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1. Set of Four: Much Ado About Nothing or Illustrations of Sayings

Set of Four: Much Ado About Nothing or Illustrations of Sayings
Creator:
John Phillips, active 1840–1852
Date:
1828
Materials & Techniques:
Hand colored soft-ground etching
Dimensions:
Sheet: 11 5/8 x 9 1/2in. (29.5 x 24.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. One of a Set of Four: Much Ado About Nothing or Illustrations of Old Sayings

One of a Set of Four: Much Ado About Nothing or Illustrations of Old Sayings
Creator:
John Phillips, active 1840–1852
Date:
1828
Materials & Techniques:
Soft-ground etching, colored by hand
Dimensions:
Sheet: 11 5/8 x 9 1/2in. (29.5 x 24.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Set of Four: Much Ado About Nothing or Illustrations of Old Sayings

Set of Four: Much Ado About Nothing or Illustrations of Old Sayings
Creator:
John Phillips, active 1840–1852
Date:
1828
Materials & Techniques:
Soft-ground etching, colored by hand
Dimensions:
Sheet: 11 5/8 x 9 1/2in. (29.5 x 24.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Set of Four: Much Ado About Nothing or Illustrations of Old Sayings

Set of Four: Much Ado About Nothing or Illustrations of Old Sayings
Creator:
John Phillips, active 1840–1852
Date:
1828
Materials & Techniques:
Soft-ground etching, colored by hand
Dimensions:
Sheet: 11 5/8 x 9 1/2in. (29.5 x 24.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Evening

Evening
Creator:
Cornelius Varley, 1781–1873
Date:
1828
Materials & Techniques:
Watercolor, graphite and varnish on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 3/4 x 15 3/4 inches (29.8 x 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Lake Albano

Lake Albano
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1828
Materials & Techniques:
Line engraving, first published state on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/4 × 15 3/16 inches (29.8 × 38.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Virginia Water, No. 1

Virginia Water, No. 1
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1828-1832
Materials & Techniques:
Etching and line engraving; engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 7/8 × 17 1/4 inches (30.2 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Lago Maggiore

Lago Maggiore
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1828
Materials & Techniques:
Etching; open etched state on moderately thick, slightly textured, beige wove paper, with beige chine collé
Dimensions:
Sheet: 11 15/16 × 17 1/2 inches (30.3 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Virginia Water, No. 1

Virginia Water, No. 1
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1828
Materials & Techniques:
Etching; open etched state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/4 × 17 1/8 inches (29.8 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. St. Germain-en-Laye

St. Germain-en-Laye
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1828-1837
Materials & Techniques:
Etching and line engraving; engraver's proof (b) on thick, moderately textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 11 7/8 × 17 1/8 inches (30.2 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Fonthill

Fonthill
Creator:
Print made by Thomas Crostick, active ca. 1828
Date:
1828
Materials & Techniques:
Line engraving, first published state on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 11 5/8 × 17 3/8 inches (29.5 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. One of a set of four: Much Ado About Nothing or Illustrations of Old Savings

One of a set of four: Much Ado About Nothing or Illustrations of Old Savings
Creator:
John Phillips, active 1840–1852
Date:
1828
Materials & Techniques:
Soft-ground etching, colored by hand
Dimensions:
Sheet: 11 5/8 x 9 1/2in. (29.5 x 24.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Corner of the Palais de Justice, Paris

Corner of the Palais de Justice, Paris
Creator:
Print made by Thomas Shotter Boys, 1803–1874
Date:
ca. 1833
Materials & Techniques:
Soft-ground etching on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 13 5/16 x 9 3/4 inches (33.8 x 24.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. The High Street, Southampton

The High Street, Southampton
Creator:
Print made by Day & Co., 1824–1913
Date:
1828
Materials & Techniques:
Lithograph with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 13/16 x 18 3/4 inches (37.6 x 47.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. The Temple of Aphaia at Aegina: Sections

No cover image available
Creator:
Edmund Turrell, active 1835–1860
Date:
1828
Materials & Techniques:
Line engraving with graphite on thin, smooth, cream laid paper mounted on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 17 1/2 inches (29.8 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection