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Collection
Prints and Drawings
32
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
22
Arnald, George, 1763–1841
4
Dubourg, Matthew, active 1786–1838
4
Middiman, Samuel, ca. 1750–1831
4
Pollard, James, 1792–1867
4
Watson, Jonathan, 1820–1847
4
Cooke, William Bernard, 1778–1855
3
Goodall, Edward, 1795–1870
2
Heath, Charles, 1785–1848
2
Le, Keux John, 1783–1846
2
Radclyffe, William, 1780–1855
2
Varrall, J. C., active 1815–1827
2
Wallis, Robert, 1794–1878
2
Calvert, Edward, 1799–1883
1
Colkett, Samuel David, 1806–1863
1
Cooke, George, 1781–1834
1
Le, Keux Henry, 1787–1868
1
Sherman, Welby, active 1827
1
Smith, William R., active 1819–1851
1
Date
1834
299
1827
122
1835
112
1836
112
1825
93
1830
86
1833
81
1832
70
1818
67
1816
61
1837
57
1859
56
1803
52
1828
50
1850
50
1811
47
1814
46
1823
46
1831
44
1820
42
1819
40
1812
39
1821
37
1847
36
1824
33
1838
33
1822
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32
1800
30
1826
30
1813
29
1896
28
1829
26
1808
24
1839
23
1900
22
1864
21
1776
20
1860
20
1789
19
1802
19
1897
19
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19
1921
19
1908
18
1920
18
2000
18
1792
17
1852
17
1865
17
1810
16
1775
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1925
15
1842
14
1855
14
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14
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14
1922
14
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13
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11
1809
11
1856
11
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11
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11
1881
11
1902
11
1905
11
1932
11
1742
10
1797
10
1841
10
1863
10
1877
10
1891
10
1674
9
1744
9
1773
9
1840
9
1890
9
1907
9
1910
9
1929
9
On-site Access
Accessible by appointment in the Study Room
32
Image Use
Free to Use
32
Image Available
Available
31
Unavailable
1
Classification
Prints
[remove]
32
Creator Gender
male
32
Collective Title
Whitaker's History of Richmondshire
11
Provincial Antiquities and Picturesque Scenery of Scotland
5
Cooke's Picturesque Views of the Southern Coast of England
3
Period
19th century
32
Materials & Techniques
wove paper
26
etching (printing process)
25
line engraving
17
chine collé
11
aquatint
4
hand coloring
4
laid paper
3
brown ink
2
graphite
2
mezzotint
2
Asian paper
1
engraver's proof
1
engraving (printing process)
1
touched proof
1
wood engraving (process)
1
Height [cm]
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9
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39
Unknown
1
Width [cm]
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Current results range from
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56
Unknown
1
Work Type
intaglio print
31
relief print
1
Genre
landscape
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32
architectural subject
11
animal art
5
genre subject
5
marine art
5
sporting art
4
cityscape
2
figure study
1
religious and mythological subject
1
Subject Terms
landscape
10
river
10
landscape (representation)
9
trees
9
castle
7
hills
6
marine art
6
architectural subject
5
cityscape
5
costume
5
genre subject
5
men
5
mountains
5
sea
5
animal art
4
boats
4
church
4
cliffs
4
cravats
4
fort
4
more
Subject Terms
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Associated Places
United Kingdom
12
England
11
Europe
5
North Sea
5
Hornby
4
Hornby Castle
4
Lancashire
4
Meuse
4
North Yorkshire
4
Tatham
4
Wenning
4
Belgium
3
Foreness Point
3
Kent
3
Margate
3
Margate Lighthouse
3
Richmond
3
Scotland
3
Swale
3
Bouvignes-sur-Meuse
2
more
Associated Places
»
Associated People
Bacchus
1
Exhibition History
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
1
Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04)
1
Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20)
1
Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
27
Yale Center for British Art, Paul Mellon Fund
5
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Date
1822
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landscape
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1
Print made by William Bernard Cooke, 1778–1855
Margate, Kent
1822
2
Print made by William Bernard Cooke, 1778–1855
Margate, Kent
1822
3
Print made by William Bernard Cooke, 1778–1855
Margate, Kent
1822
4
Print made by J. C. Varrall, active 1815–1827
Merrick Abbey, Swaledale
1822
5
Print made by Henry Le Keux, 1787–1868
Simmer Lake, near Askrig
1822
6
Print made by Samuel Middiman, ca. 1750–1831
Moss Dale Fall
1822
7
Print made by Samuel Middiman, ca. 1750–1831
Moss Dale Fall
1822
8
Print made by Samuel Middiman, ca. 1750–1831
Moss Dale Fall
1822
9
Print made by Charles Heath, 1785–1848
Ingleborough, from Hornby Castle Terrace
1822
10
Print made by William Radclyffe, 1780–1855
Hornby Castle from Tatham Church
1822
11
Print made by Edward Goodall, 1795–1870
Tantallon Castle
1822
12
Print made by Robert Wallis, 1794–1878
Linlithgow Palace
1822
13
Print made by Robert Wallis, 1794–1878
Linlithgow Palace
1822
14
Print made by Samuel Middiman, ca. 1750–1831
Moss Dale Fall
1822
15
Print made by George Cooke, 1781–1834
Crichton Castle
1822
16
Print made by George Arnald, 1763–1841
Bouvignes and Dinant
1822
17
Print made by George Arnald, 1763–1841
Meuse and Sambre, from the Gate of the Sambre
1822
18
Print made by George Arnald, 1763–1841
Meuse and Sambre, from the Gate of the Sambre
1822
19
Print made by George Arnald, 1763–1841
Bouvignes and Dinant
1822
20
Print made by Samuel David Colkett, 1806–1863
The Gipsy Encampment
1822
21
Print made by John Le Keux, 1783–1846
St. Agatha's Abbey, Easby
1822
22
Print made by J. C. Varrall, active 1815–1827
Merrick Abbey, Swaledale
1822
23
Print made by Charles Heath, 1785–1848
Ingleborough, from Hornby Castle Terrace
1822
24
Print made by Edward Calvert, 1799–1883
The Bacchante
ca. 1827
25
Print made by William Radclyffe, 1780–1855
Hornby Castle from Tatham Church
1822
26
Print made by W. R. Smith, active 1819–1851
Heysham and Cumberland Mountains
1822
27
Print made by Edward Goodall, 1795–1870
Tantallon Castle
1822
28
Print made by Matthew Dubourg, active 1786–1838
Snipe Shooting
1822
29
Print made by Matthew Dubourg, active 1786–1838
Grouse Shooting
1822
30
Print made by Matthew Dubourg, active 1786–1838
Pheasant Shooting
1822
31
Print made by Matthew Dubourg, active 1786–1838
Partridge Shooting
1822
32
Print made by John Le Keux, 1783–1846
St. Agatha's Abbey, Easby
1822