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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
22
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
15
Radclyffe, William, 1780–1855
4
Brandard, Robert, 1805–1862
3
Kernot, James H., 1802–1858
3
Miller, William, 1796–1882
3
Henshall, Josiah, 1806–1869
2
Cooke, George, 1781–1834
1
Cruikshank, George, 1792–1878
1
Harding, James Duffield, 1798–1863
1
Heath, Henry, active 1824–1835
1
McLean, Thomas, 1788–1875
1
Pollard, James, 1792–1867
1
Pyall, Henry, 1795–1833
1
Rosenberg, Frederick, active 1816–1832
1
Sherman, Welby, active 1827
1
Stannard, Joseph, 1797–1830
1
Walter, Henry, 1786–1849
1
Date
1850
47
1795
42
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31
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1789
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1719
29
1807
29
1794
27
1667
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1772
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1796
25
1754
22
1827
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1743
21
1781
21
1792
21
1925
21
1808
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1779
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1782
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1786
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1674
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1750
8
1821
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1859
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1893
8
1897
8
1910
8
1753
7
On-site Access
Accessible by appointment in the Study Room
22
Image Use
Free to Use
22
Image Available
Available
21
Unavailable
1
Classification
Prints
22
Creator Gender
male
22
Collective Title
Picturesque Views in England and Wales
15
Views in London and Its Vicinity, 1826-34
1
Period
19th century
22
Materials & Techniques
wove paper
6
etching (printing process)
5
aquatint
2
hand coloring
2
watercolor
2
chine collé
1
engraving (printing process)
1
line engraving
1
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43
Unknown
5
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57
Unknown
5
Work Type
intaglio print
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22
Genre
genre subject
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22
landscape
9
cityscape
7
architectural subject
4
marine art
3
animal art
2
figure study
1
sporting art
1
Subject Terms
genre subject
5
landscape
3
animal art
2
caricature
2
hats
2
satire
2
shepherd
2
trees
2
uniforms
2
walking
2
angry
1
architectural subject
1
bags
1
birds
1
bonnet (hat)
1
bonnets
1
bridles
1
bugle
1
building
1
calf (animal)
1
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Subject Terms
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Associated Places
England
1
Greater London
1
Tooting
1
Tooting Church
1
United Kingdom
1
Wandsworth
1
Exhibition History
Deluge (Yale Center for British Art, 2018-12-18 - 2019-03-24)
1
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
21
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960
1
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Date
1827
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intaglio print
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1
Print made by George Cooke, 1781–1834
Tooting Church
1827
2
Print made by Henry Heath, active 1824–1835
Extravaganza's of 1827
1827
3
Print made by Robert Brandard, 1805–1862
Lancaster Sands
1827-1838
4
Print made by Robert Brandard, 1805–1862
Lancaster Sands
1827-1838
5
Print made by Robert Brandard, 1805–1862
Lancaster Sands
1827-1838
6
Print made by William Radclyffe, 1780–1855
Louth, Lincolnshire
1827-1838
7
Print made by William Radclyffe, 1780–1855
Louth, Lincolnshire
1827-1838
8
Print made by William Miller, 1796–1882
Stamford, Lincolnshire
1827-1838
9
Print made by Josiah Henshall, 1806–1869
Winchelsea, Sussex
1827-1838
10
Print made by James H. Kernot, 1802–1858
St. Mawes, Cornwall
1827-1838
11
Print made by William Radclyffe, 1780–1855
Louth, Lincolnshire
1827-1838
12
Print made by William Radclyffe, 1780–1855
Louth, Lincolnshire
1827-1838
13
Print made by William Miller, 1796–1882
Stamford, Lincolnshire
1827-1838
14
Print made by William Miller, 1796–1882
Stamford, Lincolnshire
1827-1838
15
Print made by Josiah Henshall, 1806–1869
Winchelsea, Sussex
1827-1838
16
Print made by James H. Kernot, 1802–1858
St. Mawes, Cornwall
1827-1838
17
Print made by James H. Kernot, 1802–1858
St. Mawes, Cornwall
1827-1838
18
Engraved by Welby Sherman, active 1827
The Shepherd
between 1827 and 1836
19
Print made by Joseph Stannard, 1797–1830
The Beach at Mundesley
1827
20
Print made by Frederick Rosenberg, active 1816–1832
The Mail Coach in a Flood
1827
21
Print made by George Cruikshank, 1792–1878
Blear-Eyed Moll
ca. 1832
22
Engraved by Henry Pyall, 1795–1833
Mail Coach Behind Time
1827