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The museum is reopening to the public in March 2025.
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Collection
Paintings and Sculpture
2
Prints and Drawings
1
Creator
Blake, William, 1757–1827
1
Bonington, Richard Parkes, 1801–1828
1
Newton, Gilbert Stuart, 1794–1835
1
Date
1860
11
1835
7
1804
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1829
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1852
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1875
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1880
5
1769
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1803
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1809
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1821
3
1825
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1826
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3
1828
3
1830
3
1834
3
1840
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1844
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1857
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1904
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1920
3
1763
2
1765
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1777
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1789
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1
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1
1823
1
1827
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1833
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1836
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1841
1
On-site Access
Not on view
2
Accessible by appointment in the Study Room
1
Image Use
Free to Use
3
Image Available
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Classification
Paintings
2
Prints
1
Creator Gender
male
3
Collective Title
For the Sexes: The Gates of Paradise, Copy G
1
Period
19th century
3
Materials & Techniques
canvas
2
oil paint
2
painting (technique)
2
etching (printing process)
1
line engraving
1
wove paper
1
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97
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121
Work Type
painting
2
intaglio print
1
Genre
literary theme
2
portrait
1
religious and mythological subject
1
Subject Terms
light
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3
costume
2
interior
2
literary theme
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Turkish
1
actors
1
alcohol
1
beard
1
beauty spot
1
bed
1
broken
1
captain (military officer)
1
cell
1
chiaroscuro
1
children
1
curtains
1
death
1
drapes
1
drinking glasses
1
dying
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Exhibition History
Richard Parkes Bonington (Musée du Petit Palais, 1992-03-05 - 1992-05-17)
1
Richard Parkes Bonington (Yale Center for British Art, 1991-11-13 - 1992-01-19)
1
Richard Parkes Bonington 2018 (Richard L. Feigen & Co., 2018-10-23 - 2019-01-09)
1
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
3
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Date
1826
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light
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1
Richard Parkes Bonington, 1802–1828
Seated Turk
1826
Not on view
2
Gilbert Stuart Newton, 1794–1835
Captain Macheath Upbraided by Polly and Lucy in the 'Beggar's Opera', 1826
1826
Not on view
3
Print made by William Blake, 1757–1827
"Fear & hope are -- Vision" (Plate 15)
1826