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Collection
Prints and Drawings
58
Creator
Blake, William, 1757–1827
20
Turner, J. M. W. (Joseph Mallord William), 1775–1851
11
Unknown artist
9
Cooke, George, 1781–1834
6
McLean,, active 1820s
6
Hastings, Thomas Capt., 1778–1854
4
Scott, David, 1806–1849
4
Sibson, Thomas, 1817–1844
4
Chinnery, George, 1774–1852
2
Goodall, Edward, 1795–1870
2
Wallis, Robert, 1794–1878
2
Radclyffe, William, 1780–1855
1
Reynolds, Joshua, Sir, 1723–1792
1
Stockdale, Frederick Wilton Litchfield, active 1803–1848
1
Turner, Charles, 1774–1857
1
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1814
140
1827
91
1826
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1800
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1913
1
On-site Access
Accessible by appointment in the Study Room
58
Image Use
Free to Use
58
Image Available
Available
54
Unavailable
4
Classification
Prints
39
Drawings & Watercolors
19
Creator Gender
male
49
unknown
9
Collective Title
For the Sexes: The Gates of Paradise, Copy G
20
Cooke's Picturesque Views of the Southern Coast of England
7
Sketches, Volume IV: Drawings of Isle of Wight, Hampshire and Devon
3
Provincial Antiquities and Picturesque Scenery of Scotland
2
Sketches, Vol. 6: 152 Drawings of Isle of Wight, Canterbury, and Hampstead, etc.
1
The Amulet
1
The Literary Souvenir
1
Period
19th century
[remove]
58
Materials & Techniques
wove paper
40
line engraving
29
etching (printing process)
26
graphite
10
chine collé
4
tracing
3
brown ink
2
laid paper
2
red chalk
2
mezzotint
1
pens
1
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Work Type
intaglio print
32
drawing
10
frontispiece
1
watercolor
1
Genre
literary theme
23
religious and mythological subject
19
landscape
12
military art
6
genre subject
5
marine art
4
architectural subject
2
cityscape
1
Subject Terms
literary theme
19
religious and mythological subject
19
text
17
men
11
nudes
9
children
8
beard
5
leaf
5
trees
5
night
4
sitting
4
wings
4
angel
3
branches
3
cane
3
clouds
3
marine art
3
sky
3
stars
3
sun
3
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Associated Places
England
4
United Kingdom
4
Kent
3
English Channel
2
Europe
2
Deal
1
Edinburgh
1
Folkestone
1
Leith
1
London
1
North Sea
1
North Yorkshire
1
Parish Church of St. Mary and St. Eanswythe
1
Richmond
1
Richmond Hill
1
Richmond Park
1
Saint Margaret's at Cliffe
1
Scotland
1
Thames
1
Associated People
Shakespeare, William (1564–1616), playwright and poet
5
Exhibition History
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
2
Credit Line
Yale Center for British Art, Paul Mellon Collection
52
Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery
4
Yale Center for British Art, Paul Mellon Fund
1
Yale Center for British Art; Yale University Art Gallery Collection
1
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Date
1826
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19th century
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1
Print made by William Blake, 1757–1827
"I want! I want!" (Plate 11)
1826
2
Print made by William Blake, 1757–1827
"Fear & hope are -- Vision" (Plate 15)
1826
3
Print made by William Blake, 1757–1827
Death's Door (Plate 17)
1826
4
Print made by William Blake, 1757–1827
"I have said to the Worm: Thou art my mother & my sister" (Plate 18)
1826
5
Print made by William Blake, 1757–1827
"I found him beneath a Tree" (Plate 3)
1826
6
Print made by William Blake, 1757–1827
Water (Plate 4)
1826
7
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Title Page (Plate 1)
1826
8
Print made by William Blake, 1757–1827
"My son! my Son!" (Plate 10)
1826
9
Print made by William Blake, 1757–1827
"Help! Help!" (Plate 12)
1826
10
Print made by William Blake, 1757–1827
Aged Ignorance (Plate 13)
1826
11
Print made by William Blake, 1757–1827
"Does thy God O Priest take such vengeance as this?" (Plate 14)
1826
12
Print made by William Blake, 1757–1827
"He meets his Saviour in the Grave..." (Plate 20)
1826
13
Print made by William Blake, 1757–1827
"To The Accuser who is The God of This World..." (Plate 19)
1826
14
Print made by William Blake, 1757–1827
Frontispiece, "What is Man!" (Plate 2)
1826
15
Print made by William Blake, 1757–1827
Earth (Plate 5)
1826
16
Print made by William Blake, 1757–1827
Air (Plate 6)
1826
17
Print made by William Blake, 1757–1827
"At length for hatching ripe he breaks the shell" (Plate 8)
1826
18
Print made by William Blake, 1757–1827
Fire (Plate 7)
1826
19
Print made by William Blake, 1757–1827
Alas! (Plate 9)
1826
20
Prints made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, London, 1826
1826
21
unknown artist
Beach Scene with the Town of Deal in the Distance
between 1826 and 1866
22
unknown artist
Trees in a Park
between 1826 and 1866
23
unknown artist
The Beach at Dover
between 1826 and 1866
24
unknown artist
St. Margaret's Church near Dover
between 1826 and 1866
25
unknown artist
Sketch of Ships at Sea
between 1826 and 1866
26
McLean, active 1820s
McLean's Scraps for Albums
1826
27
Print made by George Cooke, 1781–1834
Edinburgh Castle
1826
28
Print made by Robert Wallis, 1794–1878
Edinburgh from Leith Harbour
1826
29
Capt. Thomas Hastings, 1778–1854
West Cowes, From East
1826
30
Capt. Thomas Hastings, 1778–1854
Saint Lawrence Church, Isle of Wight
1826
31
Capt. Thomas Hastings, 1778–1854
Sketch of a Park Scene with East Cowes Castle in the Distance, Isle of Wight
between 1826 and 1830
32
Capt. Thomas Hastings, 1778–1854
Newport, 16 September 1826
1826
33
Print made by Charles Turner, 1774–1857
Children Crying Forfeits
1826
34
unknown artist
A View of Walmer Castle
between 1826 and 1866
35
unknown artist
A View of the City of Dover
between 1826 and 1866
36
unknown artist
Part of a Building Surrounded by a Forest
between 1826 and 1866
37
Print made by Robert Wallis, 1794–1878
Folkstone, Kent
1826
38
Print made by William Radclyffe, 1780–1855
Deal, Kent
1826
39
Print made by George Cooke, 1781–1834
Dover from Shakespeare's Cliff
1826
40
Print made by George Cooke, 1781–1834
Dover from Shakespeare's Cliff
1826
41
Print made by George Cooke, 1781–1834
Dover from Shakespeare's Cliff
1826
42
Print made by George Cooke, 1781–1834
Dover from Shakespeare's Cliff
1826
43
Print made by George Cooke, 1781–1834
Dover from Shakespeare's Cliff
1826
44
unknown artist
Two Fishermen on a Beach
between 1826 and 1866
45
Print made by Edward Goodall, 1795–1870
Richmond Hill
1826
46
Print made by Edward Goodall, 1795–1870
Florence, from the Chiesa al Monte
1826-1837
47
McLean, active 1820s
McLean's Scraps for Albums
1826
48
McLean, active 1820s
McLean's Scraps for Albums
1826
49
McLean, active 1820s
McLean's Scraps for Albums
1826
50
McLean, active 1820s
McLean's Scraps for Albums
1826
51
McLean, active 1820s
McLean's Scraps for Albums
1826
52
George Chinnery, 1774–1852
A Chinese Junk
between 1826 and 1852
53
Print made by Frederick W. L. Stockdale, active 1803–1848
Midgham House, the Seat of W.S. Poyntz, Esq., M.P
1826
54
George Chinnery, 1774–1852
A Market Place and Crowd
between 1826 and 1852
55
David Scott, 1806–1849
Six Designs for Coleridge's Rime of the Ancient Mariner: Death and Line-in-Death, Dice for the Crew
ca. 1831
56
David Scott, 1806–1849
Six Designs for Colreidge's Rime of the Ancient Mariner: The Spectre Ship Approaches
ca. 1831
57
David Scott, 1806–1849
Six Designs for Coleridge's Rime of the Ancient Mariner: While Spirits of Peace Descend
ca. 1831
58
David Scott, 1806–1849
Six Designs for Coleridge's Rime of the Ancient Mariner: The Spirit of the South Sends Forth the Albatross as a Sign of Peace to the Ship
ca. 1831