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1. New Weir on the Wye (replica reversed)

New Weir on the Wye (replica reversed)
Creator:
Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:
1825
Materials & Techniques:
Mezzotint and etching on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 11 1/2 × 13 5/8 inches (29.2 × 34.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Storm Coming On off Portsmouth

Storm Coming On off Portsmouth
Creator:
Print made by William Richardson, active 1842–1877
Date:
between 1825 and 1860
Materials & Techniques:
Mezzotint; engraver's proof on thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 10 3/8 × 13 3/4 inches (26.4 × 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Aldborough

Aldborough
Creator:
Print made by James C. Allen, active 1821–1831
Date:
ca. 1830
Materials & Techniques:
Etching and line engraving; 1st state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 × 13 3/4 inches (25.4 × 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Brougham Castle, near the Junction of the Rivers Eamont and Lowther

Brougham Castle, near the Junction of the Rivers Eamont and Lowther
Creator:
Print made by William Say, 1768–1834
Date:
1825
Materials & Techniques:
Mezzotint, published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 × 13 7/8 inches (25.4 × 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Elizabeth Duchess of Rutland

No cover image available
Creator:
Print made by Samuel Cousins, 1801–1887
Date:
1825
Materials & Techniques:
Mezzotint on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 27 1/2 × 17 1/4 inches (69.9 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund