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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
9
Paintings and Sculpture
3
Creator
Bonington, Richard Parkes, 1801–1828
5
Alken, Henry Thomas, 1784–1851
3
McLean, Edward, active 1823–1830
3
Engelmann, Godefroy, 1788–1839
2
Heath, Henry, active 1824–1835
2
Agasse, Jacques Laurent, 1767–1849
1
Constable, John, 1776–1837
1
Feillet,, active 1822–1828
1
Date
1850
33
1828
24
1772
17
1825
13
1824
[remove]
12
1715
11
1775
9
1745
8
1792
8
1793
8
1799
8
1855
8
1771
7
1808
7
1770
6
1782
6
1831
6
1675
5
1744
5
1769
5
1773
5
1776
5
1780
5
1783
5
1800
5
1835
5
2005
5
1762
4
1764
4
1768
4
1779
4
1787
4
1788
4
1795
4
1812
4
1818
4
1823
4
1830
4
1832
4
1842
4
2003
4
1700
3
1720
3
1740
3
1748
3
1755
3
1758
3
1766
3
1774
3
1785
3
1789
3
1790
3
1794
3
1801
3
1802
3
1807
3
1814
3
1822
3
1829
3
1833
3
1840
3
1873
3
1894
3
1911
3
2001
3
2004
3
1721
2
1725
2
1730
2
1731
2
1749
2
1750
2
1754
2
1760
2
1778
2
1784
2
1796
2
1797
2
1805
2
1809
2
1810
2
1811
2
1816
2
1817
2
1821
2
1827
2
1837
2
1839
2
1843
2
1844
2
1845
2
1890
2
1897
2
1907
2
1908
2
1910
2
1920
2
2006
2
1630
1
1655
1
On-site Access
Accessible by appointment in the Study Room
9
Not on view
2
On view at the Yale University Art Gallery
1
Image Use
Free to Use
12
Image Available
Available
12
Classification
Prints
9
Paintings
3
Creator Gender
male
12
Collective Title
As You Like It
3
Shakespeare's Seven Ages of Man
3
Voyages pittoresques et romantiques dans l'ancienne France
2
Restes et Fragments d'Architecture du Moyen Age
1
Voyages pittoresques et romantiques dans l'ancienne France'
1
Period
19th century
12
Materials & Techniques
wove paper
9
lithography
4
chine collé
3
hand coloring
3
painting (technique)
3
soft-ground etching
3
etching (printing process)
2
canvas
1
oil paint
1
tint
1
Height [cm]
Height [cm] range begin
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99
Width [cm]
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Current results range from
20
to
140
Work Type
intaglio print
5
planographic print
4
painting
3
Genre
genre subject
[remove]
12
architectural subject
3
cityscape
3
literary theme
3
landscape
2
animal art
1
marine art
1
Subject Terms
costume
[remove]
12
genre subject
12
men
9
dogs (animals)
6
selling
6
women
6
baskets
5
buildings
5
buying
5
children
5
humor
5
satire
5
street
5
birds
4
houses
4
As You Like It, Act II, Scene VII
3
architectural subject
3
books
3
carts
3
city
3
more
Subject Terms
»
Associated Places
France
5
Europe
4
Haute-Normandie
3
Normandy
3
England
2
Eure
2
United Kingdom
2
Basse-Normandie
1
Boulogne-sur-Mer
1
Caen
1
Calvados
1
Dedham
1
Dunkerque
1
East Bergholt
1
Eglise Saint-Sauveur
1
Gisors
1
Greater London
1
Langham
1
London
1
Nord-Pas-de-Calais
1
more
Associated Places
»
Associated People
Shakespeare, William (1564–1616), playwright and poet
3
Exhibition History
In a New Light: Paintings from the Yale Center for British Art (Yale University Art Gallery, 2023-03-24 - 2023-12-03)
2
Painting in England 1700-1850 - From The Collection of Mr. and Mrs. Paul Mellon (Yale University Art Gallery, 1965-04-15 - 1965-06-20)
2
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
2
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
2
This Other Eden : British Paintings from the Paul Mellon Collection at Yale (Art Gallery of New South Wales, 1998-05-01 - 1998-07-05)
2
This Other Eden : British Paintings from the Paul Mellon Collection at Yale (Art Gallery of South Australia, 1998-09-16 - 1998-11-15)
2
This Other Eden : British Paintings from the Paul Mellon Collection at Yale (Queensland Art Gallery, 1998-07-15 - 1998-09-06)
2
Constable - Impressions of Land, Sea and Sky (National Gallery of Australia, 2006-03-03 - 2006-06-12)
1
Constable - Impressions of Land, Sea and Sky (National Museum of New Zealand, Te Papa Tongarewa, 2006-07-07 - 2006-10-08)
1
Constable to Delacroix : British Art and the French Romantics 1820-1840 (Minneapolis Institute of Arts, 2003-06-01 - 2003-08-27)
1
Constable to Delacroix : British Art and the French Romantics 1820-1840 (Tate Britain, 2003-02-06 - 2003-05-11)
1
Constable to Delacroix : British Art and the French Romantics 1820-1840 (The Metropolitan Museum of Art, 2003-09-29 - 2004-01-04)
1
John Constable - A Selection of Paintings from the Collection of Mr. and Mrs. Paul Mellon (National Gallery of Art, 1969-04-30 - 1969-11-01)
1
Richard Parkes Bonington (Musée du Petit Palais, 1992-03-05 - 1992-05-17)
1
Richard Parkes Bonington (Yale Center for British Art, 1991-11-13 - 1992-01-19)
1
Tate Centenary Development (Tate Britain, 2001-09-25 - 2004-04-23)
1
The Paul Mellon Bequest : Treasures of a Lifetime (Yale Center for British Art, 2001-02-17 - 2001-04-29)
1
Turner and Constable: The Inhabited Landscape (Clark Art Institute, 2018-12-15 - 2019-03-10)
1
YUAG European Galleries (Yale University Art Gallery, 2023-12-01 - 2025-01-15)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
7
Yale Center for British Art, Paul Mellon Fund
4
Yale Center for British Art, Anonymous Gift, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery
1
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Date
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1
John Constable, 1776–1837
Ploughing Scene in Suffolk
1824 to 1825
Not on view
2
Richard Parkes Bonington, 1802–1828
A Fish-market near Boulogne
1824
On view at YUAG
3
Jacques-Laurent Agasse, 1767–1849
Old Smithfield Market
1824
Not on view
4
Print made by Richard Parkes Bonington, 1802–1828
Tour du Gros Horloge, Batie Souis la Domination des Anglais en 1417
1824
5
Print made by Richard Parkes Bonington, 1802–1828
Rue du Gros Horloge
1824
6
Print made by Henry Thomas Alken, 1785–1851
The Justice
1824
7
Print made by Henry Thomas Alken, 1785–1851
The School-Boy
1824
8
Print made by Henry Thomas Alken, 1785–1851
The Lover
1824
9
Print made by Richard Parkes Bonington, 1802–1828
Caen - Eglise Saint-Sauveur
1824
10
Print made by Richard Parkes Bonington, 1802–1828
L'Eglise de St. Gervais et St. Protais
1824
11
Henry Heath, active 1824–1835
Ominum Gatherum No. 6
undated
12
Henry Heath, active 1824–1835
Omnium Gatherum, No. 7
undated