Date: 1821 / Width [cm]: 34 / Subject Terms: men - YCBA Collections Search Search Results

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Date 1821

Width [cm] 34

Subject Terms men

1. Edinbourgh vu de la Chapelle S. Antoine

Edinbourgh vu de la Chapelle S. Antoine

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: ca. 1826
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 7/16 x 13 3/16 inches (26.5 x 33.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. "The National Sports of Great Britain" 1821: Badger Catching

"The National Sports of Great Britain" 1821: Badger Catching

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1821
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Mount: 14 1/2 × 19 5/16 inches (36.8 × 49.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. A Cock-fight Watched by Four Men in an Out-House:The Death, Engraved as Plate 40 in "The National Sports of Great Britain"

A Cock-fight Watched by Four Men in an Out-House:The Death, Engraved as Plate 40 in "The National Sports of Great Britain"

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1821
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Mount: 9 11/16 × 13 11/16 inches (24.6 × 34.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. A Cock-Fight Watched by Four Men in an Out-House: The Fight, Engraved as Plate 39 in "The National Sports of Great Britain"

A Cock-Fight Watched by Four Men in an Out-House: The Fight, Engraved as Plate 39 in "The National Sports of Great Britain"

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1821
Materials & Techniques:: Watercolor, pen and blue ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Mount: 9 3/4 × 13 11/16 inches (24.8 × 34.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection