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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
38
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
22
Lane, Richard James, 1800–1872
11
Willmore, James Tibbits, 1800–1863
7
Smith, William R., active 1819–1851
6
Varrall, J. C., active 1815–1827
5
Chalon, Alfred Edward, 1780–1860
4
Brandard, Robert, 1805–1862
2
Hastings, Thomas Capt., 1778–1854
2
Newton, Gilbert Stuart, 1794–1835
2
Fores, S. W., 1761–1838
1
Gainsborough, Thomas, 1727–1788
1
Goodall, Edward, 1795–1870
1
Heath, Henry, active 1824–1835
1
Leslie, Charles Robert, 1794–1859
1
Martin, John, 1789–1854
1
Miller, William, 1796–1882
1
Pugin, Augustus Charles, 1762–1832
1
Pugin, Augustus Welby Northmore, 1812–1852
1
Stephanoff, James, 1787–1874
1
Ward, James, 1769–1859
1
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1989
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1797
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78
1792
44
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42
1827
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1794
34
1803
32
1830
32
1745
31
1826
30
1642
23
1795
23
1829
23
1836
22
1628
19
1770
18
1825
18
1828
18
1784
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1831
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1771
9
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1834
9
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9
1838
9
1772
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1791
8
1802
8
1806
8
1816
8
1822
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1832
8
1700
7
1764
7
1793
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1805
7
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7
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1823
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1732
3
1750
3
1755
3
1758
3
1762
3
1765
3
1786
3
1812
3
1839
3
On-site Access
Accessible by appointment in the Study Room
38
Image Use
Free to Use
38
Image Available
Available
27
Unavailable
11
Classification
Prints
34
Drawings & Watercolors
4
Creator Gender
male
38
Collective Title
Picturesque Views in England and Wales
22
Sketches, Volume IV: Drawings of Isle of Wight, Hampshire and Devon
2
Pugin Family Collection
1
Period
19th century
38
Materials & Techniques
wove paper
9
etching (printing process)
6
line engraving
6
chine collé
4
graphite
3
black chalk
1
hand coloring
1
laid paper
1
watercolor
1
white chalk
1
Height [cm]
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43
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Current results range from
23
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58
Work Type
intaglio print
23
drawing
4
Genre
landscape
20
architectural subject
7
marine art
6
cityscape
2
animal art
1
genre subject
1
Subject Terms
river
7
castle
5
marine art
5
landscape (representation)
4
bridge
3
cityscape
3
military art
3
architectural subject
2
watchtower
2
Gothic (Medieval)
1
animal art
1
box (container)
1
chairs
1
designs
1
mare
1
mountain
1
sporting art
1
waterfall
1
Associated Places
England
8
United Kingdom
8
Cornwall
5
Aln
3
Alnwick
3
Alnwick castle
3
Lion Bridge
3
Northumberland
3
Saltash
3
Tamar
3
English Channel
2
Fowey
2
Fowey Blockhouse
2
Fowey Harbor
2
Fowey River
2
St. Catherine's Castle
2
Durham
1
High Force
1
Middleton in Teesdale
1
Pennines
1
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Associated Places
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Credit Line
Yale Center for British Art, Paul Mellon Collection
26
Yale Center for British Art; Gift of Mr. George L. Green
10
Yale Center for British Art, Gift of Godfrey Pearlson
1
Yale Center for British Art, Gift of Mr. George L. Green
1
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1827
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1
Print made by Edward Goodall, 1795–1870
Fall of the Tees, Yorkshire
1827
2
Print made by J. C. Varrall, active 1815–1827
Launceston, Cornwall
1827
3
Print made by W. R. Smith, active 1819–1851
Saltash, Cornwall
1827
4
James Ward, 1769–1859
A Mare: Possibly a Study for "L'Amour de Cheval", Dated 1827, in the Tate Gallery
1827
5
Print made by J. C. Varrall, active 1815–1827
Launceston, Cornwall
1827
6
Print made by J. C. Varrall, active 1815–1827
Launceston, Cornwall
1827
7
Print made by Robert Brandard, 1805–1862
Orford, Suffolk
1827
8
Print made by Henry Heath, active 1824–1835
A Complete Turn-Out among the Cabinet-Makers
1827
9
Print made by J. C. Varrall, active 1815–1827
Malmsbury Abbey, Wiltshire
1827-1838
10
Print made by William Miller, 1796–1882
Great Yarmouth, Norfolk
1827-1838
11
Print made by James Tibbits Willmore, 1800–1863
Okehampton, Devonshire
1827-1838
12
Print made by James Tibbits Willmore, 1800–1863
Okehampton, Devonshire
1827-1838
13
Print made by James Tibbits Willmore, 1800–1863
Alnwick Castle, Northumberland
1827-1838
14
Print made by W. R. Smith, active 1819–1851
Saltash, Cornwall
1827-1838
15
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1827-1838
16
Capt. Thomas Hastings, 1778–1854
Lord Henry Seymour's Estate
1827
17
Capt. Thomas Hastings, 1778–1854
Milfield, East Cowes, Isle of Wight
1827
18
Augustus Welby Northmore Pugin, 1812–1852
Design for a Gothic Chair and Box
undated
19
Print made by James Tibbits Willmore, 1800–1863
Kilgarren Castle, Pembroke
1827-1838
20
Print made by James Tibbits Willmore, 1800–1863
Okehampton, Devonshire
1827-1838
21
Print made by W. R. Smith, active 1819–1851
Entrance to Fowey Harbour, Cornwall
1827-1838
22
Print made by W. R. Smith, active 1819–1851
Entrance to Fowey Harbour, Cornwall
1827-1838
23
Print made by Robert Brandard, 1805–1862
Lancaster Sands
1827-1838
24
Print made by James Tibbits Willmore, 1800–1863
Alnwick Castle, Northumberland
1827-1838
25
Print made by James Tibbits Willmore, 1800–1863
Alnwick Castle, Northumberland
1827-1838
26
Print made by W. R. Smith, active 1819–1851
Saltash, Cornwall
1827-1838
27
Print made by J. C. Varrall, active 1815–1827
Launceston, Cornwall
1827-1838
28
Richard James Lane, 1800–1872
Love, Jealously, Revenge and Despair
1827
29
Richard James Lane, 1800–1872
Study for a Principal Figure in the Picture of 'The Parish Beadle' (Volume of 102 lithographs)
1827
30
Richard James Lane, 1800–1872
La Rosa Parlante (Volume of 102 lithographs)
1827
31
Richard James Lane, 1800–1872
Impudence/ Impudence (Volume of 102 lithographs)
1827
32
Richard James Lane, 1800–1872
Modesty/ Modestie (Volume of 102 lithographs)
1827
33
Richard James Lane, 1800–1872
Joshua Commanding the Sun to Stand Still (Volume of 102 lithographs)
1827
34
Richard James Lane, 1800–1872
Don Quixote and Sancho Panza (Volume of 102 lithographs)
1827
35
Richard James Lane, 1800–1872
Madame Ronzi de Begnis as Fatima (Volume of 102 lithographs)
1827
36
Richard James Lane, 1800–1872
A Girl at her Devotions (Volume of 102 Lithographs)
1827
37
Richard James Lane, 1800–1872
The Orphans (Volume of 102 Lithographs)
1827
38
Richard James Lane, 1800–1872
Girl and Parrot (Volume of 102 lithographs)
1827