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Collection
Prints and Drawings
14
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
6
Alighieri, Dante, 1265–1321
5
Blake, William, 1757–1827
5
Heath, Henry, active 1824–1835
2
Lupton, Thomas Goff, 1791–1873
2
McLean, Thomas, 1788–1875
2
Cooke, William Bernard, 1778–1855
1
Cousins, Samuel, 1801–1887
1
Goodall, Edward, 1795–1870
1
Lawrence, Thomas, Sir, 1769–1830
1
Smith, William R., active 1819–1851
1
Varrall, J. C., active 1815–1827
1
Wallis, Robert, 1794–1878
1
Date
1771
14
1827
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1
On-site Access
Accessible by appointment in the Study Room
14
Image Use
Free to Use
14
Image Available
Available
14
Classification
Prints
14
Creator Gender
male
14
Collective Title
Blake's Illustrations of Dante
5
Picturesque Views in England and Wales
3
The Ports of England
1
The Rivers of England (River Scenery)
1
Period
19th century
14
Materials & Techniques
wove paper
11
line engraving
9
China paper
5
etching (printing process)
5
mezzotint
3
laid paper
2
chine collé
1
hand coloring
1
watercolor
1
Height [cm]
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47
Width [cm]
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Current results range from
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72
Work Type
intaglio print
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14
Genre
literary theme
5
marine art
4
landscape
3
architectural subject
2
cityscape
1
genre subject
1
portrait
1
Subject Terms
river
3
bridge
2
landscape (representation)
2
marine art
2
shoes
2
architectural subject
1
bags
1
beach
1
bonnets
1
boy
1
branches
1
capes
1
caricature
1
castle
1
coats
1
costume
1
cove
1
dogs (animals)
1
dresses
1
ermine
1
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Subject Terms
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Associated Places
England
3
United Kingdom
3
Barnard Castle
1
Barnard Castle Bridge
1
Dart
1
Dartmouth
1
Devon
1
Durham
1
London
1
London Bridge
1
Southwark Cathedral
1
Teesdale
1
Thames
1
Exhibition History
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
5
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
2
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
2
Painters and Engraving - The Reproductive Print from Hogarth to Wilkie (Yale Center for British Art, 1980-03-26 - 1980-06-22)
1
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
12
Yale Center for British Art, Gift of Godfrey Pearlson
1
Yale Center for British Art, Paul Mellon Fund
1
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Date
1827
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Work Type
intaglio print
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Width [cm]
36
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1
Print made by William Blake, 1757–1827
The Six-Footed Serpent Attacking Agnolo Brunelleschi (Plate 4)
1827
2
Print made by William Blake, 1757–1827
Ciampolo the Barrator Tormented by the Devils (Plate 2)
1827
3
Print made by William Blake, 1757–1827
The Circle of the Lustful: Francesca da Rimini, 'The Whirlwind of Lovers' (Plate 1)
1827
4
Print made by William Blake, 1757–1827
The Serpent Attacking Buoso Donati (Plate 5)
1827
5
Print made by William Blake, 1757–1827
The Pit of Disease: The Falsifiers (Plate 6)
1827
6
Print made by J. C. Varrall, active 1815–1827
Launceston, Cornwall
1827
7
Print made by Robert Wallis, 1794–1878
Barnard Castle, Durham
1827
8
Print made by Thomas Goff Lupton, 1791–1873
Stangate Creek, on the River Medway
1827
9
Print made by W. R. Smith, active 1819–1851
Dartmouth Cove
1827
10
Print made by Henry Heath, active 1824–1835
The Buck-Basket. A scene from the Merry Wives of Windsor
1827
11
Print made by Samuel Cousins, 1801–1887
Master Lambton
1827
12
Print made by Edward Goodall, 1795–1870
Old London Bridge and Vicinity
1827
13
Print made by Thomas Goff Lupton, 1791–1873
Dover
1827
14
Print made by Henry Heath, active 1824–1835
Extravaganza's of 1827
1827