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Collection
Prints and Drawings
4
Creator
Alighieri, Dante, 1265–1321
1
Blake, William, 1757–1827
1
Fairburn, John, active 19th century
1
Fores, S. W., 1761–1838
1
Humphrey, George, ca. 1773–ca. 1831
1
Jones, Thomas, active 1828
1
Phillips, John, active 1840–1852
1
Williams, Charles, active 1796–1830
1
Date
2006
25
1861
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1795
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1827
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4
1762
3
1771
3
1779
3
1785
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1788
3
1801
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1802
3
1807
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1811
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1825
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1908
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1700
2
1729
2
1763
2
1764
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1787
2
1810
2
1813
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2
1823
2
1891
2
1929
2
1930
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2
1983
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1630
1
1738
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1739
1
1743
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1747
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1751
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1756
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1906
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1920
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1
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1
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1945
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1970
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1985
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2000
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2016
1
On-site Access
Accessible by appointment in the Study Room
4
Image Use
Free to Use
4
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4
Classification
Prints
4
Creator Gender
male
4
Collective Title
Blake's Illustrations of Dante
1
Period
19th century
4
Materials & Techniques
wove paper
4
etching (printing process)
3
hand coloring
3
watercolor
3
China paper
1
line engraving
1
Height [cm]
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30
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33
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46
Work Type
intaglio print
4
Genre
literary theme
1
Exhibition History
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
1
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
1
Credit Line
Yale Center for British Art, Gift of Godfrey Pearlson
2
Yale Center for British Art, Gift of Godfrey Pearlson.
1
Yale Center for British Art, Paul Mellon Collection
1
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1827
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1
Prints made by William Blake, 1757–1827
Illustrations to Dante's Divine Comedy
1827
2
Print made by John Phillips, active 1840–1852
The King Commander in Chief; or, the Upset of Waterloo - Man, Bags & Baggage
1827
3
Print made by Thomas Jones, active 1828
Transubstantiation -or Symptoms of Dictating- Cabaling- Conspiring- Overawing
1827
4
Print made by Charles Williams, active 1796–1830
Tears of Repentance. Cabinet In's and Out's
1827