Design for the Mechanics' Institution, Basingstoke: Elevation
undated
17
Robert Smirke, 1752–1845
Malvolio abusing Maria, Fabian and Sir Toby
1822
18
Robert Smirke, 1752–1845
Feste, as Sir Topas, addressing Malvolio
1822
19
Robert Smirke, 1752–1845
Viola and Olivia
1822
20
Robert Smirke, 1752–1845
Isabella and Mariana Kneeling Before the Duke
1822
21
unknown artist
Heidelberg
1822
22
James Ward, 1769–1859
A Stunted Oak
1822
23
Sir George Hayter, 1792–1871
Kitchen: Interior, Stone Crouch
1822
24
John Baverstock Knight, 1785–1859
Studland Dock Yard
1822
25
Henry Thomas Alken, 1785–1851
Foxhunting: The Start
1822
26
Henry Thomas Alken, 1785–1851
Foxhunting: The Meet
1822
27
John Buckler FSA, 1770–1851
South East View of the Ruins of Moreton Corbet Castle, Shropshire; belonging to Sir Andrew Corbet, Bart
1822
28
John Buckler FSA, 1770–1851
South View of Thornbury Castle, Gloucestershire
1822
29
John Buckler FSA, 1770–1851
South West View of Thornbury Castle, Gloucestershire
1822
30
John Buckler FSA, 1770–1851
West Front of Thornbury Catle, Gloucestershire
1822
31
John Buckler FSA, 1770–1851
North View of Thornbury Castle, Gloucestershire
1822
32
John Buckler FSA, 1770–1851
South West View of Moreton Corbet Shropshire; belonging to Sir Andrew Corbet Bart
1822
33
Henry Thomas Alken, 1785–1851
Symptoms: of Tragedy, of Comedy, of What Do You Say, of Can't You Hear, of the Ornamental, of the Old Story,
between 1822 and 1827
34
Henry Thomas Alken, 1785–1851
Symptoms: of Being Wanted, of Anxiety, of a Has Been, of Duck Catching
between 1822 and 1827
35
Henry Thomas Alken, 1785–1851
Symptoms: of Taking Lessons, of Having Had Enough, of Earnest, of Fun
between 1822 and 1827
36
Henry Thomas Alken, 1785–1851
Symptoms: of Promising a Vote, of Reminding an Elector, of a Bang up Drive in a Lunday, of Spoiling a Chicken, of Breaking a Hunter, of Reminding a Member, of a Convenient Memory
between 1822 and 1827
37
Henry Thomas Alken, 1785–1851
Symptoms: of a Great One, of a Fine One, of a Queer One, of a Save All, of a View on Brighton Cliff, of Just Got Over a Gate,
between 1822 and 1827
38
Henry Thomas Alken, 1785–1851
Symptoms: of Sporting Friends Likely-to Go Together, of a Double Entendre, of Sporting Friends Likely-to Seperate, of Sure to HIt the Mark
between 1822 and 1827
39
Henry Thomas Alken, 1785–1851
Symptoms: of The Manager's Judgement, of Being on Board a Packet, of Having Enough to Live Upon, of the Laddle Mis-Placed
between 1822 and 1827
40
Henry Thomas Alken, 1785–1851
Symptoms: of Being Drawn, of a Fine Song, of Troting, of Being In, of Being Out, of a Recoil
between 1822 and 1827
41
Henry Thomas Alken, 1785–1851
Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty
between 1822 and 1827
42
Henry Thomas Alken, 1785–1851
Morning Ride
between 1822 and 1823
43
unknown artist
Portraits of a Gray Horse and a Black and White Spaniel, the Property of the Right Honorable C. Arbuthnot, Esq., M.P
1822
44
Sir David Wilkie, 1785–1841
Two Riders Seen from Behind, Oct. 10, 1822
1822
45
Richard Corbould, 1757–1831
Design for a Monument for the North British Insurance Company
ca. 1827
46
Robert Smirke, 1752–1845
Olivia and Maria
1822
47
George Chinnery, 1774–1852
An Elephant
1822
48
John Sell Cotman, 1782–1842
Caverns Excavated in the Rock within the Castle of Château Gaillard, near Andelys, Normandy
1822
49
Thomas Henry Wyatt, 1807–1880
Design for St. David, Pantasaph, Flintshire. East Elevation