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Collection
Prints and Drawings
50
Rare Books and Manuscripts
2
Creator
Lane, Richard James, 1800–1872
11
Alighieri, Dante, 1265–1321
9
Blake, William, 1757–1827
9
Jones, Samuel John Egbert, active 1820–1845
6
Chalon, Henry Bernard, 1771–1849
5
Hunt, George, active 1820–1840
5
Alken, George, 1794–active 1837
4
Chalon, Alfred Edward, 1780–1860
4
Humphrey, George, ca. 1773–ca. 1831
3
Alken, Henry Thomas, 1784–1851
2
Fairburn, John, active 19th century
2
Lawrence, Thomas, Sir, 1769–1830
2
Martin, John, 1789–1854
2
Newton, Gilbert Stuart, 1794–1835
2
Phillips, John, active 1840–1852
2
Turner, Charles, 1774–1857
2
Unknown artist
2
Daniell, William, 1769–1837
1
Fores, S. W., 1761–1838
1
Gainsborough, Thomas, 1727–1788
1
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Creator
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Date
1800
269
1546
180
1802
164
1782
156
1803
113
1739
106
1989
105
1754
80
1795
73
1820
68
1808
65
1830
57
1827
[remove]
52
1700
51
1834
50
1821
42
1998
42
1758
40
1925
39
1810
38
1826
38
1794
36
1825
36
1831
36
1563
35
1809
35
1824
35
1996
35
1768
34
1807
34
1876
34
1971
34
1783
33
1916
32
1793
31
1850
31
1568
30
1799
30
1920
30
1771
29
1789
29
1880
29
1896
29
1780
28
1852
28
1900
28
1776
27
1823
27
1882
27
1725
26
1750
26
1790
26
1806
26
1836
26
1791
25
1815
25
1743
24
1801
24
1860
24
1559
23
1796
23
1829
23
1923
23
1788
22
1813
22
1816
22
1828
22
1779
21
1818
21
1835
21
1837
21
1838
21
1851
21
1861
21
1913
21
1928
21
1967
21
1972
21
1553
20
1738
20
1822
20
1840
20
1887
20
1889
20
1927
20
1929
20
1930
20
0
19
1755
19
1777
19
1897
19
1919
19
1764
18
1778
18
1804
18
1811
18
1890
18
1904
18
1915
18
1931
18
On-site Access
Accessible by appointment in the Study Room
52
Image Use
Free to Use
50
Under Certain Circumstances
2
Image Available
Unavailable
[remove]
52
Classification
Prints
[remove]
52
Creator Gender
male
50
unknown
4
Collective Title
Blake's Illustrations of Dante
9
Illustrations to Milton's Paradise Lost
1
The Ports of England
1
Period
19th century
52
Materials & Techniques
etching (printing process)
8
wove paper
8
hand coloring
7
watercolor
7
mezzotint
5
laid paper
4
aquatint
2
China paper
1
engraver's proof
1
graphite
1
line engraving
1
scratching out
1
touched proof
1
Height [cm]
Height [cm] range begin
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Current results range from
0
to
57
Unknown
2
Width [cm]
Width [cm] range begin
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Current results range from
0
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51
Unknown
3
Work Type
intaglio print
12
aquatint
2
accordion fold format (binding)
1
panorama
1
publishers' advertisement
1
view
1
Genre
landscape
2
literary theme
2
animal art
1
genre subject
1
marine art
1
religious and mythological subject
1
sporting art
1
Subject Terms
Alps, Swiss (Switzerland) -- Pictorial works.
1
Castles -- Great Britain.
1
Eton College.
1
Mountains -- Switzerland -- Pictorial works.
1
Rigi Mountain (Switzerland) -- Pictorial works.
1
Windsor Castle.
1
animal art
1
birds
1
bridles
1
bugle
1
carriage
1
coach (carriage)
1
coachman
1
driver
1
dust
1
genre subject
1
harness
1
hats
1
horses (animals)
1
landscape
1
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Subject Terms
»
Associated Places
Alps, Swiss (Switzerland)
1
Great Britain
1
Rigi Mountain (Switzerland)
1
Exhibition History
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
3
Roads to Rails - Revolution in British Transport (Yale Center for British Art, 1992-04-15 - 1992-06-28)
2
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
1
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
29
Yale Center for British Art; Gift of Mr. George L. Green
10
Yale Center for British Art, Gift of Godfrey Pearlson
5
Yale Center for British Art, Paul Mellon Fund
2
Yale Center for British Art; Yale University Art Gallery Collection
2
Yale Center for British Art, Gift of Godfrey Pearlson.
1
Yale Center for British Art, Gift of Mr. George L. Green
1
Language
English
1
German
1
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Date
1827
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1
Print made by William Blake, 1757–1827
Ciampolo the Barrator Tormented by the Devils (Plate 2)
1827
2
Print made by William Blake, 1757–1827
The Six-Footed Serpent Attacking Agnolo Brunelleschi (Plate 4)
1827
3
Print made by William Blake, 1757–1827
The Serpent Attacking Buoso Donati (Plate 5)
1827
4
Print made by William Blake, 1757–1827
The Pit of Disease: The Falsifiers (Plate 6)
1827
5
Print made by William Blake, 1757–1827
Dante Striking against Bocca Degli Abati (Plate 7)
1827
6
Print made by William Blake, 1757–1827
The Circle of the Lustful: Francesca da Rimini, 'The Whirlwind of Lovers' (Plate 1)
1827
7
Print made by William Blake, 1757–1827
The Baffled Devils Fighting (Plate 3)
1827
8
Prints made by William Blake, 1757–1827
Illustrations to Dante's Divine Comedy
1827
9
Prints made by William Blake, 1757–1827
Illustrations to Dante's Divine Comedy
1827
10
Samuel William Reynolds, 1773–1835
Meditation
1827
11
Henry Bernard Chalon, 1771–1849
Passions of the Horse an entirely New Work described in Six subjects. 1. Rage and Agony. Each plate dedicated to George IV
1827
12
Henry Thomas Alken, 1785–1851
The Eagle Paris and Dover [sic] Coach
1827
13
Print made by John Martin, 1789–1854
Illustrations to Milton's 'Paradise Lost'
1827
14
Richard James Lane, 1800–1872
A Girl at her Devotions (Volume of 102 Lithographs)
1827
15
Richard James Lane, 1800–1872
The Orphans (Volume of 102 Lithographs)
1827
16
Richard James Lane, 1800–1872
Study for a Principal Figure in the Picture of 'The Parish Beadle' (Volume of 102 lithographs)
1827
17
Richard James Lane, 1800–1872
Don Quixote and Sancho Panza (Volume of 102 lithographs)
1827
18
Richard James Lane, 1800–1872
Madame Ronzi de Begnis as Fatima (Volume of 102 lithographs)
1827
19
Richard James Lane, 1800–1872
Love, Jealously, Revenge and Despair
1827
20
Richard James Lane, 1800–1872
La Rosa Parlante (Volume of 102 lithographs)
1827
21
Richard James Lane, 1800–1872
Girl and Parrot (Volume of 102 lithographs)
1827
22
Richard James Lane, 1800–1872
Modesty/ Modestie (Volume of 102 lithographs)
1827
23
Richard James Lane, 1800–1872
Joshua Commanding the Sun to Stand Still (Volume of 102 lithographs)
1827
24
Richard James Lane, 1800–1872
Impudence/ Impudence (Volume of 102 lithographs)
1827
25
Engraved by Henry Pyall, 1795–1833
Mail Coach Behind Time
1827
26
George Alken, 1794–active 1837
Set of Four - Racing: Running
1827
27
George Alken, 1794–active 1837
Set of Four - Racing: Preparing to Start
1827
28
George Alken, 1794–active 1837
Set of Four - Racing: Exercising
1827
29
George Alken, 1794–active 1837
Set of Four - Racing: Coming In
1827
30
after Henry Thomas Alken, 1785–1851
Fox Hunting: Leicestershire - Getting Away
1827
31
George Hunt, active 1820–1840
1st of September
1827
32
George Hunt, active 1820–1840
Stage Coach
1827
33
Charles Hunt, 1803–1877
[Coaching]: Royal Mails, starting from the Post Office, Lombard Street
1827
34
Frederick Rosenberg, active 1816–1832
Coaching: The Mail Coach in a Flood
1827
35
Henry Bernard Chalon, 1771–1849
Passions of the Horse an entirely New Work described in Six subjects. 3. Joy, or Gladness an Old Favourite Hunter. Each plate dedicated to George IV
1827
36
Henry Bernard Chalon, 1771–1849
Passions of the Horse an entirely New Work described in Six subjects. 4. Affection. Each plate dedicated to George IV
1827
37
Print made by Charles Turner, 1774–1857
Robert Dundas, second Viscount Melville
1827
38
Henry Bernard Chalon, 1771–1849
Passions of the Horse an entirely New Work described in Six subjects. 5. Courage. Each plate dedicated to George IV
1827
39
Henry Bernard Chalon, 1771–1849
Passions of the Horse an entirely New Work described in Six subjects. 6. Terror. Each plate dedicated to George IV
1827
40
George Hunt, active 1820–1840
1st of September
1827
41
George Hunt, active 1820–1840
1st of October
1827
42
George Hunt, active 1820–1840
1st of October
1827
43
Print made by Charles Turner, 1774–1857
Robert Dundas, second Viscount Melville
1827
44
Print made by unknown artist
The Tempest or Prospero Triumphant a Sketch from the Picture lately Exhibited at the National Gallery
1827
45
Print made by unknown artist
Achilles in the Sulks after his Retreat, or, The Great Captain on the Stool of Repentance!!
1827
46
Print made by John Phillips, active 1840–1852
Removing Rubbish. Cabinet In's and Out's
1827
47
Print made by Charles Williams, active 1796–1830
Tears of Repentance. Cabinet In's and Out's
1827
48
Print made by John Phillips, active 1840–1852
The King Commander in Chief; or, the Upset of Waterloo - Man, Bags & Baggage
1827
49
Print made by Thomas Jones, active 1828
Transubstantiation -or Symptoms of Dictating- Cabaling- Conspiring- Overawing
1827
50
Print made by Thomas Goff Lupton, 1791–1873
Dover
1827
51
Daniell, William, 1769–1837
To His most excellent Majesty the King, these select views of Windsor Castle and the adjacent scenery are with gracious permission dedicated
[1827?]
52
Keller, Heinrich, 1778–1862
Panorama prise au sommet du Mont Rigi
[1827]