–1868
Date:: 1828
Materials & Techniques:: Engraving on thick, moderately textured, cream laid paper with cream chine-collé
Dimensions:: Sheet: 21 5/8 × 27 7/8 inches (54.9 × 70.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Mount Blanc

Creator:: Print made by B. R. Davies, active ca. 1833
Date:: 1828
Materials & Techniques:: Etching and engraving; engraver's proof on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 9 15/16 × 13 1/4 inches (25.2 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. High Street, Oxford

Creator:: Print made by W. E. Albutt, active 1836–1863
Date:: 1828
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 7/8 × 14 1/4 inches (27.6 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Search Constraints

Date 1828

Classification Prints

Search Results

1. Rome, Castle of St. Angelo

2. Ehrenbreitstein, During the Demolition of the Fortress in 1817

3. Lake Albano

4. Lake Albano

5. Virginia Water, No. 2

6. St. Germain-en-Laye

7. Nantes

8. Temple of Jupiter Panhellenius

9. Nantes

10. The Temple of Jupiter in the Island of Aegina

11. Ehrenbreitstein, During the Demolition of the Fortress in 1817

12. Ehrenbreitstein, During the Demolition of the Fortress in 1817

13. Lake Albano

14. Lake Albano

15. Lake Albano

16. Lago Maggiore

17. Lago Maggiore

18. Virginia Water, No. 1

19. Lago Maggiore

20. Virginia Water, No. 1

21. Virginia Water, No. 1

22. Virginia Water, No. 2

23. Nantes

24. St. Germain-en-Laye

25. Nantes

26. Palace of La Belle Gabrielle

27. Palace of La Belle Gabrielle

28. Fonthill

29. Set of Four: Much Ado About Nothing or Illustrations of Sayings

30. One of a Set of Four: Much Ado About Nothing or Illustrations of Old Sayings

31. Set of Four: Much Ado About Nothing or Illustrations of Old Sayings

32. Set of Four: Much Ado About Nothing or Illustrations of Old Sayings

33. [Fox-hunting] Set of twelve "Turner's / Illustrations / to Nimrod / on the Condition / of Hunters," supplementary to C. J. Apperley's edition of 1834.

34. One of a set of four: Much Ado About Nothing or Illustrations of Old Savings

35. Corner of the Palais de Justice, Paris

36. Château des Comtes de Flandre, Ghent

37. Sheerness, as Seen from the Nore

38. Portsmouth

39. Portsmouth

40. Margate

41. Sidmouth

42. Sidmouth

43. Sidmouth

44. Plymouth

45. Plymouth

46. Catwater, Entrance to Plymouth Sound

47. Catwater, Entrance to Plymouth Sound

48. The Deluge

49. Suspension Bridge, Hammersmith

50. Ticket for Mr. George Hayter's Raffle for his Pictures of the Enlevement of Circassians, a Kurdish Bandit Chief, and an Historical Landscape

51. [Advertisement] Eclipse Sporting Gallery

52. Fox Hunting: Going to Cover

53. Fox Hunting: Full Cry

54. Fox Hunting: The Leap

55. Fox Hunters - Throwing Off

56. Fox Hunting: The Death

57. Fox Hunters - In Full Cry

58. Fox Hunters - Gone Away

59. Fox Hunters - The Death

60. Racing: Fleur-de-Lis

61. Velocipede. Winner of the St. Leger at the York Spring Meeting. 1828

62. West Country Mails at the Gloucester Coffee House, Piccadilly

63. Coaching: Stage Coach Travelling

64. Coaching: The Birmingham Tally-Ho! Coaches Passing the Crown at Holloway

65. The Royal Mails at the Angel Inn, Islington on the Night of His Majesty's Birthday

66. Cadland, the Winner of the Derby Stakes at Epsom, 1828

67. View at Trowse - Cattle Watering

68. The City of London from London Bridge, S.E.

69. Sion House

70. 1. St. Katherine's Hospital, Regents Park. 2. The Master's House

71. Falmouth

72. Deal

73. Falmouth

74. The Bride