The Six-Footed Serpent Attacking Agnolo Brunelleschi (Plate 4)
1827
4
Print made by William Blake, 1757–1827
The Serpent Attacking Buoso Donati (Plate 5)
1827
5
Print made by William Blake, 1757–1827
The Circle of the Lustful: Francesca da Rimini, 'The Whirlwind of Lovers' (Plate 1)
1827
6
Print made by William Blake, 1757–1827
The Baffled Devils Fighting (Plate 3)
1827
7
Print made by William Blake, 1757–1827
The Pit of Disease: The Falsifiers (Plate 6)
1827
8
Print made by William Blake, 1757–1827
Dante Striking against Bocca Degli Abati (Plate 7)
1827
9
Print made by William Blake, 1757–1827
Ciampolo the Barrator Tormented by the Devils (Plate 2)
1827
10
Henry Harris Lines, 1801–1899
Album of 50 sketches made in the years 1827 and 1828 for H.C
1827-1828
11
Thomas D. W. Dearn, 1777–1853
Woman by a Fence outside a Thatched Cottage
1827
12
after Henry Thomas Alken, 1785–1851
Fox Hunting: Leicestershire - Getting Away
1827
13
Octavius Oakley, 1800–1867
Agnes and Emma Coke and Sarah Salmond in a Park
1827
14
George Hunt, active 1820–1840
1st of September
1827
15
George Alken, 1794–active 1837
Set of Four - Racing: Preparing to Start
1827
16
George Alken, 1794–active 1837
Set of Four - Racing: Exercising
1827
17
George Alken, 1794–active 1837
Set of Four - Racing: Coming In
1827
18
Samuel William Reynolds, 1773–1835
Meditation
1827
19
George Hunt, active 1820–1840
Stage Coach
1827
20
Charles Hunt, 1803–1877
[Coaching]: Royal Mails, starting from the Post Office, Lombard Street
1827
21
Frederick Rosenberg, active 1816–1832
Coaching: The Mail Coach in a Flood
1827
22
George Alken, 1794–active 1837
Set of Four - Racing: Running
1827
23
Henry Bernard Chalon, 1771–1849
Passions of the Horse an entirely New Work described in Six subjects. 1. Rage and Agony. Each plate dedicated to George IV
1827
24
Text by Frederick Tatham, 1805–1878
Life of Blake
ca. 1832
25
Engraved by Henry Pyall, 1795–1833
Mail Coach Behind Time
1827
26
Henry Thomas Alken, 1785–1851
The Eagle Paris and Dover [sic] Coach
1827
27
Richard James Lane, 1800–1872
A Girl at her Devotions (Volume of 102 Lithographs)
1827
28
Richard James Lane, 1800–1872
The Orphans (Volume of 102 Lithographs)
1827
29
Richard James Lane, 1800–1872
Don Quixote and Sancho Panza (Volume of 102 lithographs)
1827
30
Richard James Lane, 1800–1872
Madame Ronzi de Begnis as Fatima (Volume of 102 lithographs)
1827
31
Richard James Lane, 1800–1872
Modesty/ Modestie (Volume of 102 lithographs)
1827
32
Richard James Lane, 1800–1872
Study for a Principal Figure in the Picture of 'The Parish Beadle' (Volume of 102 lithographs)
1827
33
Richard James Lane, 1800–1872
Love, Jealously, Revenge and Despair
1827
34
Richard James Lane, 1800–1872
Girl and Parrot (Volume of 102 lithographs)
1827
35
Richard James Lane, 1800–1872
La Rosa Parlante (Volume of 102 lithographs)
1827
36
Richard James Lane, 1800–1872
Joshua Commanding the Sun to Stand Still (Volume of 102 lithographs)
1827
37
Richard James Lane, 1800–1872
Impudence/ Impudence (Volume of 102 lithographs)
1827
38
Print made by John Martin, 1789–1854
Illustrations to Milton's 'Paradise Lost'
1827
39
Henry Bernard Chalon, 1771–1849
Passions of the Horse an entirely New Work described in Six subjects. 4. Affection. Each plate dedicated to George IV
1827
40
Henry Bernard Chalon, 1771–1849
Passions of the Horse an entirely New Work described in Six subjects. 5. Courage. Each plate dedicated to George IV
1827
41
Henry Bernard Chalon, 1771–1849
Passions of the Horse an entirely New Work described in Six subjects. 6. Terror. Each plate dedicated to George IV
1827
42
George Hunt, active 1820–1840
1st of October
1827
43
George Hunt, active 1820–1840
1st of September
1827
44
George Hunt, active 1820–1840
1st of October
1827
45
Henry Bernard Chalon, 1771–1849
Passions of the Horse an entirely New Work described in Six subjects. 3. Joy, or Gladness an Old Favourite Hunter. Each plate dedicated to George IV
1827
46
unknown artist
Vine Cottage
1827
47
Print made by unknown artist
The Tempest or Prospero Triumphant a Sketch from the Picture lately Exhibited at the National Gallery
1827
48
Print made by unknown artist
Achilles in the Sulks after his Retreat, or, The Great Captain on the Stool of Repentance!!
1827
49
Print made by Thomas Jones, active 1828
Transubstantiation -or Symptoms of Dictating- Cabaling- Conspiring- Overawing
1827
50
Print made by Charles Turner, 1774–1857
Robert Dundas, second Viscount Melville
1827
51
Print made by Charles Williams, active 1796–1830
Tears of Repentance. Cabinet In's and Out's
1827
52
Print made by John Phillips, active 1840–1852
Removing Rubbish. Cabinet In's and Out's
1827
53
Print made by Thomas Goff Lupton, 1791–1873
Dover
1827
54
Thomas Cundy, 1790–1867
Design for Grosvenor House, London: Plan
1827
55
Thomas Cundy, 1790–1867
Design for Grosvenor House, London: Chamber Floor and Principal Floor Plans
1827
56
Thomas Cundy, 1790–1867
Design for Grosvenor House, London: Plan
1827
57
Thomas Cundy, 1790–1867
Design for Grosvenor House, London: Plan
1827
58
Thomas Cundy, 1790–1867
Design for Grosvenor House, London: Chamber Floor Plan
1827
59
Thomas Cundy, 1790–1867
Design for Grosvenor House, London: Chamber Floor Plan
1827
60
Thomas Cundy, 1790–1867
Design for Grosvenor House, London: Plan
1827
61
Thomas Cundy, 1790–1867
Design for Grosvenor House, London: Plan
1827
62
Print made by John Phillips, active 1840–1852
The King Commander in Chief; or, the Upset of Waterloo - Man, Bags & Baggage
1827
63
Print made by Charles Turner, 1774–1857
Robert Dundas, second Viscount Melville
1827
64
Mulready, William, 1786–1863
An historical antiquarian and picturesque account of Kirkstall Abbey
1827
65
Crowquill, Alfred
Absurdities
1827
66
Christie, James, 1773–1831
A catalogue of the very choice collection of modern pictures, which have constituted the very distinguished and universally admired gallery of that accomplished and truly spirited patron of the arts, the Rt. Hon. Lord de Tabley, deceased, at no. 24, Hill Street, Berkely Square
[1827]
67
Daniell, William, 1769–1837
To His most excellent Majesty the King, these select views of Windsor Castle and the adjacent scenery are with gracious permission dedicated
[1827?]
68
Watson, William
An historical account of the ancient town and port of Wisbech
1827
69
Dadson, William, 1784–1853
Sketches of the picturesque in Rochester & its vicinity
1827?]
70
Royal Society of Arts (Great Britain)
Royal Society of Arts medal presented to Miss Long
1827
71
Egan, Pierce, 1772–1849
Anecdotes ... of the sporting world ...,
72
Smith, Thomas, fl. 1825
The art of drawing in its various branches
1827
73
Paris, John Ayrton, 1785–1856
Philosophy in sport made science in earnest
1827
74
Wightwick, George, 1802–1872
Select views of the Roman antiquities
1827
75
Hone, William, 1780–1842
Facetiæ and miscellanies
1827
76
Keller, Heinrich, 1778–1862
Panorama prise au sommet du Mont Rigi
[1827]
77
An historical description of Westminster Abbey
1827
78
Kelsall, Charles
A letter to the Society of the Dilettanti,
1827
79
Bewick, Thomas, 1753–1828
Vignettes.
1827
80
Hamilton, George, writer on art
The elements of drawing in its various branches, for the use of students
1827
81
Forrester, Charles Robert, 1803–1850
Eccentric tales
MDCCCXXVII [1827]
82
Cynophilus
Doggiana,
1827]
83
Vitry, Urbain
Le propriétaire architecte
1827
84
Abbott, George, 1803–1838
Drawings for Views of the forts of Bhurtpoore & Weire
1827?
85
Christie, James. 1773–1831
A Catalogue of the whole of the magnificent silver and silver gilt plate, of His Royal Highness the Duke of York, deceased
[1827]
86
Burnet, John, 1784–1868
A practical treatise on painting
1827
87
Fellows, Charles, Sir, 1799–1860
A narrative of an ascent to the summit of Mont Blanc
MDCCCXXVII [1827]
88
Allen, Thomas, 1803–1833
The history and antiquities of London, Westminster, Southwark, and parts adjacent
1827-1828
89
Fox, George Townshend, 1781–1846
Synopsis of the Newcastle Museum
1827
90
Blasche, Bernhard Heinrich, 1766–1832
The art of working in pasteboard
1827
91
Cruikshank, George, 1792–1878
Illustrations to Mornings at Bow-Street
1827
92
Halen, Juan Van, 1790–1864
Narrative of Don Juan van Halen's imprisonment in the dungeons of the Inquisition at Madrid, and his escape in 1817 and 1818