Date: 1826 / Image Use: Free to Use - YCBA Collections Search Search Results

Joseph Mallord William Turner, 1775–1851

Port Ruysdael

exhibited 1827

Not on view

Richard Parkes Bonington, 1802–1828

Seated Turk

1826

Not on view

Lambert Marshall, 1809–1873

'Sultan' at the Marquess of Exeter's Stud, Burghley House

1826

Not on view

Joseph Stannard, 1797–1830

Buckenham Ferry, on the River Yare, Norfolk

1826

Not on view

Lambert Marshall, 1809–1873

Mary Marshall (née Saunders)

1826

Not on view

James Ward, 1769–1859

The Day's Sport

1826

Not on view

Gilbert Stuart Newton, 1794–1835

Captain Macheath Upbraided by Polly and Lucy in the 'Beggar's Opera', 1826

1826

Not on view

Benjamin Robert Haydon, 1786–1846

Venus and Anchises

1826

Not on view

Richard Parkes Bonington, 1802–1828

Barges on a River

1826

Not on view

Richard Parkes Bonington, 1802–1828

Grand Canal, Venice

1826

Not on view

John Linnell, 1792–1882

Jane Susanna Puxley

1826

Not on view

John Linnell, 1792–1882

A Member of the Puxley Family

1826

Not on view

Print made by John Constable, 1776–1837

The Ruins of Netley Abbey

1826

Joseph Mallord William Turner, 1775–1851

Tours, Looking Backward

between 1826 and 1830

Print made by William Blake, 1757–1827

"Help! Help!" (Plate 12)

1826

Print made by William Blake, 1757–1827

"My son! my Son!" (Plate 10)

1826

Print made by William Blake, 1757–1827

"I want! I want!" (Plate 11)

1826

Print made by William Blake, 1757–1827

Aged Ignorance (Plate 13)

1826

Print made by William Blake, 1757–1827

"Does thy God O Priest take such vengeance as this?" (Plate 14)

1826

Print made by William Blake, 1757–1827

"The Traveller hasteth in the Evening" (Plate 16)

1826

Print made by William Blake, 1757–1827

"I have said to the Worm: Thou art my mother & my sister" (Plate 18)

1826

Print made by William Blake, 1757–1827

"Fear & hope are -- Vision" (Plate 15)

1826

Print made by William Blake, 1757–1827

Death's Door (Plate 17)

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Title Page (Plate 1)

1826

Print made by William Blake, 1757–1827

"To The Accuser who is The God of This World..." (Plate 19)

1826

Print made by William Blake, 1757–1827

Frontispiece, "What is Man!" (Plate 2)

1826

Print made by William Blake, 1757–1827

Water (Plate 4)

1826

Print made by William Blake, 1757–1827

Earth (Plate 5)

1826

Print made by William Blake, 1757–1827

"At length for hatching ripe he breaks the shell" (Plate 8)

1826

Print made by William Blake, 1757–1827

Alas! (Plate 9)

1826

Print made by William Blake, 1757–1827

"He meets his Saviour in the Grave..." (Plate 20)

1826

Print made by William Blake, 1757–1827

Air (Plate 6)

1826

Print made by William Blake, 1757–1827

Fire (Plate 7)

1826

Print made by William Blake, 1757–1827

"I found him beneath a Tree" (Plate 3)

1826

Prints made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, London, 1826

1826

unknown artist

A View of Dover Castle

between 1826 and 1866

unknown artist

A View of the City of Dover

between 1826 and 1866

unknown artist

A View of Walmer Castle

between 1826 and 1866

unknown artist

View of a Town with Cliffs in the Background

between 1826 and 1866

unknown artist

A View of Danbury Park

between 1826 and 1866

unknown artist

A View of the Maison Dieu at Dover

between 1826 and 1866

unknown artist

The Norman Staircase, Canterbury

between 1826 and 1866

unknown artist

A View of Shottesbrooke Park

between 1826 and 1866

unknown artist

Sketch of York Gate, Broadstairs

between 1826 and 1866

unknown artist

A Coastline with Ships at Sea

between 1826 and 1866

John Frederick Lewis, 1804–1876

A Head Keeper, Windsor Castle, 1826

1826

attributed to William Henry Hunt, 1790–1864

Beauvais

ca. 1831

William Payne, active 1850s

View at Caernarvon, Wales

1826

William Payne, active 1850s

On the River Tivy, near Cardigan, Wales

1826

Print made by William Miller, 1796–1882

Bass Rock

1826

Print made by William Miller, 1796–1882

Bass Rock

1826

Print made by George Cooke, 1781–1834

Dover from Shakespeare's Cliff

1826

Print made by William Radclyffe, 1780–1855

Deal, Kent

1826

Print made by George Cooke, 1781–1834

Dover from Shakespeare's Cliff

1826

Print made by George Cooke, 1781–1834

Dover from Shakespeare's Cliff

1826

Print made by George Cooke, 1781–1834

Dover from Shakespeare's Cliff

1826

Print made by George Cooke, 1781–1834

Dover from Shakespeare's Cliff

1826

Print made by George Cooke, 1781–1834

Edinburgh Castle

1826

Print made by Edward Francis Finden, 1791–1857

Bolton Abbey, Wharfdale

1826

Print made by Robert Wallis, 1794–1878

Folkstone, Kent

1826

Print made by George Cooke, 1781–1834

Edinburgh Castle

1826

Print made by Robert Wallis, 1794–1878

Edinburgh from Leith Harbour

1826

Print made by Edward Goodall, 1795–1870

Richmond Hill

1826-1832

Print made by Edward Goodall, 1795–1870

Richmond Hill

1826

Edward Francis Burney, 1760–1848

Illustration for- The New Doll: Untitled

1826

George Fennell Robson, 1788–1833

Tryfan, Carnarvonshire

1826

Henry Courtney Selous, 1811–1890

Illustration to Pilgrim's Progress, 10. (The Pilgrim in the Armory)

undated

Print made by Thomas Talbot Bury, 1811–1877

The Royal Naval School at New Cross

undated

William Walker, 1791–1867

Henry Raeburn

1826

Print made by Edward Goodall, 1795–1870

Richmond Hill

1826

Print made by Robert Wallis, 1794–1878

Virginia Water, No. 2

1826-1837

Print made by James Tibbits Willmore, 1800–1863

Nantes

1826-1837

Print made by Edward Francis Finden, 1791–1857

Bolton Abbey, Wharfdale

1826